Yes, I agree with what others have said in questioning the need for
'defence'.
Still, here's more ammunition, in case the battle needs carrying forward:
Trevor Wishart "On Sonic Art" (The aesthetics of composition in a digital
age)
-- ISBN 371865461 or (paperback) 37186547X
alan
--On 27 April 2005 11:08 +0200 Dennis DeSantis <dennis@dennisdesantis.com>
wrote:
quoted 30 lines Does this topic still need "defending"?> Does this topic still need "defending"?
> I've studied at a variety of music schools and conservatories over the
> last 10ish years and have only come across a small handful of profs who
> still put academic music on a pedestal. This whole 50's-esque
> Modernist/progress vibe seems pretty well dead and gone in the academy -
> which I'm assuming is where you're writing your research paper?
> Sure, there are exceptions. But there are also serial killers. We don't
> treat either as if they're setting the bar.
>
> --
> Dennis DeSantis
> www.dennisdesantis.com
>
>
>
> Evan Caron wrote:
>> So, I'm in the process of writing a research paper on
>> defending electronic music as a true form of music. I
>> guess I was just wondering if anyone on here knows of
>> any information on defending or enhancing this topic.
>> I have posted on other forums and such but have only
>> come up with the same things. Thanks for any info you
>> can give. Cheers!
>>
>> Evan
>
> ---------------------------------------------------------------------
> To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org
> For additional commands, e-mail: idm-help@hyperreal.org
>
----------------------
Alan Lockett (Senior Language Co-ordinator - EFL)
Language Centre, University of Bristol,
30-32 Tyndall's Park Road, Bristol, BS8 1PY, UK
tel: +44 (0)117 3310914 e-mail: Alan.R.Lockett@bristol.ac.uk
---------------------------------------------------------------------
To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org
For additional commands, e-mail: idm-help@hyperreal.org