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Re: idm times v1.11

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1993-11-03 18:28Jon Drukman idm times v1.11
1993-11-03 18:45Alan Michael Parry Re: idm times v1.11
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1993-11-03 18:28Jon DrukmanIDM TIMES V 1.11 Irresistible Force: Underground Rising High/Instinct EX 256-2 137 6:07 Un
From:
Jon Drukman
Date:
Wed, 3 Nov 93 10:28:24 PST
Subject:
idm times v1.11
IDM TIMES V 1.11 Irresistible Force: Underground Rising High/Instinct EX 256-2 137 6:07 Underground (Atonal Mix) 125 6:19 Flow Motion 126 4:14 War and Peace Live 137 7:49 Underground (Ambient Mix) 125 8:57 Space Is The Place (Instrumental Mix) For a while it seemed that Instinct Records was doomed to be looked upon unfavorably by me as "that crap new york label with moby and all those praga khan offshoots." However, they seem to be wising up - witness their licensing of two Rising High products - "Flying High" and "Underground" by Irresistible Force. "Flying High" has already been done to death, so let's take a look at "Underground"... "Underground (atonal mix)" reminds me rather appropriately of Underground Resistance: sparse, lean 909 thumping away as some mad synthetics fly around the edges. Good track, but not stylistically indicative of the rest of the EP. The other four tracks are all much more recognizable as the dreamy bubbly ambience we've come to know from "Flying High." Excellent stuff, too, mercifully devoid of both Terence McKenna and motivational cassette samples. I've always loved "Space Is The Place" and longed for a vocal-less version (sorry, but Frazier Clarke is half as intelligent and ten times as annoying as Gary Clail) - well, I got my wish, and a domestic price to boot! Thumbs up. William S. Burroughs: Spare Ass Annie and Other Tales Island 162-535 003-2 0:23 Interlude 1 92 4:30 Spare Ass Annie 0:20 Interlude 2 103 2:22 The Last Words Of Dutch Schultz 0:17 Interlude 3 2:05 Mildred Pierce Reporting 85 2:45 Dr. Benway Operates 85 2:13 Warning To Young Couples 75 6:18 Did I Ever Tell You About The Man That Taught His Asshole To Talk? 1:02 Last Words With Ras I. Zulu 83 3:32 A One God Universe 0:36 Interlude 4 82 15:54 The Junky's Christmas 104 4:41 Words Of Advice For Young People 0:47 Last Words With Michael Franti This isn't really dance music in any modern sense of the word, although the tracks with BPM listings do have thumping hip hop grooves. However, it definitely *is* intelligent and I think it might appeal to some of the more adventurous subscribers. This disc is a mix of William S. Burroughs reading some of his more famous selections while The Disposable Heroes Of Hiphoprisy provide musical backing. And what a good marriage this is: Burroughs gravelly drawl always reminded me of the old time jazz hipsters, and the Heroes' grungy jazz-hop is the perfect backdrop for Burroughs tales of insanity in the modern world. Veering between black humor and nauseating images of urban hell, with a healthy dose of irony thrown in, the words create just as much of a mental picture as the music does. A marriage in the truest sense of the word, and a far more artistically successful collaboration than the Terence McKenna/Spacetime Continuum release. So to thee I say, buy now - but don't listen on an empty stomach... Prototype 909: Acid Technology Sonic SNC 2028-2 145 6:34 Empty Space 145 6:22 Pulsation 155 15:27 Prototype [end at 104 BPM] 133 5:19 Radiac 151 6:27 Mindform (cortex) 148 5:11 Hex 3:47 THIS, is acid 145 6:27 Acid Technology The burning question is: why would a group named Prototype 909 have a picture of a 303 on the cover of their record? If I read the liner notes correctly, this was done entirely using old Roland DIN-sync equipment rather than MIDI, which means they limited themselves to a few old synths and drum machines. Unfortunately, it shows in the music. Repetitive, acid tweaky sounds and minimal drum machines. Kinda like Hardfloor only without the amazing climaxes. Also, since they were limiting themselves to the built-in sequencers, the songs don't really go anywhere. It's just boom boom boom around a simple idea, build it up for way too long and then fade out. Maybe it would work on a dancefloor if you mixed it in to something else for a few minutes, but listening to this entire disc on its own will definitely drive you insane (in a bad way). Must be an East Coast kinda thing. The Future Sound Of London: Cascade Virgin VSCDT 1478 129 7:22 Part 1 129 9:38 Part 2 4:24 Part 3 134 4:39 Part 4 137 6:12 Part 5 130 4:16 Shortform Ohmyfuckinggod. 3 million out of ten. (Well, what did you expect!?)
1993-11-03 18:45Alan Michael ParryOn Wed, 3 Nov 1993, Jon Drukman wrote: > Prototype 909: Acid Technology > Sonic SNC 2028-2
From:
Alan Michael Parry
Date:
Wed, 3 Nov 1993 14:45:15 -0400 (EDT)
Subject:
Re: idm times v1.11
On Wed, 3 Nov 1993, Jon Drukman wrote:
quoted 12 lines Prototype 909: Acid Technology> Prototype 909: Acid Technology > Sonic SNC 2028-2 > 145 6:34 Empty Space > 145 6:22 Pulsation > 155 15:27 Prototype [end at 104 BPM] > 133 5:19 Radiac > 151 6:27 Mindform (cortex) > 148 5:11 Hex > 3:47 THIS, is acid > 145 6:27 Acid Technology > The burning question is: why would a group named Prototype 909 have a > picture of a 303 on the cover of their record?
I dont know, but we could easily find out. Prototype909 is actually Dietrich Schoenemann and our very own Taylor808. If you want to explore further, you might want to check out another of Taylors projects, Human Mesh Dance, also on Instinct. flu'id (floo'-)