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From:
Hackett, Kelley M.
To:
'Jason Stickel' , ,
Date:
Mon, 22 Apr 2002 12:43:44 -0500
Subject:
RE: [idm] This month in Wired
Msg-Id:
<154A66C813EED311AECB00508B8B8D090420B958@iupuimbx06.uits.iupui.edu>
Mbox:
idm.0204.gz
Why dont we just get him..........? Omar Hackett IUPUI University Library 755 W. Michigan Street, Rm: 1112 Indianapolis, IN 46202 317-278-2278 317-278-2300 (Fax) -----Original Message----- From: Jason Stickel [mailto:j_stickel_otfp@hotmail.com] Sent: Monday, April 22, 2002 12:34 PM To: greg@stainedproductions.com; idm@hyperreal.org Subject: Re: [idm] This month in Wired Sell-out or not, if I hear one more interview with this self-absorbed fuckball I am going to hurl myself off a bridge, 50 lb. weights firmly attached to each ankle. Love, J~
quoted 59 lines From: Greg Clow <greg@stainedproductions.com>>From: Greg Clow <greg@stainedproductions.com> >To: "IDM List" <idm@hyperreal.org> >Subject: Re: [idm] This month in Wired >Date: Mon, 22 Apr 2002 13:04:22 -0400 > >At 12:08 PM 22/04/02, Teknoguy wrote: >> The Moby article was educational in that they explained exactly how >>Moby >>sold out. It turns out that every single song on that cd was licensed to >>some sort of advertisement or movie etc. It seems that the album was >>designed entirely to sell to the masses > >I don't think Moby specifically *intended* "Play" to be a crossover success >and a licensing bonanza. The album actually had a very long shelf life, and >took quite some time to build in sales and recognition. > >I saw an interview with him last year where he said that when he was first >approached for licensing tracks from the album to commercials and movies, >he was quite reluctant. But then one of the offers he rejected ended up >getting some studio musician to record a track that was >almost-but-not-quite the same as one of his tracks, so he figured "what the >hell" and signed some deals, partly to avoid such rip-offs to continue, and >partly because the album was getting little to no support from radio or MTV >(remember, he's on a major label in North America, so sales *matter* >whether anyone likes it or not). > >And most of the money that he's been making from those deals has been >donated to some extremely worthy causes, like environmental & animal rights >groups, so I think that the ends somewhat justify the means. > >I know that Moby has a pretty bad rep in the "underground" for being some >sort of sell out or phony. To me, "selling out" means changing your style >and recording music that you don't personally enjoy in order to sell lots >of records, and perhaps I'm naive, and I really don't think that Moby did >this. He's always jumped from style to style, and seems to dig a lot of >different types of music - he just happened to get lucky with "Play". > >Personally, I don't care for a lot of his music, and I thought he was a bit >of a joke when I saw him on the See The Light tour with Orbital and Aphex >back in the early 90s. But I still think that "Play" is an enjoyable >downtempo album even despite it's popularity, and I find his new single >pretty groovy in a electro-glam sorta way. > > >Greg > > > >:::::::::::::::::::::::::::::::: Greg Clow ::: greg@stainedproductions.com >::::::::: concert & event promotions ::: http://www.stainedproductions.com >:::::: electronic music radio & reviews ::: http://www.feedbackmonitor.com >::: electronic/experimental record label ::: http://www.pieheadrecords.com >::::::::: 158 Close Ave. 2nd Floor ::: Toronto, Ontario M6K 2V5 ::: Canada > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >For additional commands, e-mail: idm-help@hyperreal.org >
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