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Re: (idm) No, I don't

32 messages · 23 participants · spans 12 days · search this subject
◇ merged from 4 subjects: (idm) cd-r / audio or data · (idm) more lex · (idm) no, i don't · (idm) re: more lex
1999-01-11 08:34Andrew Hime (idm) No, I don't
1999-01-11 08:52Gonzi Merchan Re: (idm) No, I don't
1999-01-11 10:32brian r. Re: (idm) No, I don't
└─ 1999-01-11 18:17zimbo Re: (idm) No, I don't
1999-01-11 15:44Brock Suter Re: (idm) No, I don't
└─ 1999-01-11 19:26Andrew Hime Re: (idm) No, I don't
├─ 1999-01-11 19:43zimbo Re: (idm) No, I don't
└─ 1999-01-11 21:04solenoid (idm) More Lex
└─ 1999-01-13 07:20Andrew Hime (idm) Re: More Lex
1999-01-12 00:29John Re: (idm) No, I don't
└─ 1999-01-12 16:45Jeremy J Graham Re: (idm) No, I don't
1999-01-12 00:45Gonzi Merchan Re: (idm) No, I don't
1999-01-12 02:31Will Samuels Re: (idm) No, I don't
1999-01-12 05:58John Re: (idm) No, I don't
└─ 1999-01-12 16:52Jeremy J Graham Re: (idm) No, I don't
└─ 1999-01-12 17:17eric hill Re: (idm) No, I don't
└─ 1999-01-12 19:33Alan R. Lucas Re: (idm) No, I don't
└─ 1999-01-12 20:03Nate Harrison \[Toshok Laboratories\] Re: (idm) No, I don't
└─ 1999-01-12 20:25zimbo Re: (idm) No, I don't
1999-01-12 09:43Jeremy A.Smith (idm) No, I don't
1999-01-13 00:53~\(\({\[Endemic~Distortion\]}\)\)~ Re: (idm) No, I don't
1999-01-13 12:53Jeremy A.Smith Re: (idm) No, I don't
└─ 1999-01-13 16:12Greg Clow Re: (idm) No, I don't
1999-01-13 13:46Tim Moss Re: (idm) No, I don't
1999-01-13 16:58Re: Re: (idm) No, I don't
└─ 1999-01-14 06:07Irene McC (idm) CD-R / Audio or Data
└─ 1999-01-14 16:54Kent Williams Re: (idm) CD-R / Audio or Data
1999-01-22 08:24Che Re: (idm) No, I don't
└─ 1999-01-22 17:22eric hill Re: (idm) No, I don't
1999-01-22 18:35Mitch Hilton Re: (idm) No, I don't
└─ 1999-01-22 18:46Aaron S Michelson Re: (idm) No, I don't
1999-01-22 22:20public anemone Re: (idm) No, I don't
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1999-01-11 08:34Andrew HimeI don't have a burner. If you want Lexaunculpt, I won't be burning one. Hmm, though there
From:
Andrew Hime
To:
Date:
Mon, 11 Jan 1999 02:34:42 -0600 (CST)
Subject:
(idm) No, I don't
permalink · <199901110834.CAA12501@kali.wf.net>
I don't have a burner. If you want Lexaunculpt, I won't be burning one. Hmm, though there is a burner at work...
1999-01-11 08:52Gonzi Merchan> I don't have a burner. If you want Lexaunculpt, I won't be burning one. > Hmm, though th
From:
Gonzi Merchan
To:
Date:
Mon, 11 Jan 1999 00:52:08 -0800
Subject:
Re: (idm) No, I don't
permalink · <3699BBB8.34EF68A5@home.com>
quoted 2 lines I don't have a burner. If you want Lexaunculpt, I won't be burning one.> I don't have a burner. If you want Lexaunculpt, I won't be burning one. > Hmm, though there is a burner at work...
nobody is burning lexaunculpt unless they want to get shot. thanks, Gonzi|Fresh|Merchan Orange Fax Orange County, CA PO Box 253 (714)993-9248 USA Atwood, CA 92811
1999-01-11 10:32brian r.At 12:52 AM 1/11/99 -0800, you wrote: >> I don't have a burner. If you want Lexaunculpt, I
From:
brian r.
To:
Date:
Mon, 11 Jan 1999 02:32:35 -0800
Subject:
Re: (idm) No, I don't
permalink · <3.0.16.19990111023038.2f275b56@rain.org>
At 12:52 AM 1/11/99 -0800, you wrote:
quoted 4 lines I don't have a burner. If you want Lexaunculpt, I won't be burning one.>> I don't have a burner. If you want Lexaunculpt, I won't be burning one. >> Hmm, though there is a burner at work... > >nobody is burning lexaunculpt unless they want to get shot.
word gonzi. here's the way i see it: mask = not in print. burn it, i don't give a rat's ass. lexaunculpt = released soon on orange, and still available on isophlux. i'm pretty sure that most of the cd-rs of lexaunculpt floating around are the tracks from the upcoming orange release, with maybe some of the isophlux tracks on there too. buy the friggin release when it comes out. there's no excuse for not supporting artists when it's at all possible. so there. .. brian rachielles kcsb 91.9 fm santa barbara http://www.rain.org/~audio olly: what's your least favorite emotion? chester: itchy.
1999-01-11 18:17zimboOn Mon, 11 Jan 1999, brian r. wrote: > i'm pretty sure that most of the cd-rs of lexauncul
From:
zimbo
To:
brian r.
