rlim@escape.com wrote:
quoted 3 lines There's one piece of his on the Sub Rosa comp>There's one piece of his on the Sub Rosa comp
>"Futurism and Dada Revisited", but it's interpreted in a very contemporary
>style
anyone who can point me to a copy of this at an accessible price is a very
nice person :-) I keep finding it at extortionate prices, and it is out of
print now.
(duchamp)
quoted 2 lines I think the same label put out an entire full-length of one of his>I think the same label put out an entire full-length of one of his
>compositions, but I haven't heard it.
no, it's a spoken word release, featuring interviews and conference
speeches. it's very very interesting and inspiring for anyone who is open
about their approach to art and its mechanisms.
quoted 2 lines Not to say that Duchamp=Dada, but>Not to say that Duchamp=Dada, but
>it's surely an avenue worth pursuing...
(...)
>Something like
quoted 2 lines V/Vm is perhaps closer to Dada. Even Aphex is closer to Dada than> > V/Vm is perhaps closer to Dada. Even Aphex is closer to Dada than
> > Autechre in his pranksterism.
Though he fully belonged to the surrealism movement, I think Erik Satie had
a dada streak in himself too, but it shows up more in his writings than in
his music (his collaboration with the avantgarde mostly took place in the
surrealist area and period, in fact.). As far as I know dada music was
destructive, and was only conceived as an application in theatre. Sheer
shocking noise mayhem designed to shock and zero the spectators' senses and
critical stance.
quoted 2 lines Autechre's>Autechre's
>current direction seems to be opposite the approach used in concrete.
Interesting. Could you expand a bit more?
nd
np: radio scotland :-(
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