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From:
The soul that creates
To:
Date:
Wed, 24 Oct 2001 23:37:53 -0700 (PDT)
Subject:
Re: [idm] Rolling Stone on Drukqs
Msg-Id:
<20011025063753.85765.qmail@web13907.mail.yahoo.com>
In-Reply-To:
<001e01c15cfb$cf1a0460$b899d918@lukesbox>
Mbox:
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I can see how one could have such an opinion though. I must admit, and I would bet my left foot that there are at least a few that would agree....there have been quite a few Aphex Twin songs that when I think "if this was not Aphex, but just some unsigned artist how would I feel about it? interesting? yes, though provoking? most of the time.....but sometimes I would not be afraid to say that in my humble opinion its just a bunch of "fuckery" that almost anyone with enough gadgets and a computer could pull off..... I wouldn't say Apex Twin is not a great musician and a wonderful artist.....I think he's great....but sometimes its just too much of nothing, and I think a lot of whats on Drukqs, when compared to where it seemed he was headed.....is just lazy, random, and certainly nothing close to what he is really capable of. --- Lucas Caldwell <luke82@charter.net> wrote:
quoted 11 lines bwa hahaha. who hired that village idiot to write> bwa hahaha. who hired that village idiot to write > that review? > ----- Original Message ----- > From: "Michael Stein" <Michael.Stein@allscripts.com> > To: <idm@hyperreal.org> > Sent: Wednesday, October 24, 2001 1:44 PM > Subject: [idm] Rolling Stone on Drukqs > > > > >
http://www.rollingstone.com/recordings/review.asp?aid=2043238
quoted 62 lines Aphex twin, also known as England's Richard James,> > > > Aphex twin, also known as England's Richard James, > was once a pioneer of > > techno > > and ambient electronic music, and he made records, > particularly 1993's > > gorgeous > > Selected Ambient Works 85-92, that changed the > course of electronic music. > > But > > since then, he has bravely charted a course toward > tech-noise and slowly > > veered > > into unlistenability. With Drukqs, James delivers > his most irrelevant > album > > to date: > > a double CD, thirty-track compendium of > indecipherable song titles, > > gratuitously > > weird sounds and occasional wisps of ersatz > classical piano that are > > aimlessly > > pretty. The moody "Kladfvgbung Micshk" sounds like > incidental music for a > > haunted-house movie by Damien Hirst, but tracks > like this inevitably lead > to > > tracks > > like "Cock/Ver 10," a hyperactive splutter of > drum-machine beats and > > deflating > > video-game drones. The confused and self-indulgent > "Gwarek 2" is a > > seven-minute > > soundscape that resembles something that Trent > Reznor might have recorded > > after > > listening to the Beatles' "Revolution 9," then > erased the next day. Among > > fans of > > IDM, or Intelligent Dance Music, as this sort of > stuff is unfortunately > > labeled, rumor > > has it that James merely loaded this record with > outtakes that have been > > eating up > > space on his hard drive for years, then released > the album as a > deal-breaker > > with > > his label, Warp. Or perhaps the explanation for > the incoherence of the > album > > lies > > in its punny, unfunny title. Either way, he should > have never done Drukqs, > > because > > his new noise mostly just sounds fukqed up. > > > > >
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