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[idm] New Podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I

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2014-03-14 08:12Radio Web MACBA [idm] New Podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I
└─ 2014-04-09 13:43Clint Anderson Re: [idm] New Podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I
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2014-03-14 08:12Radio Web MACBAMEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I Produced by Rosanna Arbon Lin
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Radio Web MACBA
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Fri, 14 Mar 2014 09:12:38 +0100
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[idm] New Podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I
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MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I Produced by Rosanna Arbon Link: http://rwm.macba.cat/en/research/memorabilia-eric-isaacson/capsula PDF: http://rwm.macba.cat/uploads/20140313/Memorabilia_Eric_Isaacson_eng.pdf Collecting music began as a private pursuit for Eric Isaacson, from the age of five he was recording songs off the radio and making his own mix tapes. His biggest undertaking was reconstructing the Beatles back catalogue, track by track, album by album entirely off the radio which took him four years to complete. That kind of behaviour might lead you to believe the young Isaacson would grow to be one of the breed of sound collectors that William Bennett refers to as the completists, but Isaacson is far from it. Around 300 records make it into his personal collection at one time, it seems a small amount for someone who runs a record label but Isaacson's collection is constantly on the move - he gets hold of records as quickly as he gets rid of them because ultimately what matters most is the contemporary relationship he is having with each record in his collection. 'I'd go insane otherwise,' he says, 'my interests go in such different directions, I would have to have 50,000 records to represent what I'm into and that's impossible.' In lieu of a physical collection, Isaacson's notebooks which are filled with lists of songs that either have or might make their way on to a Mississippi release are a testament to the extensive amount of records that have been a part of his life over the past ten years. Isaacson's unique design sensibility adorns the covers of Mississippi releases, early influences include Daniel Johnston and punk rock zines, whilst more recent influences include the cover art of Folkways Records and Indian Tantra art, but as with Isaacson's sound collection, his artistic influence is vast. Isaacson says his style was created by his limitations: 'I had to find a unique voice because I couldn't use tricks or skills, flashing lights or dazzling techniques'. Isaacson's cover art is bold, colourful and raw, the imagery is almost cryptic at times and as such Mississippi releases can't help but stand out on any shelf. You can find the complete MEMORABILIA. Colllecting sound with... podcast series here: http://rwm.macba.cat/en/memorabilia_tag/ Enjoy!
2014-04-09 13:43Clint Andersoni collect... i reject.... memorabilia... Clint Anderson Systems Engineer On Fri, Mar 14, 2
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Clint Anderson
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Radio Web MACBA
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Date:
Wed, 9 Apr 2014 08:43:22 -0500
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Re: [idm] New Podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I
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[idm] New Podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I
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i collect... i reject.... memorabilia... Clint Anderson Systems Engineer On Fri, Mar 14, 2014 at 3:12 AM, Radio Web MACBA <rwm2008@gmail.com> wrote:
quoted 52 lines MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I> MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I > > > Produced by Rosanna Arbon > > > > Link: http://rwm.macba.cat/en/research/memorabilia-eric-isaacson/capsula > PDF: > http://rwm.macba.cat/uploads/20140313/Memorabilia_Eric_Isaacson_eng.pdf > > > > Collecting music began as a private pursuit for Eric Isaacson, from the age > of five he was recording songs off the radio and making his own mix tapes. > His biggest undertaking was reconstructing the Beatles back catalogue, > track by track, album by album entirely off the radio which took him four > years to complete. That kind of behaviour might lead you to believe the > young Isaacson would grow to be one of the breed of sound collectors that > William Bennett refers to as the completists, but Isaacson is far from it. > Around 300 records make it into his personal collection at one time, it > seems a small amount for someone who runs a record label but Isaacson's > collection is constantly on the move - he gets hold of records as quickly > as he gets rid of them because ultimately what matters most is the > contemporary relationship he is having with each record in his collection. > 'I'd go insane otherwise,' he says, 'my interests go in such different > directions, I would have to have 50,000 records to represent what I'm into > and that's impossible.' In lieu of a physical collection, Isaacson's > notebooks which are filled with lists of songs that either have or might > make their way on to a Mississippi release are a testament to the extensive > amount of records that have been a part of his life over the past ten > years. > > Isaacson's unique design sensibility adorns the covers > of Mississippi releases, early influences include Daniel Johnston and punk > rock zines, whilst more recent influences include the cover art of Folkways > Records and Indian Tantra art, but as with Isaacson's sound collection, his > artistic influence is vast. Isaacson says his style was created by his > limitations: 'I had to find a unique voice because I couldn't use tricks or > skills, flashing lights or dazzling techniques'. Isaacson's cover art is > bold, colourful and raw, the imagery is almost cryptic at times and as > such Mississippi releases can't help but stand out on any shelf. > > > > You can find the complete MEMORABILIA. Colllecting sound with... podcast > series here: > > http://rwm.macba.cat/en/memorabilia_tag/ > > Enjoy! >