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From:
jacob z.
To:
Andrei
Cc:
Date:
Thu, 18 Apr 2002 16:07:33 -0700 (PDT)
Subject:
Re: [idm] like loop finding jazz records
Msg-Id:
<Pine.LNX.4.21.0204181551360.29654-100000@zen.eds.org>
In-Reply-To:
<Pine.SGI.4.40.0204181826570.4510241-100000@shell01.TheWorld.com>
Mbox:
idm.0204.gz
On Thu, 18 Apr 2002, Andrei wrote:
quoted 12 lines On Thu, 18 Apr 2002, jacob z. wrote:> On Thu, 18 Apr 2002, jacob z. wrote: > > > one of the things i like about it is the way > > it plays around with musical conventions - taking the production language > > of house and the lo-fi textures of scratchy jazz records and making > > something, to my ears, novel. > > I don't have the cd anymore so this is from memory, but I remember > listening to the album and noticing there wasn't anything jazz-like about > it. Obviously it's not constructed like jazz, but harmonically and > especially melodically it wasn't "jazzy". The thought struck me that the > whole sampling of jazz records angle was more just marketing.
i think that sampling on this record wasn't done the way most people think of sampling - it's doesn't sound like he was taking loops or phrases or beats, more like a horn or string sounds stretched waaaaaay out to begome his pads, or a little record pop becoming his rhythm... this way he gets somewhat jazzy textures without using much of what harmonically or melodically makes music jazz. there isn't much in the way of melody on the record anyway... i guess this is part of why i like the record so much - i love it when people sample something and use it in a completely different context. taking just the barest minimum of a sound and using your digital tools to scuplt it into something miles away from its source... it's postmodern and it's funky! j --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org