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Re: (idm) in the year 2308...

5 messages · 3 participants · spans 5 days · search this subject
1999-03-02 22:12Alex Reynolds (idm) in the year 2308...
1999-03-05 20:58Che Re: (idm) in the year 2308...
1999-03-05 21:20Tom Millar Re: (idm) in the year 2308...
1999-03-06 02:22Che Re: (idm) in the year 2308...
1999-03-08 01:26Tom Millar Re: (idm) in the year 2308...
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1999-03-02 22:12Alex Reynolds>The Dead Sea Scrolls were written on homemade paper 2k years ago, and >they're still read
From:
Alex Reynolds
To:
Date:
Tue, 2 Mar 1999 17:12:35 -0500
Subject:
(idm) in the year 2308...
permalink · <l03130301b30204744a96@[130.91.128.110]>
quoted 4 lines The Dead Sea Scrolls were written on homemade paper 2k years ago, and>The Dead Sea Scrolls were written on homemade paper 2k years ago, and >they're still readable for the most part. One can only hope that 'modern' >digital media will eventually reach that standard of usability in one tenth >that amount of time.
This will never happen, at least not between our lifetime and our childrens' lifetimes. The Dead Sea Scrolls (DSS), or any other document on parchment-based medium, can only store so many (or little, for that matter) bits of information. Generally speaking, the amount of data that can be stored on a given medium is directly proportional to the technical complexity/storage capacity of the medium and/or the technical requirements of the "reader hardware." The more technically adept you need to be in order to read/decode a document, the more complex the document is likely to be. (And you usually get more storage capacity in the bargain.) CDs store a lot more bits of information than the DSS, but Citizen XFD321B from the year 2308 would need to know a lot about optics, fast Fourier transforms, etc. in order to recover the binary data from a CD. It's safe to say that these fairly advanced concepts didn't exist back in the days of the Essenes. DNA is another good example, even though the genetic code is very simple (quaternary instead of the CD's binary). To read the simple code of the DNA ('read' in a biochemical sense) you need structurally-complex protein/nucleotide "readers" to translate the DNA script into something useful (more protein). This 'hardware' took billions of years to evolve. The DSS do not convey as much info as a compact disc or a strand of DNA, but then, you don't need much more than a pair of eyeballs to at least get started. Humans already have this visual 'hardware' built into them. A remarkable (r)evolution in language, culture and technology would be needed in order to compress the data of a CD into the storage space of a parchment, with the same level of 'readibility' or 'usability' as the parchment using only natural human hardware (eyes, ears, skin, etc.). In music's case, a revolution in staff notation is one possibility, but dedicated training is required in order to read sheet music and 'hear' the music in one's mind. Mass culture and its technology would need to redefine communication and thought -- how we teach children to communicate and think -- for the average Joe Sixpack to make use of such a hypothetical storage medium. Joey would need to put the football down and learn to 'read' again. Given our taste for increasingly dumber cultural experiences (Puff Daddy, NBC sitcoms, alternative rock stations, etc.) a more likely and cynical future is that something analogous to a six-disc changer is built into our skulls, tapping directly into the auditory section of our brains and bypassing the eyes and ears entirely. Come to think of it, only the rich will have six-disc changers. The poor will get radios slapped into their heads so that they can hear beer commercials 24/7 along with the music. The well-to-do will get to choose when they want to pop in a disc or two. (Apologies to PKD) -A. __________________________________________________________________________ Alex Reynolds E reynolda@sas.upenn.edu UPenn : SAS Computing : Biology Dist Support V +1 215 573 2818 http://www.sas.upenn.edu/biology/ F +1 215 898 8780 'The central message of Buddhism is not "every man for himself"!' -- Wanda
1999-03-05 20:58CheChaircrusher wrote: >>The Dead Sea Scrolls were written on homemade paper 2k years ago, an
From:
Che
To:
Intelligent Dumb Music
Date:
Fri, 5 Mar 1999 12:58:29 -0800 (PST)
Subject:
Re: (idm) in the year 2308...
permalink · <Pine.BSF.3.96.990305125413.5444B-100000@beacon.synthcom.com>
Chaircrusher wrote:
quoted 4 lines The Dead Sea Scrolls were written on homemade paper 2k years ago, and>>The Dead Sea Scrolls were written on homemade paper 2k years ago, and >>they're still readable for the most part. One can only hope that 'modern' >>digital media will eventually reach that standard of usability in one tenth >>that amount of time.
