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From:
Alan M. Parry
To:
IDM
Date:
Sun, 14 Aug 1994 12:55:30 -0700 (PDT)
Subject:
forward
Msg-Id:
<Pine.3.89.9408141203.A11238-0100000@taz.hyperreal.com>
Mbox:
idm.9408.gz
To: Tony Evans <tony@chemeng.stanford.edu> Subject: Re: Global communication review in `The Wire' plus Snivilisation [slagging of Global Comms. 76:14 deleted]
quoted 3 lines Does anybody want to disagree with this? A friend whose opinions I>Does anybody want to disagree with this? A friend whose opinions I >trust basically had the same taste in his mouth after listening to >this. Is it really that bad?
Well, I really like it so there! Seriously, I got this and Snivilisation on Monday and it must be said that it's Snivilisation which has blown me away - 76:14's very nice but it just doesn't go anywhere particularly (see under Namlook, P.) However, put it on late at night, roll up a biggy and lie back and you'll find it's very pleasureable :) Snivilisation - well, this is something else. Orbital lose the plot big-time and leap out of the 'IDM' ghetto (ie chuntering sequencers and bleeps) into something rather scarier - 15 min. of atonality and female vocals over mad breakbeats on Are We Here, minimalist Nymanesque piano on Kein Trink Wasser, strange sub-Orbian gurglings on I Wish I Had Duck's Feet, thrashy Crass punk guitar bits on ??? (memory loss - what's that :) It's very I but not so much D; like some of the best bits of Black Dog, you probably need several more feet than I've got to dance to it - but what the hell. It's well worth getting, anyway (couldn't you tell from the tone of this review), 'cos it shows where the genre's going (I hope.) Cheers /================\ \======\ /====/ # # # # /========\ /===========\ # # # @@ # # === # /==\ / # # @@ # # # # # # == / # @@ # # # # # \=========/ \========/ \===/ \===/ spbcajk@ucl.ac.uk