Cc:
Date:
Mon, 11 Jan 1999 10:17:09 -0800 (PST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
permalink · <Pine.SOL.4.05.9901111012300.1931-100000@e4e.oac.uci.edu>
On Mon, 11 Jan 1999, brian r. wrote:
quoted 7 lines i'm pretty sure that most of the cd-rs of lexaunculpt floating around> i'm pretty sure that most of the cd-rs of lexaunculpt floating around > are the tracks from the upcoming orange release, with maybe some > of the isophlux tracks on there too. buy the friggin release when > it comes out. there's no excuse for not supporting artists when > it's at all possible. > > so there.
to be honest, there is some older stuff floating around on cdr, that may or may not live up to folks impressions. these are the cdr's i was talking about. and no, i wont copy them for you, as i cant even dub cassettes very easily :) but if you can find some, give them a listen.. i think its always neat to see where an artist has come from.. really though, if you want to hear lexaunculpt, just turn on kuci. they (we?) seem to have adopted the kid there. kuci.org chris.
1999-01-11 15:44Brock Suter"brian r." wrote: > i'm pretty sure that most of the cd-rs of lexaunculpt floating around
From:
Brock Suter
To:
brian r.
Cc:
Date:
Mon, 11 Jan 1999 07:44:42 -0800
Subject:
Re: (idm) No, I don't
permalink · <369A1C6A.4ADB1312@alchemyfx.com>
"brian r." wrote:
quoted 7 lines i'm pretty sure that most of the cd-rs of lexaunculpt floating around> i'm pretty sure that most of the cd-rs of lexaunculpt floating around > are the tracks from the upcoming orange release, with maybe some > of the isophlux tracks on there too. buy the friggin release when > it comes out. there's no excuse for not supporting artists when > it's at all possible. > > so there.
Not to brag, but I've got close to 12 different cd-r's full of Lexaunculpt material and I love ALL of it. And this is NOT including the Isophlux or Orange tracks, his earlier Hazel Window incarnation or the Digital Taco Crew 'Mexican' EP. In my eyes, Alex was most definitely 'the man' in '98 and is going straight at your head like a bullet for '99! Word to the mothership, brockout. ps. Please don't ask, I don't have a CDR or functioning tape deck. :-)
1999-01-11 19:26Andrew Hime> In my eyes, Alex was most definitely 'the man' in '98 and is going > straight at your he
From:
Andrew Hime
To:
Date:
Mon, 11 Jan 1999 13:26:26 -0600 (CST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
permalink · <199901111926.NAA16810@kali.wf.net>
quoted 2 lines In my eyes, Alex was most definitely 'the man' in '98 and is going> In my eyes, Alex was most definitely 'the man' in '98 and is going > straight at your head like a bullet for '99!
Better take me out now, then. Can you SoCal guys get over yourselves now?
1999-01-11 19:43zimboOn Mon, 11 Jan 1999, Andrew Hime wrote: > > In my eyes, Alex was most definitely 'the man'
From:
zimbo
To:
Andrew Hime
Cc:
Date:
Mon, 11 Jan 1999 11:43:16 -0800 (PST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
permalink · <Pine.SOL.4.05.9901111135480.22125-100000@e4e.oac.uci.edu>
On Mon, 11 Jan 1999, Andrew Hime wrote:
quoted 4 lines In my eyes, Alex was most definitely 'the man' in '98 and is going> > In my eyes, Alex was most definitely 'the man' in '98 and is going > > straight at your head like a bullet for '99! > > Better take me out now, then. Can you SoCal guys get over yourselves now?
yeah, as soon as the english folk get over themselves with their skam and warp praise. and the germans for their local artists. and the detroit guys for their.. well, you get the idea. what the hell? how is it brock is in need of getting over himself because hes really into what a local artist has put out? and beyond that, how is he representative of "you so-cal guys"? wait? is it because he posted about having cdrs of alex's (lexaunculpts) stuff? didnt you do the same? fact of the matter is, we "socal guys", just like the rest of the world, get excited over good music. it just so happens we have some *good* and solid material coming to us from just up the block.. and, hopefully, much of that music will be coming to other areas soon via gonzis label 'orange'. as i posted before, A LOT of alex's material is floating around on cdrs. and there is some online as well.. so perhaps youll come across some -- because there is a lot out and about. chris.
1999-01-11 21:04solenoidOn Mon, 11 Jan 1999, Andrew Hime wrote: > > In my eyes, Alex was most definitely 'the man'
From:
solenoid
To:
Andrew Hime
Cc:
Date:
Mon, 11 Jan 1999 13:04:03 -0800 (PST)
Subject:
(idm) More Lex
Reply to:
Re: (idm) No, I don't
permalink · <Pine.LNX.3.96.990111123917.3161C-100000@poly>
On Mon, 11 Jan 1999, Andrew Hime wrote:
quoted 4 lines In my eyes, Alex was most definitely 'the man' in '98 and is going> > In my eyes, Alex was most definitely 'the man' in '98 and is going > > straight at your head like a bullet for '99! > > Better take me out now, then. Can you SoCal guys get over yourselves now?
Yes, there is not much more I'd think ought be posted until the record comes out and the remaining 95% of the list members can hear Alex's music. However most listees can share in the mp3's at the peachfuzz.net site. I checked them out and listenned to them on some nice studio monitors... the mp3 format definitely translated well for his music! The music sounds to me like Autechre'ish "drum" rolls, well particularly rolls of "clicks" on one mp3 that change speed as though a sample were being portamento'ed or pitch-bent. There is a lot of digital FM and filter sweeps (or strange eq sweeps) and it sounds like it is coming out of one box (like an e4 or akai) for sure. The periods of time that went by between references to the beat/clock are particularly Autechre-ish. Very carefully programmed and vaguely melodic. If you play the mp3's back in different orders, jukebox-style, you can find ways that they blend into each other pretty well (they are really short and don't change throughout). That makes me think that you could make a bunch of short noises as mp3's and have them heard in random order like the minidisc idea.... for that matter, since minidisc is mpeg2 level standarad I believe, maybe someone could convince autechre that it is true to thier artistic goal to release these as mp3's to be heard on random-order play... I'm noticing that west coast techno and idm-ish stuff (I'm thinking of some reflectiv label stuff like space-time-continuum, and old stuff, too) has a certain common atmosphere to it... or is that just a sign of amateurishness? Any opinions here? Lance, Andrew D,? cripes you guys have heard it all and then some. solenoid
1999-01-13 07:20Andrew Hime> I'm noticing that west coast techno and idm-ish stuff (I'm thinking of > some reflectiv
From:
Andrew Hime
To:
Date:
Wed, 13 Jan 1999 01:20:55 -0600 (CST)
Subject:
(idm) Re: More Lex
Reply to:
(idm) More Lex
permalink · <199901130720.BAA20944@kali.wf.net>
quoted 5 lines I'm noticing that west coast techno and idm-ish stuff (I'm thinking of> I'm noticing that west coast techno and idm-ish stuff (I'm thinking of > some reflectiv label stuff like space-time-continuum, and old stuff, too) > has a certain common atmosphere to it... or is that just a sign of > amateurishness? Any opinions here? Lance, Andrew D,? cripes you guys > have heard it all and then some.
