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Date:
Thu, 19 Jul 2001 11:14:23 -0400
Subject:
[idm] Adam Piontek [was: Re: [idm] loving older music]
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<3B56F94C.4649468A@world.std.com>
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Man, don't you have anything better to do with your time ? You've been posting incessantly sharing your personal opinions on any/every damn thing several times a day. Get some friends or hobbies or something. Sorry, Andrei Adam Piontek wrote:
quoted 175 lines -----Original Message-----> > -----Original Message----- > > From: Irene McC [mailto:substar@iafrica.com] > > Sent: Wednesday, July 18, 2001 1:46 PM > > > > On 18 Jul 2001, at 7:12, Adam Piontek wrote: > > > There's something wonderful about being a teenager > and getting a > > > new album for the first time in months, taking it > home and holing > > > up in your room with the headphones and falling in > love with new > > > music. > > > > YES YES YES!!! Why doesn't that happen any more? > Are we just > > too damn jaded and locked into the eternal quest for > bigger, better, > > more? > > That's a big part of it for me. I've been trying to > teach myself lately to tone down my music addiction. > Trying to remodel my listening/buying habits to be > like they were when I was "happier" with music. Like, > back when I was a teenager, I was really into Tori > Amos, but all I could get was what they sold at Best > Buy. So, I eventually got a bunch of singles, but > mostly I would spend months just absorbing the latest > album. When you spend that much time on one thing, > you really *know* it. > > I'm focusing a lot more on just albums, and not > worrying so much about all the B-sides, remixes, or > compilation tracks I might find out there in MP3. > When I was a teenager, I didn't know so much about the > existence of B-sides, remixes, compilation tracks, > etc., and even if I did, it wasn't so easy to have > them (MP3s). The thing is, if you really like an > album by artist X, you're not necessarily missing > anything if that's all you ever hear. Sure, there are > probably some killer individual "extra" tracks hiding > out there somewhere, like Four Tet's remix of track 1 > from SAWII. But it's not such a big deal if I don't > hear that stuff. > > > These days, I get new albums, and they're *nice* but > somehow > > they never enmesh with every single cell in my body > like my old > > music used to. > > Same here. Sometimes it's just that the music, while > I like it, and it's *nice*, it isn't exactly great for > me. For example, Delarosa & Asora's Agony is a > well-done album, and I can really appreciate it when I > listen to it, but it just doesn't make me want to > listen to it over and over again. Some music just > does not grow on me, no matter how much I listen to > it. Whereas Proem's "Negativ" and Chris Clark's > "Clarence Park" have been hitting me quite hard lately > - I can't stop listening to these and a few other > things. > > Still, I really think the large part of it is not the > music itself, but just how much time you spend with > something. When I first got Aphex's RDJ album, I was > still very much a "1 album-per-month at most" > listener, and I just kept listening to that over and > over. After a while, I knew that album inside and > out. I still do when I listen to it now, and it makes > it that much more special to me. > > However, in the past couple of years I've become a lot > more "throw-away consumerist" about music. I'll get a > bunch of new music, and as I'm listening to it I make > quick judgements and move on to the next thing because > there's always *more* to try, and for some reason I > feel I need to. "What if I'm missing something > amazing?!" The catch-22 here is that if I find > something amazing, I'm less likely to recognize it, > and if I do recognize it, I'm still going to feel as > if I need to move on either A) because there might be > something *else* amazing out there that I'm missing, > or B) because I have so much stuff, and I should > really try to listen to it all equally. > > This is all pretty rediculous, and most people I'm > sure don't have the same difficulties. You're all > probably comfortable with how you listen to music. > I'm just realizing, however, that I'm not comfortable > anymore with how I've come to listen to music. The > simple fact for me being that I really really miss > being as intimate with an album as I am with some of > my older stuff like the RDJ album or my Tori or TMBG > albums. I'm not intimate with my newer stuff; I don't > know Proem's music by heart, even though I absolutely > love it, simply because I don't allow myself the time > to truly absorb it. So that's what I'm working > against now. > > >I have some old vinyl dating back, ooh - 20, 25 > > years, that is so deeply engrained that I can > imagine every crackle > > and surface scratch before it comes along, and if I > hear a CD copy > > of the same album, it somehow lacks the well-worn > ambience of my > > beloved original. > > Yeah, that can happen, though I've always been a CD > person, so that doesn't quite apply to me. Although I > can say that my sister used to have this "Joseph and > the Amazing Technicolor Dreamcoat" album that was a > stage recording from England or something, and I > listened to it a lot. Later on when I wanted to get a > copy for myself (I went threw an Andrew Lloyd Webber > phase, so shoot me :P), the Osmond production had > opened in America and that's all you could find > anywhere. Sometimes, with musicals or classical > music, stuff that can be done by many different > artists so there's all sorts of different "versions" > or "interpretations," the only one you really like is > the first one you heard, or at least one specific > version. Like, I can only listen to a version of > Carmina Burana that was recorded by one particular > orchestra. All other versions sound "wrong" to me. > This, I have no doubt, comes from being so used to > recorded music. Before recordings, I'm sure this > didn't happen. People were more into the music itself > than a particular manifestation of it. Kind of like, > it was the melody of a hymn or jazz tune itself that > people liked; not a specific version, because the > versions they heard were *always* live and *always* > different. The concept of "live music" wasn't even an > issue. > > Whoah, big rantings in this email. Sorry everyone :P > > > I think partly this might be due to my obsession > with music having > > become something akin to an addiction, and I'm > always looking to > > the next fix, rather than fully enjoying the > present. > > Oh, wait, now I've ranted on and on and gone off on > tangent after tangent, and you just said it in, like, > two sentences! Oh well. > > > It's also partially a fault of the media, peddling > music as a mass- > > market consumable. Gone is the arcane pleasure of > indulgence. > > Yeah, that's also part of it. Kind of like the > tangent I got off on about "music before it was > possible to record it" - recording made the music > "industry" possible, and forever altered what was > before the "natural" way to hear music. Now it takes > willpower and a plan to avoid music addiction! Maybe > there should be a 12 step program? > > > Cynical? You bet! > > But healthy, too! > > -Adam, being particularly pedantic today... > > __________________________________________________ > Do You Yahoo!? > Get personalized email addresses from Yahoo! Mail > http://personal.mail.yahoo.com/ > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org
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