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From:
kent williams
To:
do id
Date:
Mon, 19 Nov 2018 07:52:47 -0600
Subject:
Re: Confused
Msg-Id:
<CAG9msJZoe3X=fnKJbtbO8B0fAgZ2ALf8Gr=XA0EfSj0a8aSE2Q@mail.gmail.com>
In-Reply-To:
<003c01d48001$72ad0010$58070030$@gmail.com>
Mbox:
idm-2018-11.gz
This guy is a longtime subscriber. What confuses you? On Mon, Nov 19, 2018, 06:14 <nicholas.piet33@gmail.com wrote:
quoted 76 lines I was extremely confused when I saw this in my inbox.> I was extremely confused when I saw this in my inbox. > > Hm > > - Nick > > > > *From:* Radio Web MACBA <rwm2008@gmail.com> > *Sent:* Monday, November 19, 2018 21:25 > *To:* idm list <idm@hyperreal.org> > *Subject:* New podcast: FAKA alk about performing masculinity and > self-policing, vulnerability, Siyakaka feminism, South African pop culture > in the 90s and racialised queer bodies > > > > *New podcast: Desire Marea and Fela Gucci (aka FAKA > <https://rwm.macba.cat/en/sonia/faka/capsula>) **talk about performing > masculinity and self-policing, vulnerability, Siyakaka feminism, South > African pop culture in the 90s, racialised queer bodies, music as a medium > and dealing with contradictions* > > > > Link: https://rwm.macba.cat/en/sonia/faka/capsula > > > > Desire Marea and Fela Gucci are the duo behind FAKA > <https://rwm.macba.cat/en/sonia/faka/capsula>, a cultural platform from > the heart of South Africa whose primary goal is to create alternative > representations of black queer identity. Given that the notion of gender is > heavily influenced by Western culture, FAKA defend that African identities > in general are queer, because they don't conform to the same patterns. > > FAKA's artistic activism is modelled on the anti-apartheid cultural > movement, but also employs strategies from advertising and pop culture. > Although the duo work with all kinds of media (texts, photography, > performance...), they mainly use music, drawing on sources ranging from > queer hip hop (Mikky Blanco, Lelf, House of Ladosha...) to nineties South > African afropop (Branda Fassie, Boom Shaka...) and local genres such as > gqom. > > Out of these influences, FAKA generate highly complex cultural products in > which voguing intersects South African cruising spots, reality shows, > gender theory, and gospel hymns. Aside from their capacity to absorb and > mix cultural codes from very different fields, FAKA manage to be combative > without sacrificing vulnerability in their fight for civil rights. > > Desire Marea and Fela Gucci talk about performing masculinity and > self-policing, vulnerability, Siyakaka feminism, South African pop culture > in the 90s, racialised queer bodies, music as a medium and dealing with > contradictions. > > *Timeline* > *03:30* Queer Africa > *04:27* Introductions > *10:35* Family matters > *14:13* Missions > *17:11* Homophobia and misogyny in South Africa > *21:19* Influences > *24:18* Language matters > *25:31* Kwaito > *27:55* Uyang'khumbula > *29:23* South African pop culture in the 90s > *31:07* Brenda Fassie > *31:42* Gqom > *36:40* The Factory > *44:05* The body as a medium > *49:36* Contradictions > > > > E/N/J/O/Y >