The only reason the DSS survived is that they happened to be stored in a near-perfect environment. Even so, their discovery by herders meant that many pieces were lost because they flaked off, or were used for kindling, or toilet paper, or whatever. It also required rather sophisticated image-enhancement software to make out many of the characters. Read a translation and you'll find lots of brackets [... sons of light?] indicating missing or indecipherable sections with guesswork on the content. Imagine dropouts in your music every few seconds - very annoying. (FWIW I've read enough on the subject that I was able to point out numerous mistakes in the last History Channel special on the DSS that I saw). There are 3 basic problems with long-term survival of any medium - availability, durability, and readability. How many were made, how long will they last, and will someone be able to understand it when they find it? Readability is often related to durability and availability - the more examples that survive increase the chances that someone will be able to figure out the pattern, if the keys to reading the pattern are lost. Minoan Linear B script was decoded, Linear A wasn't, in part because there are fewer examples of Linear A to work with. For an interesting examination of media longevity, see this month's WIRED magazine for an article on the slowly dieing (but not a slowly as you'd think) Hollerith punchcard. It has a great story about some old guy w/ a garage full of symphony samples from the 50's stored on punchcards who decided it was time to convert to a newer medium.
quoted 3 lines Suppose 10 years ago I'd written the great american novel on my Commodore>Suppose 10 years ago I'd written the great american novel on my Commodore >Vic 20 and saved it on a cassette? What chance will someone in 20 years >have of decoding that?
CD is a very common medium, much much more common than the VIC20 cassette. And properly manufactured & stored, it's very durable. I think that backwards compatability with it will be required in any laser-based playback device for another 20 years. Which means CDs will be readable for a lot longer.
quoted 4 lines The problem I have with mp3 (and I use 'em, love 'em trade 'em etc) is the>The problem I have with mp3 (and I use 'em, love 'em trade 'em etc) is the >same problem I have with all digital storage -- once the decoding technology >goes obsolete and people stop maintaining the decoders, you have media with >no way to extract the content!
MP3s are a little more problematic, but storing them on an ISO format CDR should mean they're readable for at least 100 years. Then the question is, will anyone be able to decode it? If you've looked at the action in emulation software, chances are in 20 years you'll be able to run Win95 or MacOs 8.5 programs in emulation (at 100x today's speed :), and you'll be able to find an MP3 decoder in a web archive. In fact, I think the trends of emulation & archiving bode well for long-term preservation. (Who'da thunk you could execute the EPROMs from an Asteroids videogame after 20+ years?) Even so, you might be required to do some transfer work on your own every 10-20 years. CD -> DVD Audio-> Crystal HoloCube or whatever comes next. At least digital media make for lossless, fairly pain-free transfers. I'm anxiously awaiting the arrival of DVD-RAM so that I can transfer Beta, VHS, and 8MM videocassettes to digital (and some of these contain transfers from 8MM film - the process has already begun). Looking longer term, assuming civilization hangs together (it won't be taken out by Y2K), I think the billions of audio CDs made will insure that preservationists will be able to read them in 200 years. CDROMs, especially ISO format, should also be readable, though ASCII text files should be a lot more usable than Excel 98 format files. I'm not losing any sleep over it. Che There's nothing that'll make me reach for the MUTE button faster than a Philips commercial...except Alannis Morrisette.
