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On problems

10 messages · 8 participants · spans 17 days · search this subject
1993-12-22 22:21stewart walker On problems
1993-12-22 22:56Matt Corwine Re: On problems
1993-12-23 02:25Alan Michael Parry Re: On problems
1993-12-23 22:55David Kelly Re: On problems
1993-12-24 16:34The Dark Stranger Re: On problems
1994-01-06 13:57Roy Badami Re: On problems
1994-01-06 16:55Roy Badami Re: On problems
1994-01-07 09:33Re: On problems
1994-01-08 20:31Re: On problems
1994-01-08 20:56Alan Michael Parry Re: On problems
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1993-12-22 22:21stewart walkerMy 12" copy of On (the #1 part) has a problem with the track 73 yips. Like why does it ski
From:
stewart walker
Date:
Wed, 22 Dec 93 17:21:14 EST
Subject:
On problems
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My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like why does it skip everywhere I put the needle down yet appear to be scratchless? This sounds like the crosshatching I have heard about. If anyone has had similar problems please let me know. Thanks, Stewart
1993-12-22 22:56Matt Corwine> > > My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like > why doe
From:
Matt Corwine
Date:
Wed, 22 Dec 1993 14:56:02 -0800 (PST)
Subject:
Re: On problems
permalink
quoted 9 lines My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like> > > My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like > why does it skip everywhere I put the needle down yet appear to be > scratchless? This sounds like the crosshatching I have heard about. If > anyone has had similar problems please let me know. > Thanks, > Stewart >
My copy of ON is on CD, but I did have that problem with the inner track, paper side of my Joyrex J9EP (Not the picture disk, the cardboard box with the pop rocks in it..) I had assumed it was crosshatching...
1993-12-23 02:25Alan Michael ParryOn Wed, 22 Dec 1993, stewart walker wrote: > My 12" copy of On (the #1 part) has a problem
From:
Alan Michael Parry
Date:
Wed, 22 Dec 1993 21:25:00 -0500 (EST)
Subject:
Re: On problems
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On Wed, 22 Dec 1993, stewart walker wrote:
quoted 4 lines My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like> My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like > why does it skip everywhere I put the needle down yet appear to be > scratchless? This sounds like the crosshatching I have heard about. If > anyone has had similar problems please let me know.
Just sounds like another bad Warp pressing. I dont have as serious a problem, but my D-Scape has some nasty pops on it. yuck. :flu'id (floo'-)
1993-12-23 22:55David Kellymiles@cybernet.cse.fau.edu (stewart walker) writes: > My 12" copy of On (the #1 part) has
From:
David Kelly
Date:
Thu, 23 Dec 93 17:55:10 EST
Subject:
Re: On problems
permalink
miles@cybernet.cse.fau.edu (stewart walker) writes:
quoted 4 lines My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like> My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like > why does it skip everywhere I put the needle down yet appear to be > scratchless? This sounds like the crosshatching I have heard about. If > anyone has had similar problems please let me know.
i don't have the track, but try putting some more weight on your needle.. if you don't have 1200s just tape a penny or a dime onto the top of your needle and that might be enough weight..
1993-12-24 16:34The Dark StrangerIn article <40cZec1w165w@cybernet.cse.fau.edu> you write: > > My 12" copy of On (the #1 pa
From:
The Dark Stranger
Date:
Fri, 24 Dec 93 16:34:54 GMT
Subject:
Re: On problems
permalink
In article <40cZec1w165w@cybernet.cse.fau.edu> you write:
quoted 5 lines My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like> > My 12" copy of On (the #1 part) has a problem with the track 73 yips. Like > why does it skip everywhere I put the needle down yet appear to be > scratchless? This sounds like the crosshatching I have heard about. If > anyone has had similar problems please let me know.
