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From:
theREALmxyzptlk
To:
nat hawks
Cc:
Date:
Tue, 31 Jan 2006 19:17:44 -0500
Subject:
Re: [idm] OT, but...
Msg-Id:
<43DFFE28.5020507@comcast.net>
In-Reply-To:
<BAY110-F27AD452A831F4E07ACA92ECD080@phx.gbl>
Mbox:
idm.0601.gz
nat hawks wrote:
quoted 6 lines actually, super stoked to hear this.. i'm going this friday.. .they're> actually, super stoked to hear this.. i'm going this friday.. .they're > actually playing down the street from me in brooklyn (south paw) whihc > is a big treat too... did hisnameisalive play too? i'm trying to get > a grip on them, but cant figure out where to start.. my only exposure > to them had been the brothers quay video oddly enough... >
Yes - HNIA is a fun troupe, capable of nice noisy haze-walls, punk-jazz, indie and fairly strident pop. The show opened in Detroit with Death Vessel - a young, American Indian looking guy who articulated well with an acoustic guitar and sang with a high, quirky, almost Neil Youngish warble. At times he seemed bluesy americana/indie - good melodic vocal hooks and used his quirks to full advantage. The kid can write. HNIA escalates the ante with a 4AD-ish blend that traverses the back roads of indie bordering heroin foglands. Low is just...Low. A bar is the worst place to see them, but they tend to wrestle well anywhere. I liked the Trust tour better, but when Alan cuts loose with the fx on "Tonight The Monkey Dies" and/or the band pulls you into the undertow of "(That's How We Sing) Amazing Grace" and "In The Drugs", I am reminded that a live presentation is necessary with many bands in order to feel what they're about. It's a tactile thing. It has been in my blood all day. I love it when that happens. jeff --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org