1999-03-05 21:20Tom MillarThe CDR is not as durable as everybody wants to make it seem. I know of CDRs, MDs, and lot
From:
Tom Millar
To:
Intelligent Dumb Music
Date:
Fri, 05 Mar 1999 16:20:58 -0500
Subject:
Re: (idm) in the year 2308...
permalink · <36E04AB5.380EAA10@unix.cas.utk.edu>
The CDR is not as durable as everybody wants to make it seem. I know of CDRs, MDs, and lots of other writable optical media that have become corrupted beyond recognition with just a year or two of (admittedly heavy) use. The fact is that any media that can be written and rewritten upon with such common wavelengths (light, esp. visible colors) is going to be tremendously susceptible to damage merely by being played. Every time you run a laser, even the wussy ones in a portable CD player, over a CDR's surface, it has a chance of causing a sector to dye itself. Leave any CDR out in the sun and see what happens. It's not pretty. You have to go for the gold ones if you want your information to last under regular use. Blue & Green (cyanoacrylate) CDRs are a smidgen cheaper but pretty weak in the long run. The gold lasts by virtue of being tremendously reflective and thus absorbing very little of the light spectrum. Just a little technical aside, since I know we've got more than a few burner-burners on this list... Tom
1999-03-06 02:22CheAt 04:20 PM 3/5/99 -0500, Tom Millar <tmillar@utkux.utcc.utk.edu> wrote: >The CDR is not a
From:
Che
To:
Intelligent Dumb Music
Date:
Fri, 5 Mar 1999 18:22:54 -0800 (PST)
Subject:
Re: (idm) in the year 2308...
permalink · <Pine.BSF.3.96.990305182102.6418B-100000@beacon.synthcom.com>
At 04:20 PM 3/5/99 -0500, Tom Millar <tmillar@utkux.utcc.utk.edu> wrote:
quoted 2 lines The CDR is not as durable as everybody wants to make it seem.>The CDR is not as durable as everybody wants to make it seem. >I know of CDRs, MDs, and lots of other writable optical media that have
become
quoted 2 lines corrupted beyond recognition with just a year or two of (admittedly heavy)>corrupted beyond recognition with just a year or two of (admittedly heavy) >use.
I've read many posts like this by people with an axe to grind. Press them for details, and you find out that they're based on anecdotes - it happened to a friend of a friend, or they read it on rec.pro.audio, or whatever. Have you personally experienced optical CDR failures, or were they caused by scratches to the dye (label) side?
quoted 4 lines The fact is that any media that can be written and rewritten upon with>The fact is that any media that can be written and rewritten upon with >such common wavelengths (light, esp. visible colors) is going to be >tremendously susceptible to damage merely by being played. Every time you run >a laser, even the wussy ones in a portable CD player, over a CDR's
surface, it
quoted 1 line has a chance of causing a sector to dye itself.>has a chance of causing a sector to dye itself.
This is like saying that, because you get sunburned in sunlight, then each time you expose your skin to a 100W lightbulb, you run the risk of getting sunburned. The write laser in a CDRecorder is a lot higher powered than the read laser in a CD player - something like an order of magnitude. Like your skin, it takes a certain level of light of a certain wavelength for a certain duration to change CDR dye. Those conditions are not present in a CD player. But don't take my word for it, it's fairly easy to disprove, if you have a CD player that tracks the disc in PAUSE mode (hint: it always starts immediately after pause and you can hear a faint whirring. another hint: most CDRom drives shut off after an inactivity timeout, so they won't work). Leave a recorded CDR on PAUSE for a few hours - the laser runs over the same sector OVER AND OVER AND OVER, which makes this equivalent to playing the disc THOUSANDS of times. I've tested a disc for 4 hours, no problemo. I'm tempted to calculate how long it would take to equal a million plays, and test it that long, but it seems excessive.
quoted 2 lines Leave any CDR out in the sun>Leave any CDR out in the sun >and see what happens. It's not pretty.
I have, face up, for an afternoon. It still plays and looks just fine. If you'll refer to the Nov.'95 issue of Mix Magazine (a pro recording mag), you can read how Stephen St.Croix left 3 CDRs in direct Arizona SUMMER sunlight for 12 days, and they played fine. But realistically, how often do you plan to leave a CDR in direct sunlight? This is an extreme condition that does not accurately reflect conditions inside a CD player, or in a sane person's CD storage area.
quoted 5 lines You have to go for the gold ones if you>You have to go for the gold ones if you >want your information to last under regular use. Blue & Green (cyanoacrylate) >CDRs are a smidgen cheaper but pretty weak in the long run. The gold lasts by >virtue of being tremendously reflective and thus absorbing very little of the >light spectrum.
