i've performed live as a keyboard player and we sequenced a lot of
background percussion onto a freeware tracking program on a laptop. the dsp
work was done off a desktop computer simply because we had only one laptop,
and we used pro tools with tons of instruments and effects. a few
improvisational songs were done using reason for percussion and hardware
keyboards. i think dsp is overrated anyways, go get a real synthesizer. more
expensive, but i enjoy them
http://www.mp3.com/prof_p_hedd/
quoted 41 lines From: "Netlon[3]" <robot@neo.rr.com>
>From: "Netlon[3]" <robot@neo.rr.com>
>To: <idm@hyperreal.org>
>Subject: [idm] [real time effects and hard dsp'n]
>Date: Sun, 13 Jan 2002 16:08:50 -0500
>MIME-Version: 1.0
>Received: from [209.133.83.22] by hotmail.com (3.2) with ESMTP id
>MHotMailBE0B43A7008C40043893D1855316049B0; Sun, 13 Jan 2002 13:14:15 -0800
>Received: (qmail 40654 invoked by uid 1153); 13 Jan 2002 21:14:05 -0000
>Received: (qmail 40641 invoked from network); 13 Jan 2002 21:14:05 -0000
>>From idm-return-46267-hard_set_head Sun, 13 Jan 2002 13:14:55 -0800
>Mailing-List: contact idm-help@hyperreal.org; run by ezmlm
>Precedence: bulk
>X-No-Archive: yes
>list-help: <mailto:idm-help@hyperreal.org>
>list-unsubscribe: <mailto:idm-unsubscribe@hyperreal.org>
>list-post: <mailto:idm@hyperreal.org>
>Delivered-To: mailing list idm@hyperreal.org
>Message-ID: <000001c19c76$80a5ad60$0203000a@neo.rr.com>
>X-Priority: 3 (Normal)
>X-MSMail-Priority: Normal
>X-Mailer: Microsoft Outlook, Build 10.0.2627
>Importance: Normal
>X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2919.6600
>X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N
>
>I?ve been work?n on tunes for quite sometime now, but still am having
>trouble finding the best method for powerful real time effects and
>editing? I was just wondering if of you guys have any idea what the pros
>are do?n or tight ways to fuck up some beats?
>
>I saw Plaid when they came around, and was try?n to get an idea of what
>they were do?n live. It seemed that pretty much the whole time they were
>tweaking what looked like a large mixing board. They didn?t do 2 much on
>their laptops another than queue up new tunes. What I don?t get about
>that setup is that it would seem that they would need each sound to have
>its own channel go?n to the mix?n board but as I could recall there was
>only 1 output come?n out of their laptops.
>
>I don?t know, maybe im just dumb and haven?t researched and played
>enough, but I just haven?t found any smooth way of doing it yet. Let me
>know what you guys think?
_________________________________________________________________
Send and receive Hotmail on your mobile device:
http://mobile.msn.com
---------------------------------------------------------------------
To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org
For additional commands, e-mail: idm-help@hyperreal.org