179,854Messages
9,130Senders
30Years
342mboxes

← back to listing · view thread

From:
Dave Walker
To:
Intelligent Dance Music List
Date:
Wed, 25 Jan 1995 10:43:03 -0500 (EST)
Subject:
why so few Detroit comps?
Msg-Id:
<Pine.BSI.3.91.950125101758.18706B-100000@garnet.msen.com>
In-Reply-To:
<9501251453.AA01094@cadsi.com>
Mbox:
idm.9501.gz
On Wed, 25 Jan 1995, Kent Williams wrote:
quoted 4 lines I am curious as to why while I can buy dozens of disks by English dudes> I am curious as to why while I can buy dozens of disks by English dudes > like Orb, FSOL and Orbital, I can't find any good comps of the real detroit > stuff. As much as I like ambient music, do we really need another > ambient comp?
There's a real devotion to vinyl here, since so many of the musicians are also DJ's. Check out the near-fetishization of vinyl with someone like Jeff Mills -- the Cycle 30 EP had *9* locked grooves, for example. Or the X-102 vinyl, with the grooves arranged like Saturn's rings on one side, and the tracks playing from inside-out on the other side... There's also the idea that vinyl 12"s are more "underground" than CD comps. Good news is that Submerge has planned a series of comps (the first, Depth Charge 1, is already out) that will make a fair amount of stuff on the Submerge-affiliated labels (UR, Shockwave, Red Planet, Happy, Simply Soul, and many more) availible on CD for the first time. ----------------------------------------------------------------- dave walker, detroit art services _ marmoset@msen.com freeke robot luv