First, the blue and green are metal-stabilized cyanine, not cyanoacrylate (that's super-glue - do a websearch on the word and you find lots of references to urban legends, which is how I'd classify your post, BTW). The metal stabilization has improved quite a bit over the years, and they'll now last almost as long. The gold type lasts because it is phthalocyanine, which is slightly more light-stable than the latest metal-stabilized cyanines. Phthalocyanine is almost colorless, which means it is tremendously TRANSMISSIVE, and reflects very little light. There are also silver phthalocyanine CDRs (Ricoh Platinum), which have a different backing material. See http://www.cd-info.com/CDIC/History/Commentary/Parker/stcroix.html for some debunking of the "phthalocyanine is inherently better" myth, which incidently got started by an article by the previously mentioned Mr.St.Croix in the July '95 Mix. The biggest myth about the longevity of CDs & CDRs is that the playing side is the most important side to protect. Not true - scratches are so far away from the pits that they are out of focus to the laser. I've seen CDs that were used as frisbees, looking like they were buffed w/ sandpaper, that still played fine (watch out for those long circular scratches, though). The side that's much more prone to damage is the label side, which is protected by a thin coat of lacquer and whatever ink is printed on (take care w/ those AB3's!), or in the case of better quality CDRs, a coat of teflon or other protective coating. I dropped a cheapy CDR today, 2 1/2 ft., and it took a big chunk out of the backside of the disc - it wrecked 3 songs. Damn! From now on I'm going to put labels on them (I only use cheapies for archival copies that I keep in the basement, they don't play in the car very well). I'm a firm believer in personal experience. I try stuff myself when possible, and when I can't, I avoid quoting impressionable idiots who repeat every old wives tale they hear. And I try to do at least some basic fact-checking. Cyanoacrylate? Sheesh! Che
1999-03-08 01:26Tom MillarChe wrote: > > I've read many posts like this by people with an axe to grind. Press them >
From:
Tom Millar
To:
Intelligent Dumb Music
Date:
Sun, 07 Mar 1999 20:26:02 -0500
Subject:
Re: (idm) in the year 2308...
permalink · <36E32721.9FC58BFC@unix.cas.utk.edu>
Che wrote:
quoted 5 lines I've read many posts like this by people with an axe to grind. Press them> > I've read many posts like this by people with an axe to grind. Press them > for details, and you find out that they're based on anecdotes - it > happened to a friend of a friend, or they read it on rec.pro.audio, or > whatever. Have you personally experienced optical CDR failures...?
quoted 4 lines I'm a firm believer in personal experience. I try stuff myself when> I'm a firm believer in personal experience. I try stuff myself when > possible, and when I can't, I avoid quoting impressionable idiots who > repeat every old wives tale they hear. And I try to do at least some > basic fact-checking. Cyanoacrylate? Sheesh!
I would've defended myself earlier but I was out of town. Sorry about "cyanoacrylate" it was the first "cyano-" word that came to mind and I used it as I am a very busy man (snort snort). My experience with CDR failures comes from working at my college radio station, where we have used CDRs and MDs to play promos, PSAs, and whatnot for some time now. Your explanation of the "pause" effect is an important point. Every time we play a CD on the radio, it usually ends up being cued in 'pause' mode for a lengthy period of time beforehand. I didn't think of this when we started having problems, and I should have. Oh well. We left a DYSAN blue CDR out in the sun by my window for a day and a half and were unable to write on it afterwards, so I have had that experience as well. This is no less anecdotal than any evidence not from a laboratory, I'll admit to that. Several CDRs I own have held up to quite alot of physical abuse, being dropped and scuffed etcetera. So I agree that they are kinetically very resilient. But I saw a few too many CDRs die at my radio station from everyday use to not feel the need to bitch. The durability of a CDR is very dependent upon the brand and the speed (4x, 6x, or 8x) at which it can be written. 8x speed CDRs have just come out... I wonder how these will hold up. Tom