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From:
Robert B. Curlee
To:
Brian Hostetler
Cc:
Date:
Fri, 29 Apr 1994 10:55:40 -0700 (PDT)
Subject:
(no subject)
Msg-Id:
<Pine.3.88.9404291040.A19579-0100000@svpal.svpal.org>
In-Reply-To:
<9404291344.AA18245@techno.Stanford.EDU>
Mbox:
idm.9404.gz
On Fri, 29 Apr 1994, Brian Hostetler wrote:
quoted 6 lines Hey kids! Instead of posting your fave AFX tunes, why not post your> > Hey kids! Instead of posting your fave AFX tunes, why not post your > favorite filters for this list! > > Here's mine: >
The list is all pretty funny, so fine I won't repeat it. Except can I ask a few mild flame questions?
quoted 1 line if (subject = "RSW") then delete> if (subject = "RSW") then delete
Does he mean Renegade Sound Wave? Am I missing something? I dig RSW.
quoted 1 line if (subject = "Musical roots") then delete> if (subject = "Musical roots") then delete
Hey come on without the history of house where would "techno" be?
quoted 1 line if (subject = "info on TVT / Wax Trax please") then delete> if (subject = "info on TVT / Wax Trax please") then delete
Maybe the stuff is all liscensed but is it not good? Is it not cheaper than paying import prices? Who can possibly go aout and buy EVERY cool release they want? A few good rereleases domestically to relieve the pocketbook is OK. Isn't it? I've been in it for too long to believe the "preserve our underground" hobnob. (boy am I going to get it for saying that one) I'll let it rest by saying one thing. The further exposure any scene gets: the more music available, the more cash flow to feed the existence of the scene, and the more experimental the true "underground" becomes. The real underground will never fear commercialism. -robert