I think the San Frandisco sound is just coincidence. But a very good one.
1999-01-12 00:29JohnHi, >>> I don't have a burner. If you want Lexaunculpt, I won't be burning one. >>> Hmm, t
From:
John
To:
Date:
Tue, 12 Jan 1999 10:29:12 +1000
Subject:
Re: (idm) No, I don't
permalink · <3.0.32.19990112102912.00916b50@mail.wr.com.au>
Hi,
quoted 17 lines I don't have a burner. If you want Lexaunculpt, I won't be burning one.>>> I don't have a burner. If you want Lexaunculpt, I won't be burning one. >>> Hmm, though there is a burner at work... >> >>nobody is burning lexaunculpt unless they want to get shot. > >word gonzi. > >here's the way i see it: > >mask = not in print. burn it, i don't give a rat's ass. >lexaunculpt = released soon on orange, and still available on isophlux. > >i'm pretty sure that most of the cd-rs of lexaunculpt floating around >are the tracks from the upcoming orange release, with maybe some >of the isophlux tracks on there too. buy the friggin release when >it comes out. there's no excuse for not supporting artists when >it's at all possible.
Yeah i tend to agree and i really want to support anything that's new and exciting, but as i don't buy vinyl (I haven't in just under 10 years) the lack of a cd release means if i want to hear it i have to source it on *you guessed it* cdr. Which i hope i don't have to do!? Gonzi any plans to release it on cd at a later stage? Thanks, John
1999-01-12 16:45Jeremy J GrahamJohn has my thoughts exactly! I don't buy vinyl. On Tue, 12 Jan 1999, John wrote: > Hi, >
From:
Jeremy J Graham
To:
John
Cc:
Date:
Tue, 12 Jan 1999 10:45:44 -0600 (CST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
permalink · <Pine.GSO.3.96.990112104515.24102A-100000@infoserv.utdallas.edu>
John has my thoughts exactly! I don't buy vinyl. On Tue, 12 Jan 1999, John wrote:
quoted 33 lines Hi,> Hi, > > >>> I don't have a burner. If you want Lexaunculpt, I won't be burning one. > >>> Hmm, though there is a burner at work... > >> > >>nobody is burning lexaunculpt unless they want to get shot. > > > >word gonzi. > > > >here's the way i see it: > > > >mask = not in print. burn it, i don't give a rat's ass. > >lexaunculpt = released soon on orange, and still available on isophlux. > > > >i'm pretty sure that most of the cd-rs of lexaunculpt floating around > >are the tracks from the upcoming orange release, with maybe some > >of the isophlux tracks on there too. buy the friggin release when > >it comes out. there's no excuse for not supporting artists when > >it's at all possible. > > Yeah i tend to agree and i really want to support anything that's new and > exciting, but as i don't buy vinyl (I haven't in just under 10 years) the > lack of a cd release means if i want to hear it i have to source it on *you > guessed it* cdr. Which i hope i don't have to do!? Gonzi any plans to > release it on cd at a later stage? > > Thanks, > > John > > > >
1999-01-12 00:45Gonzi Merchan> Gonzi any plans to release it on cd at a later stage? Yes, there will be Orange CD's in
From:
Gonzi Merchan
To:
Date:
Mon, 11 Jan 1999 16:45:11 -0800
Subject:
Re: (idm) No, I don't
permalink · <369A9B17.B3408462@home.com>
quoted 1 line Gonzi any plans to release it on cd at a later stage?> Gonzi any plans to release it on cd at a later stage?
Yes, there will be Orange CD's in the future. But really bro, there is no excuse for not owning a turntable when you can get them at garage sales and thrift stores for next to nothing. love, Gonzi|Fresh|Merchan Orange Fax Orange County, CA PO Box 253 (714)993-9248 USA Atwood, CA 92811
1999-01-12 02:31Will Samuels--zimbo <tofu@uci.edu> wrote: > On Mon, 11 Jan 1999, Andrew Hime wrote: > > > > In my eyes
From:
Will Samuels
To:
I DM
Date:
Mon, 11 Jan 1999 18:31:06 -0800 (PST)
Subject:
Re: (idm) No, I don't
permalink · <19990112023106.11251.rocketmail@send104.yahoomail.com>
--zimbo <tofu@uci.edu> wrote:
quoted 3 lines On Mon, 11 Jan 1999, Andrew Hime wrote:> On Mon, 11 Jan 1999, Andrew Hime wrote: > > > > In my eyes, Alex was most definitely 'the man' in '98 and is
going
quoted 3 lines straight at your head like a bullet for '99!> > > straight at your head like a bullet for '99! > > > > Better take me out now, then. Can you SoCal guys get over
yourselves now?
