Re: [idm] copyright protected cds: the majors [ot - kinda]
Msg-Id:
<188d01c20049$94f39840$957c97d8@NCC1296>
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The same principle being applied to digital recordings could be applied
to vinyl, they could press it with a watermark that would then
be recognized by digital encoders that would either accept or deny it for
encoding.
Although how it would react to scratches, cuts and pitch shifting would be
anybody's
guess.
In any case, i'm pretty sure theres no fool-proof way of copy protecting
music.
Although it can be made more difficult with alot of work and coercion by
record companies..
- cutups
----- Original Message -----
From: "Rich" <arkive@btopenworld.com>
To: "idm" <idm@hyperreal.org>
Sent: Monday, May 20, 2002 5:47 PM
Subject: Re: [idm] copyright protected cds: the majors [ot - kinda]
quoted 16 lines | Anyway, I still buy vinyl, so what do I care :-)>
>
> | Anyway, I still buy vinyl, so what do I care :-)
> |
> |
> | john..
> |
>
>
> Nice one! try copy-protecting vinyl!!!
>
> Anyway, I agree with the watermarking statement. Altering the output of a
> recording is not beneficial to an artist or label, because it harms the
> product. What I mean is that if you hear music on the radio, go out, buy
> the CD, then go home and make your own copy for the car or walkman, and it
> sounds different, or wierd, then you think your equipment's screwed..
until
quoted 1 line you find out it's actually the CD. Nah, that sucks. I am not going to> you find out it's actually the CD. Nah, that sucks. I am not going to
buy
quoted 2 lines copy-protected CD's. Mainly because at least half of my collection is put> copy-protected CD's. Mainly because at least half of my collection is put
> onto minidisc for me to listen to wherever, and the CD's stay neat, unless
I
quoted 12 lines listen at home.> listen at home.
>
> Just adding MO to the proceedings.
>
> Rich
>
>
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