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From:
kenny *****
To:
Richard Barnett
Cc:
nat hawks ,
Date:
Sat, 18 Feb 2006 21:13:13 -0600
Subject:
Re: [idm] 01010101
Msg-Id:
<5a0c9bac0602181913r73460672l6b0a3438a1a5f80b@mail.gmail.com>
In-Reply-To:
<43F797D9.1050601@pobox.com>
Mbox:
idm.0602.gz
that's additive resynthesis it tends to have a metallic/edgy (sometimes glassy) sound with additive you're basically building a sound by adding harmonics on top of one another using sine waves like in fourier math converting picture to sound and vice versa lends itself to this method (that's the resynthesis part of it - exporting sound as picture, manipulating the picture then recoding as a new sound, or taking a picture and making a sound out of it's analysis) it used to be a pretty technical sport needing stacks of manuals, it's fairly obtuse there are several recent synths that make additive resynthesis much more accessible see: Virsyn Cube2 and some of the Camel Audio stuff (Chameleon i think) these do additive quite well and much faster On 2/18/06, Richard Barnett <richard.barnett@pobox.com > wrote:
quoted 24 lines ISTR there's an Aphex Twin track -- fairly recent, off the Richard D> > > ISTR there's an Aphex Twin track -- fairly recent, off the Richard D > James album or Windowlicker single perhaps -- where the graph of > frequencies (y) against time (x) contains an image of his face. > > One googling later... > > Original (?) page with images: http://www.bastwood.com/aphex.php > > A couple of articles on the technique of turning images into sound: > http://robosexual.typepad.com/glob/science/index.html > http://www.scientific-computing.com/scwmarapr05sonification.html > > More links: > http://www.wired.com/news/culture/0,1284,52426,00.html > http://www.nobleworld.biz/images/ARTL8.pdf > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org > >