quoted 2 lines yeah, as soon as the english folk get over themselves > with their> > yeah, as soon as the english folk get over themselves > with their
skam and warp praise. and the germans for > their local artists. and the detroit guys for > their.. well, you get the idea. Skam and Warp are great labels the amount of dialogue spent on this list about those two labels is a little sickening. Yes they put out great stuff, but there are way too many posts every fucking day about Boards of Canada and other Skam or Warp artists. Let's all agree they are good and move on to other electronic music. We don't need 20+ posts a day saying the same fucking thing about the same artist With regards to Detroit and other American electronic music, that stuff rarely gets the props that it deserves. The distribution of american techno artists sucks in the U.S. Ask smaller labels that try to put out quality electronic releases about how easy it is to get their stuff distributed. When Schematic first started they couldn't even get Watts Dist to carry their releases. I had to call them directly because distributors were ignoring them. That's why Isophlux sold most of the Lexaunculpt 12"s to Germany and why it's hard to find in the US. Lance posted recently that he was glad that IDM had expanded it's view a little more. That IDM isn't all about FSOL, RDJ, and Orbital anymore. The reason I unsubbed a while back is because it got pretty boring reading about RDJ, Warp and Rephlex everyday. It's a little refreshing to see more people talking about other things. But it's still too Warp/Skam/Musik Aus Strom oriented at times. Anything released from those labels will be talked to death, while a really quality release from Planet E barely gets mentioned
quoted 1 line how is it brock is in need of getting over himself > because hes> how is it brock is in need of getting over himself > because hes
really into what a local artist has put > out? and beyond that, how is he representative of > "you so-cal guys"? Lexaunculpt is really good, he deserves props. I am from So-Cal and I continually talk about alot of the people that I think deserve mention like Paul Mac, Anthony Shakir, James Ruskin, Ed Rush and Optical, Andy C, Cari Lekebusch's older releases and many other artists.
quoted 1 line fact of the matter is, we "socal guys", just like the > rest of the> fact of the matter is, we "socal guys", just like the > rest of the
world, get excited over good music. it > just so happens we have some *good* and solid > material coming to us from just up the block.. There are alot of quality LA/OC releases. I really love the new John Tejada on Residual (as well as alot of his Palette releases), Plug Research has put out a lot good stuff, and I am eagerly awaiting the new Orange release. There's good reason to talk about the music scene here. Just as I hope other people talk about good upcoming people from your areas.
quoted 1 line and, hopefully, much of that music will be coming to > other areas> and, hopefully, much of that music will be coming to > other areas
soon via gonzis label 'orange'. Cheers _________________________________________________________ DO YOU YAHOO!? Get your free @yahoo.com address at http://mail.yahoo.com
1999-01-12 05:58JohnGonzi, >> Gonzi any plans to release it on cd at a later stage? > >Yes, there will be Oran
From:
John
To:
Date:
Tue, 12 Jan 1999 15:58:18 +1000
Subject:
Re: (idm) No, I don't
permalink · <3.0.32.19990112155817.0090bd80@mail.wr.com.au>
Gonzi,
quoted 5 lines Gonzi any plans to release it on cd at a later stage?>> Gonzi any plans to release it on cd at a later stage? > >Yes, there will be Orange CD's in the future. But really bro, there is >no excuse for not owning a turntable when you can get them at garage >sales and thrift stores for next to nothing.
There are plenty of reasons to not buy vinyl (i'm not going to list them all here), but as you say the cost of it and the turntables is not the problem (hell i used to own 1200's) back then. My main gripe is that i'm not a DJ and i don't need to spin them backwards, pitch them up, etc so i want the convenience of a little aluminium disc especially when it comes to shipping all this rare and good stuff from overseas. I lied when i said i haven't bought vinyl in nearly 10 years i did buy the Ae mailing-list only 12" when it was first announced and guess what? It came to me in the shape of a soup bowl. Lucky Warp were understanding and sent me another, but hey it just doesn't ship well and i don't want to spend my hard earned cash on stuff that won't play. Not to mention what happened to my 12" collection form the mid to late 80's when at a party bourbon and coke were spilled all of them and whoever spilled it didn't both to clean it up... yep i had them all in plastic sleeves which just kept the coke and bourbon in contact with the sleeves and 12"s. Probably the final straw that broke my vinyl collecting back. So when can we expect the cd release of the "Lex..." material? Regards, John
1999-01-12 16:52Jeremy J GrahamNot to mention the sound quality and durability of vinyl is crap. Flames warmly welcome.
From:
Jeremy J Graham
To:
John
Cc:
Date:
Tue, 12 Jan 1999 10:52:19 -0600 (CST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
permalink · <Pine.GSO.3.96.990112105138.24102C-100000@infoserv.utdallas.edu>
Not to mention the sound quality and durability of vinyl is crap. Flames warmly welcome.
1999-01-12 17:17eric hill>Not to mention the sound quality and durability of vinyl is crap. Flames an oft-cited tid
From:
eric hill
To:
Date:
Tue, 12 Jan 1999 09:17:10 -0800 (PST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
permalink · <Pine.BSF.4.05.9901120900300.13068-100000@shell3.ba.best.com>
quoted 1 line Not to mention the sound quality and durability of vinyl is crap. Flames>Not to mention the sound quality and durability of vinyl is crap. Flames
an oft-cited tidbit: old records sound a lot better on current-day turntables than on the equipment of their time, and vinyl will always be open to innovations in turntable technology. cd's, however, will always sound the same (speakers and other sound-conducting equipment aside). though early records had poor durablility, the composition of records was changed to something closer to the current formula in the 40's. we don't have any 50 year-old cd's yet, so the durablity problem remains to be seen (there are 50 year old LP's that still sound wonderful, don't skip, and play on every turntable). there's a big physical difference between pressed-and-purchased cd's and cyanine cd-r's, the latter of which have a lifespan comparable to regular cassette tapes. eric onnow: bisk : ticklish matters (sub rosa)
1999-01-12 19:33Alan R. LucasOn Tue, 12 Jan 1999, eric hill wrote: > changed to something closer to the current formula
From:
Alan R. Lucas
To:
eric hill
Cc:
Date:
Tue, 12 Jan 1999 14:33:07 -0500 (EST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
permalink · <Pine.GSO.3.96L.990112141823.935B-100000@unixs2.cis.pitt.edu>
On Tue, 12 Jan 1999, eric hill wrote:
quoted 2 lines changed to something closer to the current formula in the 40's. we don't> changed to something closer to the current formula in the 40's. we don't > have any 50 year-old cd's yet, so the durablity problem remains to be seen
unfortunately, most CD's aren't going to last (at original quality) for a whole lot longer than 10 years. from what i've been told by preservationists and archivists, the only CD's that last are ones burned on gold sandwiched between glass. no joke. makes me want to cry and seriously consider throwing down for a turntable. alan!
