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From:
Kath O'Donnell [AliaK]
To:
Idm-l \(E-mail\)
Date:
Thu, 8 Nov 2001 00:00:01 +1100
Subject:
RE: [idm] freestyling -doseone/anticon
Msg-Id:
<006801c1678c$1ca0d7f0$12cf8ec6@Q408980>
In-Reply-To:
<41200111377299110@earthlink.net>
Mbox:
idm.0111.gz
yeah! I caught him a few weeks when he was on tour with Anticon, picked up his 'hemispheres' cd - love his style, at first I thought he was too nasally or maybe it was the accent, but then as he kept going and I listened to the lyrics I really started to like it.. speaks so much faster than many of the emcees I've seen before and has great stage presence - heaps of energy and expression.. Jel's beats are nice too.. the only other mc's I like are MC Conrad with LTJ Bukem, and one of the locals here - Cameron James Brown/MC Sureshock - both have lovely rhythmical lyrical styles.
quoted 148 lines A decent MC for the purpose of idm freestylin' would be> > A decent MC for the purpose of idm freestylin' would be > DoseOne. He did an album with a producer called BoomBip (or > Bip Boom I > don't remember) that was called cirlces. The production > ranges from fairly > standard hiphop to really amazing hiphop and acid jazz to > pseudo-hardcore and > complete ambience. Doseone manages rap over almost all of > it, or talk > anyway. Some of what he does is free verse poetry or just > spoken word but > it's allways fairly intelligent and appropriate. Like when he > reads the washing > directions on a shirt (very rhythmically) it's stupid (and > entertaining) but a > helluva lot betta then hearing one more MC shout HOLLA! > > It's really good pseudo rapping and I suggest anyone > interested check > him out. > > I'm not sure about the availability or much else about the record > though. > > > > -peter > > > > > > > > i think the problem with most emcees (and probably most > producers) is that > > > they have this sort of mindset... i mean no offense by this, > but this is > why > > hip-hop has become so fucking stagnant in the past, oh, 7 or > so years. > sure, > > there's some good stuff coming out, but it's such a small > percentage of the > > > overwhelming onslaught of uninspired and derivative garbage > that it's made > > > shopping for good rap music like thrift shopping (ironically, > it's mostly > > > the older stuff that's the gems!). > > > > as far as freestyling goes, a good emcee should be able to > freestyle over a > > > washing machine. no- that's a bad example (too rhythmic, > maybe). a good > > > emcee should be able to freestyle over merzbow. maybe that's > a bad example > > > too... i think you get the point, though. being an emcee is > being able to > > > articulate an experience- whether real or surreal- verbally > and, regardless > > > of the musical background, he/she should be able to meld with > the sounds > and > > allow it to influence his/her delivery or provide contrast to it. > > > > about a year ago after a recording session, i was driving > with diverse > (look > > for his single on chocolate industries at the end of this month) and > > listening to oval's szenariodisk. he started freestyling over > track 7 (if > > > you have it, get it out and imagine it- it was hot!). > > > > anyway, i am by no means saying that the way to advance > hip-hop is to get > > > real experimental and far out and have someone rhyme over > morton subotnick > > > or something, but perhaps that's because i know most hip-hop > heads are such > > > purists that they would denounce it as backpacker shit anyway... > > > > zak > > > > _________________________________________________________________ > > Get your FREE download of MSN Explorer at > http://explorer.msn.com/intl.asp > > > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > > For additional commands, e-mail: idm-help@hyperreal.org > > > > > > > > >
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