This was good for a laugh. Pseudo-intellectualism at its finest.
the inertia of the Postmodern ethos of mediumistic
quoted 1 line deconstruction>deconstruction
the 1960s hermeneutic of the post-dada studio production and
quoted 1 line re/de-simulation foci of the rising production mnemonic in live music.>re/de-simulation foci of the rising production mnemonic in live music.
The term was allegedly codified, if not fabricated, or at least
quoted 1 line lexicalized,>lexicalized,
quasi-conscious,
quoted 3 lines de-semanticization of Afrocentric loan terms aimed at fostering a discourse>de-semanticization of Afrocentric loan terms aimed at fostering a discourse
>of racial empowerment and a subsequent deconstruction or reformulation of
>the Eurocentric grammar.quoted 3 lines semantic drift that is tellingly symptomatic of syntactical uncertainty>semantic drift that is tellingly symptomatic of syntactical uncertainty
>grafted on to the language of popular culture (seen from the post-Hegelian
>viewpoint, at least).
the tacit epistemological justification of early hip hop
quoted 3 lines the subculture's zeitgeist demonstrated its susceptibility to capitalistic>the subculture's zeitgeist demonstrated its susceptibility to capitalistic
>king-of-the-hillisms with a facility emblematic of the Heraclitean flux of
>market forces.
hip hop is not so much a genre in the traditional Platonic
quoted 1 line essentialistic sense, but rather a Wittgensteinian "family of resemblences".>essentialistic sense, but rather a Wittgensteinian "family of resemblences".
instantiates the historicization of the autonomous selfhood of
quoted 2 lines cultural organization congruent with the incipient textuality of the musical>cultural organization congruent with the incipient textuality of the musical
>lyric.
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