1999-01-12 20:03Nate Harrison \[Toshok Laboratories\]Dammit now I'm dragged into this Hmmm...not sure if I concur, as I would say 30-40% of my
From:
Nate Harrison \[Toshok Laboratories\]
To:
Alan R. Lucas
Cc:
eric hill ,
Date:
Tue, 12 Jan 1999 15:03:00 -0500 (EST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
permalink · <Pine.BSI.3.95.990112145840.26100C-100000@we1.web-elite.com>
Dammit now I'm dragged into this Hmmm...not sure if I concur, as I would say 30-40% of my CD collection is older than 10 years,(for instance Microphonies by CV or Yo! Bumrush the Show by PE) and I have not yet had problems playing any of them. (I can't speak for CD-R's) peace Nate On Tue, 12 Jan 1999, Alan R. Lucas wrote:
quoted 14 lines On Tue, 12 Jan 1999, eric hill wrote:> On Tue, 12 Jan 1999, eric hill wrote: > > > changed to something closer to the current formula in the 40's. we don't > > have any 50 year-old cd's yet, so the durablity problem remains to be seen > > unfortunately, most CD's aren't going to last (at original quality) for a > whole lot longer than 10 years. from what i've been told by > preservationists and archivists, the only CD's that last are ones burned > on gold sandwiched between glass. no joke. makes me want to cry and > seriously consider throwing down for a turntable. > > alan! > >
1999-01-12 20:25zimboOn Tue, 12 Jan 1999, Nate Harrison [Toshok Laboratories] wrote: > > Dammit now I'm dragged
From:
zimbo
To:
Nate Harrison \[Toshok Laboratories\]
Cc:
Alan R. Lucas , eric hill ,
Date:
Tue, 12 Jan 1999 12:25:35 -0800 (PST)
Subject:
Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
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On Tue, 12 Jan 1999, Nate Harrison [Toshok Laboratories] wrote:
quoted 7 lines Dammit now I'm dragged into this> > Dammit now I'm dragged into this > > Hmmm...not sure if I concur, as I would say 30-40% of my CD collection is > older than 10 years,(for instance Microphonies by CV or Yo! Bumrush the > Show by PE) and I have not yet had problems playing any of them. > (I can't speak for CD-R's)
a number of cds i have suffered from "disc rot". but i believe that was just for cds coming from a particular press... chris.
1999-01-12 09:43Jeremy A.Smith> Lance posted recently that he was glad that IDM had expanded it's view > a little more.
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Jeremy A.Smith
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Tue, 12 Jan 1999 09:43:31 -0000
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(idm) No, I don't
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quoted 4 lines Lance posted recently that he was glad that IDM had expanded it's view> Lance posted recently that he was glad that IDM had expanded it's view > a little more. That IDM isn't all about FSOL, RDJ, and Orbital > anymore. The reason I unsubbed a while back is because it got pretty > boring reading about RDJ, Warp and Rephlex everyday.
Here I have to remind you that it was originally going to be an Aphex list (that info is on the IDM homepage, I think). But I do agree - the only thing going for those damn Warp people is that 'they started it' - and as we all know from school, that's no excuse.
quoted 1 line Lexaunculpt is really good, he deserves props.> Lexaunculpt is really good, he deserves props.
Give that man a papier-mache egyptian mummy, a 1930's electric toothbrush, and a Saloon facade from a western. Jeremy.
1999-01-13 00:53~\(\({\[Endemic~Distortion\]}\)\)~Although these threads are old and tired, let me add to the fray by saying that vinyl is h
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~\(\({\[Endemic~Distortion\]}\)\)~
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Jeremy J Graham
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John ,
Date:
Tue, 12 Jan 1999 16:53:41 -0800
Subject:
Re: (idm) No, I don't
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Although these threads are old and tired, let me add to the fray by saying that vinyl is high maintenance as well (not taking sides, y'see, but...); you have to antistat, discwash and then just try and keep a large collection without a good percentage of warpage. It's AWFULLY hard. My wife would kill me if I started buying tons of vinyl again (although I have slipped into a wee bit now and then). jeff Jeremy J Graham wrote:
quoted 2 lines Not to mention the sound quality and durability of vinyl is crap. Flames> Not to mention the sound quality and durability of vinyl is crap. Flames > warmly welcome.
-- jeff dancing/about/architecture "...with wandering steps and slow..." ICQ904008
1999-01-13 12:53Jeremy A.Smith> On Tue, 12 Jan 1999, eric hill wrote: > > > changed to something closer to the current f
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Jeremy A.Smith
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Wed, 13 Jan 1999 12:53:26 -0000
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Re: (idm) No, I don't
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quoted 3 lines On Tue, 12 Jan 1999, eric hill wrote:> On Tue, 12 Jan 1999, eric hill wrote: > > > changed to something closer to the current formula in the 40's. we
don't
quoted 1 line have any 50 year-old cd's yet, so the durablity problem remains to be> > have any 50 year-old cd's yet, so the durablity problem remains to be
seen
quoted 6 lines unfortunately, most CD's aren't going to last (at original quality) for a> > unfortunately, most CD's aren't going to last (at original quality) for a > whole lot longer than 10 years. from what i've been told by > preservationists and archivists, the only CD's that last are ones burned > on gold sandwiched between glass. no joke. makes me want to cry and > seriously consider throwing down for a turntable.
