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From:
David Newman
To:
Chris Taylor
Cc:
Connor Higgins , Clint Anderson , Jeff Davis , kent williams , do id
Date:
Fri, 14 Jun 2019 22:56:42 +0100
Subject:
Re: Plaid Polymer
Msg-Id:
<40F31232-C1B0-4E44-A324-75D4CC1A3A96@clara.co.uk>
In-Reply-To:
<CAAT3gwGcnuCkVdeWabt+r9eM-j1xdq2v5y52d9j34SKqWezb_g@mail.gmail.com>
Mbox:
idm-2019-06.gz
It’s the melodies and counter melodies and counter points that work. Naive and childish with off kilter 3rds and 5ths - the long wait until the end before a final melody comes in . It’s like they are selling kitchen appliances in a manic world of robotic tech and genetically constructed clones. Best wishes David Newman - shorter message sent from a mobile device 📲 www.audiobulb.com www.audiomoves.com
quoted 58 lines On 14 Jun 2019, at 02:40, Chris Taylor <christaylor415@gmail.com> wrote:> On 14 Jun 2019, at 02:40, Chris Taylor <christaylor415@gmail.com> wrote: > > I started listening to this this morning and wasn’t too impressed but now that I’ve got *hold music* lodged in my mind it’s taken on a new malevolent quality. > > There’s a frequently used hold music that sounds like Dilla or Flying Lotus that I’m always juiced to hear. > > Back to Plaid - to me they’ve always seemed held back by the “naive” quality of their melodies. Not particularly unique to them. > > > >> On Thursday, June 13, 2019, Connor Higgins <connor1higgins@gmail.com> wrote: >> Oof, I hear a bit of that in their melodies but less so than previous albums. The sound design is fantastic though. Never been a huge fan of Plaid, but I'm liking this album. >> >>> On Thu, Jun 13, 2019, 3:56 PM Clint Anderson <clinta@gmail.com> wrote: >>> it's like the hold music for a very 'hot' up and coming silicon valley tech firm >>> >>> Clint Anderson >>> Systems Engineer >>> "Freedom -- paint me a picture!" -- Burton Cummings >>> >>> >>> >>>> On Thu, Jun 13, 2019 at 4:29 PM Jeff Davis <jeff@jeffreyjdavis.com> wrote: >>>> only if you can beatmatch "Los" , can you earn the right to call them cliche >>>> thanks, >>>> >>>> Jeffrey J Davis >>>> >>>> jeff@jeffreyjdavis.com >>>> >>>> www.jeffreyjdavis.com >>>> >>>> 218.833.2847 >>>> >>>> >>>> >>>> >>>> On Thu, Jun 13, 2019 at 4:19 PM Clint Anderson <clinta@gmail.com> wrote: >>>> > >>>> > going to listen a couple more times but >>>> > i dunno, i find a lot of the tracks painfully cliched and predictable, which has always been my issue with plaid >>>> > 'generic safe music with pseudo-idm percussion' >>>> > >>>> > Clint Anderson >>>> > Systems Engineer >>>> > "Freedom -- paint me a picture!" -- Burton Cummings >>>> > >>>> > >>>> > >>>> > On Thu, Jun 13, 2019 at 4:00 PM kent williams <chaircrusher@gmail.com> wrote: >>>> >> >>>> >> Those guys really have a way of being evocatively melodic in a way no one else seems to even try. Aphex Twin does a good job on a few tracks per release, but can't keep it up for 13 tracks the way Plaid can. >>>> >> >>>> >> Dancers is perhaps the best exemplar -- unexpected, but emotionally exciting chord change after chord change. >>>> >> >>>> >> I splurged and got the 24-bit WAV files and I think that's how they should be heard -- punchy and dynamic and spacious. Haven't blind-tested them against 16-bit wav (or MP3) but if you're going to shell out for the album, I have to think it's worth the splurge. >>>> >> >>>> >> I wonder why Warp releases 24-bit WAV files but only 16-bit FLAC files. FLAC encodes 24-bits just fine; in fact the first thing I do when i download them is convert them to 24-bit FLAC.