It does the same for me but is easily solved by adding more weight or messing around with the anti-skate. I think the problem is more due to a poorly aligned/weighted/worn stylus than the actual vinyl. Virtually... :)om ............................................................................. : INTERNET: Dom@sound.demon.co.uk :: Tel: 0831-884-269 Int:+44-831-884-269 : : FIDONET: VF10 at node 2:254/14 :: E-mail me for my PGP public key block. : :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
1994-01-06 13:57Roy BadamiThe first copies I got of On and On remixes (on 12") were both badly scratched. The replac
From:
Roy Badami
Date:
Thu, 06 Jan 1994 13:57:52 +0000
Subject:
Re: On problems
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The first copies I got of On and On remixes (on 12") were both badly scratched. The replacements were better, but still not perfect. I've got other Warp releases (mainly the AI albums) and those pressings are generally pretty good.... What's going on here....? Cosmic
1994-01-06 16:55Roy BadamiA few hours ago I wrote.... > The first copies I got of On and On remixes (on 12") were bo
From:
Roy Badami
Date:
Thu, 06 Jan 1994 16:55:37 +0000
Subject:
Re: On problems
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A few hours ago I wrote....
quoted 2 lines The first copies I got of On and On remixes (on 12") were both badly> The first copies I got of On and On remixes (on 12") were both badly > scratched. The replacements were better, but still not perfect.
Actually, more specifically, my copy of On had a pressing flaw. But my copy of On Remixes was badly scratched, and the cardboard sleave (there was no polythene inner sleeve) contained some grit, which accounts for the scratching. TeeP just mailed me and recounted the same experience re grit in On Remixes. What's going on at Warp....? Cosmic
1994-01-07 09:33poier@sfu.caAnd verily Roy Badami doth spake unto thee: > A few hours ago I wrote.... > > The first co
From:
Date:
Fri, 7 Jan 1994 01:33:39 -0800 (PST)
Subject:
Re: On problems
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And verily Roy Badami doth spake unto thee:
quoted 7 lines A few hours ago I wrote....> A few hours ago I wrote.... > > The first copies I got of On and On remixes (on 12") were both badly > > scratched. The replacements were better, but still not perfect. > Actually, more specifically, my copy of On had a pressing flaw. > But my copy of On Remixes was badly scratched, and the cardboard > sleave (there was no polythene inner sleeve) contained some grit, > which accounts for the scratching.
I have no scratches, but the first track on the second (non-aphex logo) side of my On remixes there are a few nasty dropouts in the first 10 sec. or so. I super-cleansed it in case it was finger-oil or whatnot... oh well -- M. Skye Poier 40% zestier than yesterday |||| Practice random kindness and senseless acts of beauty c-oo THINK "Pound, pound, pound, bleep, bleep, squelch, Yawn" J. Drukman \==
1994-01-08 20:31fms@MIT.EDUOn the last track of the cd version of Madreporic Plate there's this weird little burst of
From:
Date:
Sat, 08 Jan 94 15:31:21 EST
Subject:
Re: On problems
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On the last track of the cd version of Madreporic Plate there's this weird little burst of static at the very end that really sounds like a mistake to me. I mixed it in with some other music and it sounds just like I let the cd go into the next track a second before I stopped it. [fletcher]
1994-01-08 20:56Alan Michael ParryOn Sat, 8 Jan 1994 fms@mit.edu wrote: > On the last track of the cd version of Madreporic
From:
Alan Michael Parry
Date:
Sat, 8 Jan 1994 15:56:06 -0500 (EST)
Subject:
Re: On problems
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On Sat, 8 Jan 1994 fms@mit.edu wrote:
quoted 4 lines On the last track of the cd version of Madreporic Plate there's this weird> On the last track of the cd version of Madreporic Plate there's this weird > little burst of static at the very end that really sounds like a mistake > to me. I mixed it in with some other music and it sounds just like I let > the cd go into the next track a second before I stopped it.
These bursts of static, crackles, and random noise are not uncommon. It seems RJ only records a song once and that tape ususally travels to all his friends and numerous other places being chomped by tape players all the way and then finally, is used to master the track. Its almost become his trademark. <o=--- _/L____ / <(#)> \===| flu'id (floo'-) __/__________\__ / ______ \ /_____/ AFX \_____\ f l u i d \ \ \________/ / / \__\/ \/__/ brit@chopin.udel.edu