You know, the bigger joke is that the price difference between gold layers, and aluminium layers, is about 3 pence per CD?(I know - gold is more expensive but aluminium, but it's more dense, and the layer is so thin the amount of gold used is negligible). So let's stop and ponder for a minute, the logic of an industry burning 1000 10-year CD's at 6000 pence, instead of 1000 1000-year CD's at 9000 pence, just to save 3000 pence - a saving of 3 pence per £12.99 CD. Great idea, industry guys, but think of the long-term... Jeremy. PS. My numbers may be faulty.
1999-01-13 16:12Greg ClowOn Wed, 13 Jan 1999, Jeremy A.Smith wrote: > You know, the bigger joke is that the price d
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Greg Clow
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Wed, 13 Jan 1999 11:12:35 -0500 (EST)
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Re: (idm) No, I don't
Reply to:
Re: (idm) No, I don't
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On Wed, 13 Jan 1999, Jeremy A.Smith wrote:
quoted 9 lines You know, the bigger joke is that the price difference between gold layers,> You know, the bigger joke is that the price difference between gold layers, > and aluminium layers, is about 3 pence per CD?(I know - gold is more > expensive but aluminium, but it's more dense, and the layer is so thin the > amount of gold used is negligible). > > So let's stop and ponder for a minute, the logic of an industry burning > 1000 10-year CD's at 6000 pence, instead of 1000 1000-year CD's at 9000 > pence, just to save 3000 pence - a saving of 3 pence per ?12.99 CD. Great > idea, industry guys, but think of the long-term...
But they ARE thinking of the long term... or, more accurately, *their* long term. By producing a product that they know could quite likely stop functioning in 10 years time, as opposed to a slightly more expensive version that will last a lifetime, the industry is ensuring that we'll all have to repurchase our favorite albums several times if we intend to enjoy them until our dying day. Of course, I don't really buy into this whole "10 year lifespan" theory since I own quite a few discs that are over 10 years old (some approaching 15, I'd guess) and none of them show any signs of giving up the ghost. The any cases of "disc rot" I've ever seen or heard of involve discs pressed at the infamous PDO plant over the course of a couple of years in the early 90s, and this problem was caused by an error in manufacturing the discs, not because of age. Greg
1999-01-13 13:46Tim Moss"Jeremy A.Smith" wrote: > > > On Tue, 12 Jan 1999, eric hill wrote: > > > > > changed to s
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Tim Moss
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Wed, 13 Jan 1999 13:46:22 +0000
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Re: (idm) No, I don't
permalink · <369CA3AE.4F917F55@sco.com>
"Jeremy A.Smith" wrote:
quoted 27 lines On Tue, 12 Jan 1999, eric hill wrote:> > > On Tue, 12 Jan 1999, eric hill wrote: > > > > > changed to something closer to the current formula in the 40's. we > don't > > > have any 50 year-old cd's yet, so the durablity problem remains to be > seen > > > > unfortunately, most CD's aren't going to last (at original quality) for a > > whole lot longer than 10 years. from what i've been told by > > preservationists and archivists, the only CD's that last are ones burned > > on gold sandwiched between glass. no joke. makes me want to cry and > > seriously consider throwing down for a turntable. > > You know, the bigger joke is that the price difference between gold layers, > and aluminium layers, is about 3 pence per CD?(I know - gold is more > expensive but aluminium, but it's more dense, and the layer is so thin the > amount of gold used is negligible). > > So let's stop and ponder for a minute, the logic of an industry burning > 1000 10-year CD's at 6000 pence, instead of 1000 1000-year CD's at 9000 > pence, just to save 3000 pence - a saving of 3 pence per #12.99 CD. Great > idea, industry guys, but think of the long-term... > > Jeremy. > > PS. My numbers may be faulty.
I think the industry guys *want* you to have to buy the CD's again in the future. cf. ladies nylons - a type of weave was thought up when these first came out that meant they were virtually indestrcutible - well the didn't suffer from "runs" anyway - however if they never "ran", apart from the average female's genetically built in desire to shop, why would they every buy any more? Demand for the things would quickly tail off.... Tim ________________________________________________________________________ |Tim Moss SCO Client Integration Development Phone:+44 (0)1223 518034| |Software Vision Park Cambridge CB4 9ZR Fax : +44 (0)1223 518001| |Engineer WWW: http://www.premier.sco.com Mailto:timm@sco.com | |______________________________________________________________________|
1999-01-13 16:58Kid66606@aol.comIn a message dated 1/13/99 9:12:48 AM, you wrote: <<and this problem was caused by an erro
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Wed, 13 Jan 1999 11:58:07 EST
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Re: Re: (idm) No, I don't
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In a message dated 1/13/99 9:12:48 AM, you wrote: <<and this problem was caused by an error in manufacturing the discs>> now, how intenetional that error was is the million dollar (or however much yr cd collection is worth;) question....consumer electronics have many times been manufactured for future failure, lightbulbs arethe greatest example of this, lightbulbs have been made that would never (unles they were physically broken of course) been repleaced that just cost a bit more than normal ones to make but what what good would that do the lightbulb manufacturers? it's totally fucked and moreso the thought that as technology gets more and more "ideal or unexpirable" the same people responsible for that are probably being hired to make inherent "digital arthritis" in such products just to keep a market alive because with all the cost of starting up a new market (such as minidisc, or even cell phones) they have to stay in production for a lot longer than that product is actually needed is scary. not to sound to paranoid.. but when the option i sgiving to purchase something (like a dat or cdr burner) in either a "proffesional" or "consumer" model, I woudl always advice getting the pro model, it i smore expenisive upfront but that is for a reason....."pro's" like people in studio's or multimedia etc. actually use there equipment very often while consumers tend to not give there new electronic equipment as much use and a good percentage don't even figure out how to use it and they just end up in the garage...and the manufacturers know this! luv dr. kidmensa luv kid606
