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From:
Jesse Stricker
Date:
Wed, 10 Nov 1993 20:45:07 +0500
Subject:
REVIEW: Black Dog - Temple of Transparent Balls
Mbox:
idm.9311.gz
Black Dog - Temple of Transparent Balls General Production Recordings Ltd. (GPR CD1) 1 5:05 Cost I 2 6:30 Cost II 3 6:11 4, 7, 8 4 5:17 The Actor And Audience 5 4:42 Jupiler 6 4:11 Kings Of Sparta 7 6:39 Sharp Shooting On Saturn 8 5:36 Mango 9 7:09 Cycle 10 5:22 In The Light Of Grey 11 5:10 The Crete That Crete Made Sorry, but there's no way that I could measure BPM with any hope of accuracy. This being Black Dog's second album (that I've seen), I thought I'd drop a review of it. I've heard that it is a compilation of earlier pieces, but since my only other expsure to them is the Warp album _Bytes_, I don't know if this is true or not. In any case, it's copyrighted 1993, and there's a total lack of useful liner notes, so I can't tell what's up. If you've heard _Bytes_, you have a general idea of what to expect -- a unique use of breakbeats and strange synth patterns, no vocals or vocal samples, nonstandard rhythms, etc. This holds true here, but many of the tracks here lack the simplicity and smoothness of _Bytes_, instead being more complex arrangements. Standouts include: Cost II (very complex layering of different patterns, but the result sounds deceptively simple -- I can see why so many people in the _Trance Europe Express_ book praised this) Actor And Audience (sounds almost like and Aphex Twin track, from, maybe Analogue Bubblebath 3. The same analog sounds, low boomy bass and hi-hat patterns, but different in some way) Sharp Shooting On Saturn (low, low bass track carries the track along to a squelchy conclusion) Mango (almost jazzy, in a digital way. Not acid jazzy, just jazzy) Crete That Crete Made (calm, beatless synth sweeps) There isn't a bad track on the album. If you're into Black Dog or intelligent dance music in general, I'd have to recommend this. I don't think it's going to be released domestically, so some searching may be necessary. Rating: 9.5/10 (Almost perfect. A couple of the percussion lines they used seemed a little cliched to me.) Disclaimer: If you haven't realized that opinion is intrinsic to a review, then you should have stopped reading long ago. If you don't agree with me, drop me a line and let me know why. Jesse -- "You rock the beat, I'll rap the cornbread." -- Freestyle Fellowship, "Cornbread" Jesse Stricker (jstrick@duckmail.uoregon.edu) -- I Think Very Deeply