1999-01-14 06:07Irene McCOn 13 Jan 99, Kid66606@aol.com wrote re: Re: Re: (idm) No, I don't: > purchase something (
From:
Irene McC
To:
,
Date:
Thu, 14 Jan 1999 08:07:34 +0200
Subject:
(idm) CD-R / Audio or Data
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Re: Re: (idm) No, I don't
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On 13 Jan 99, Kid66606@aol.com wrote re: Re: Re: (idm) No, I don't:
quoted 3 lines purchase something (like a dat or cdr burner) in either a> purchase something (like a dat or cdr burner) in either a > "proffesional" or "consumer" model, I woudl always advice getting > the pro model,
New problem - it now appears that certain CD-R manufacturers (Philips, Pioneer and TDK so far) are making two different types of recordable CD's - cheap ones for data (yellow book) and MUCH more expensive ones for audio (red book). There is technically *no* difference between these two at all - except that the specifically marked 'audio' ones carry an embeded flag - if your audio recorder senses the flag, it permits you to copy. If it fails to see the flag, it won't run. Anybody have further knowledge on this? I *
1999-01-14 16:54Kent WilliamsOn Thu, 14 Jan 1999, Irene McC wrote: > On 13 Jan 99, Kid66606@aol.com wrote re: Re: Re: (
From:
Kent Williams
To:
Irene McC
Cc:
,
Date:
Thu, 14 Jan 1999 10:54:04 -0600 (CST)
Subject:
Re: (idm) CD-R / Audio or Data
Reply to:
(idm) CD-R / Audio or Data
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On Thu, 14 Jan 1999, Irene McC wrote:
quoted 17 lines On 13 Jan 99, Kid66606@aol.com wrote re: Re: Re: (idm) No, I don't:> On 13 Jan 99, Kid66606@aol.com wrote re: Re: Re: (idm) No, I don't: > > > purchase something (like a dat or cdr burner) in either a > > "proffesional" or "consumer" model, I woudl always advice getting > > the pro model, > > New problem - it now appears that certain CD-R manufacturers > (Philips, Pioneer and TDK so far) are making two different types of > recordable CD's - cheap ones for data (yellow book) and MUCH > more expensive ones for audio (red book). There is technically > *no* difference between these two at all - except that the > specifically marked 'audio' ones carry an embeded flag - if your > audio recorder senses the flag, it permits you to copy. If it fails to > see the flag, it won't run. > > Anybody have further knowledge on this? >
They're coming out with consumer CD writers, that act basically like a tape recorder -- they record audio in real time. The more expensive blanks are supposed to be surcharged by some amount that goes back to artists whose work is being duplicated. If you check on the web there's a simple hack to the consumer machines such that you put in a 'audio' CD blank, let it spin up, then get the door open without triggering the disk change sensor, and put in a regular 'Data' blank. The restrictions on media do not apply to any computer-connected CDR burner to my knowledge.
1999-01-22 08:24Che>> On Tue, 12 Jan 1999, eric hill wrote: >> unfortunately, most CD's aren't going to last
From:
Che
To:
Intelligent Dumb Music
Date:
Fri, 22 Jan 1999 00:24:35 -0800 (PST)
Subject:
Re: (idm) No, I don't
permalink · <Pine.BSF.3.96.990122002343.8774D-100000@beacon.synthcom.com>
quoted 1 line On Tue, 12 Jan 1999, eric hill wrote:>> On Tue, 12 Jan 1999, eric hill wrote:
quoted 2 lines unfortunately, most CD's aren't going to last (at original quality) for a>> unfortunately, most CD's aren't going to last (at original quality) for a >> whole lot longer than 10 years.
Please explain how aluminum that is hermetically sealed in plastic is going to oxidize. Those gold Master Recording CDs are for suckers, I mean audiophiles. While you're at it, explain why my 15 year old CDs sound BETTER than they did the day I bought them, unlike my 15 year old vinyl.
quoted 3 lines an oft-cited tidbit: old records sound a lot better on current-day>an oft-cited tidbit: old records sound a lot better on current-day >turntables than on the equipment of their time, and vinyl will always be >open to innovations in turntable technology.
The amount being spent on improving turntable technology is negligible compared to the amount spent on improving CD technology.
quoted 2 lines cd's, however, will always>cd's, however, will always >sound the same (speakers and other sound-conducting equipment aside).
I have a Sony D-4 (circa 1985) that still works (barely), and I can tell you that D-to-A convertors have improved quite a bit in 14 years. Linearity has improved, oversampling means fewer errors, error correction algorithms mean that what errors there are can't be heard - the list of technological improvements goes on and on. And there are improvements on the encoding end as well (dithering the main one). OTOH I don't think they've made a record lathe in a long time.
quoted 2 lines though early records had poor durablility, the composition of records was>though early records had poor durablility, the composition of records was >changed to something closer to the current formula in the 40's.
Have you ever looked at a record made of recycled vinyl? (once and for all I know still a common practice) Chances are, you'll see a nice big piece of old label right on the surface - not the greatest for sound quality or durability.
quoted 2 lines we don't>we don't >have any 50 year-old cd's yet,
But accelerated lifecycle testing has been conducted, so it's not too hard to figure out that the plastic won't deteriorate w/ proper care...
quoted 3 lines so the durablity problem remains to be seen>so the durablity problem remains to be seen >(there are 50 year old LP's that still sound wonderful, don't skip, and >play on every turntable).
If your hearing is so far gone that you don't mind the popping sounds. And try to find a turntable that plays 78s, which are the speed that MOST 50 year old LPs are pressed at. Just so everyone knows, 33 1/3 LPs were introduced in June 1948, and 45s in February, 1949, and even then it took awhile for the other record companies to license the formats. I've listened to my parents 78s (they have several boxes worth), and I can tell you, THEY SOUND LIKE SHIT. LPs degrade in sound quality w/ each play, unless you have one of those wacky laser-pickup turntables. Not so w/ CDs. The old rule w/ vinyl is play once to pop the micro-bubbles in the vinyl, wait 24 hours to let the vinyl cool so you don't distort it, then play it again, record it, and store in a cool dry place. What a pain in the ass. I've spent a lot of time transferring vinyl to CDR in the last year. Based on this experience, I can tell you that the average vinyl record has more noise than a Skinny Puppy concert. The crap you hear on the run-in and run-out is there all the time, it's just masked by the music. I've been buying vinyl for 30 years, and I'll be glad when I don't have to.
quoted 3 lines there's a big physical difference between>there's a big physical difference between >pressed-and-purchased cd's and cyanine cd-r's, the latter of which have a >lifespan comparable to regular cassette tapes.
Cassettes develop print-thru within a few years if not rewound/ffwded. I know, I have a few. OTOH even cyanine CDRs now have an estimated lifespan of 100 years. Check the HP website if you don't believe me, in fact, why don't you spend 5 minutes on research and spare us the crap next time? What other old wives' tales do you have for us - stories about Bigfoot, rats in KFC buckets, Bill Gates sending us all to DisneyWorld? Che
quoted 1 line When does the next millenium begin?>When does the next millenium begin?
Since a millennium is 1000 years, the first millennium began at the start of the year 1 and ended at the end of the year 1000. The second millennium then began with the year 1001 and will conclude at the end of the year 2000. Therefore, the next millennium begins with the year 2001. from: National Institute of Standards and Technology, Time and Frequency FAQ - http://www.bldrdoc.gov/timefreq/faq/faq.htm
1999-01-22 17:22eric hill>buying vinyl for 30 years, and I'll be glad when I don't have to. any credibility in this
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eric hill
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Fri, 22 Jan 1999 09:22:59 -0800 (PST)
Subject:
Re: (idm) No, I don't
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Re: (idm) No, I don't
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quoted 1 line buying vinyl for 30 years, and I'll be glad when I don't have to.>buying vinyl for 30 years, and I'll be glad when I don't have to.
any credibility in this matter has been completely overshadowed by shoulder-chips. eric
1999-01-22 18:35Mitch Hilton> Those gold Master Recording CDs are for suckers, I mean > audiophiles. While you're at i
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Mitch Hilton
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Date:
Fri, 22 Jan 1999 13:35:40 -0500
Subject:
Re: (idm) No, I don't
permalink · <36A8C4FB.BB385122@abcs.com>
quoted 3 lines Those gold Master Recording CDs are for suckers, I mean> Those gold Master Recording CDs are for suckers, I mean > audiophiles. While you're at it, explain why my 15 year old CDs sound > BETTER than they did the day I bought them, unlike my 15 year old vinyl.
Well then, I must be a sucker/audiophile, because I have A/Bed aluminum and gold discs of Pink Floyd's Dark Side of the Moon (AAD) and Joe Jackson's Will Power (DDD), and I can hear the difference on both. On the aluminum Floyd, if you crank it up, the first thing you hear is tape hiss. On the gold, those heartbeats fade up out of almost nowhere and shake the house. The JJ CD, which is orchestral (quite out of print and bloody brilliant BTW), has some very heavy and dramatic accents (sforzandi for you armchair musicologists), and the difference between the aluminum and gold CD's is like a slap vs. a punch. It might be that the gold CD's are simply mastered more meticulously though. That can make a big difference. That said, I grew up with vinyl and there is something comfortingly "je ne sais quoi" about its sound to me. It is *not* higher quality; I just like it. It's a personal thing that can't be expressed in technical terms. There are some great records that sound like total crap, for example Aphex Twin's Selected Ambient Works Volume II. I have it on CD and that infamous brown vinyl, and the pops, hiss, wow and farty noises seem to become part of the music, pulling off the paradox of "organic" electronic music, whereas the CD sounds sterile to my ears. Maybe it's just nostalgia. I'm in my 30's, so that's definitely possible. ;) Peace, Mitch
1999-01-22 18:46Aaron S MichelsonExcerpts from mail: 22-Jan-99 Re: (idm) No, I don't by Mitch Hilton@abcs.com > It might be
From:
Aaron S Michelson
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Fri, 22 Jan 1999 13:46:27 -0500 (EST)
Subject:
Re: (idm) No, I don't
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Re: (idm) No, I don't
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Excerpts from mail: 22-Jan-99 Re: (idm) No, I don't by Mitch Hilton@abcs.com
quoted 2 lines It might be that the gold CD's are simply mastered more meticulously> It might be that the gold CD's are simply mastered more meticulously > though. That can make a big difference.
That is the difference. Digital mediums don't have tape hiss, crackle, or any of the other (err, choose my words carefully here) "accessories" commonplace with vinyl, cassette, etc. Aaron
1999-01-22 22:20public anemone> On the aluminum Floyd, if you crank it up, the first thing you hear is tape hiss. On the
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public anemone
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Fri, 22 Jan 1999 17:20:35 -0500
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Re: (idm) No, I don't
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quoted 8 lines On the aluminum Floyd, if you crank it up, the first thing you hear is tape hiss. On the> On the aluminum Floyd, if you crank it up, the first thing you hear is tape hiss. On the > gold, those heartbeats fade up out of almost nowhere and shake the house. The JJ CD, which > is orchestral (quite out of print and bloody brilliant BTW), has some very heavy and dramatic > accents (sforzandi for you armchair musicologists), and the difference between the aluminum > and gold CD's is like a slap vs. a punch. > > It might be that the gold CD's are simply mastered more meticulously though. That can make a > big difference.
it is due to a difference in mastering. the *only* diff. btw. gold and aluminum cd's is that if you somehow manage to scratch the protective layer off an alum cd, it will start to corrode (a bit like the 'disc rot' which used to occur on pdo cd's) and gold cd's will not corrode. well, that and they cost more to produce/ so if you're buying a gold cd remaster, you're paying (heavily) for the remastering....