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From:
Kent williams
To:
i'd do mary
Date:
Mon, 29 Jan 2001 07:37:51 -0600 (CST)
Subject:
[idm] DON'T PLAY THE HATER, GO LATE TO THE GAME
Msg-Id:
<Pine.HPP.3.96.1010129073028.3168A-100000@arthur.avalon.net>
In-Reply-To:
<5.0.2.1.1.20010129010816.009eba00@mail.mindspring.com>
Mbox:
idm.0101.gz
On Mon, 29 Jan 2001, Matt U wrote:
quoted 6 lines As I understand> As I understand > it, Martin and Kent are contending that the degree to which DSP is utilized > is irrelevant. The theory, that there is some music that is reliant upon > DSP for its impact - which Martin and Kent are arguing against - calling > "everything... DSP fuckery"; stands stronger because of their argument, not > despite.
No. Not what I meant. I meant it's a dumb thing to argue over, and that people who say "i don't like too much dsp in my music" aren't considering how much dsp is in ALL their music. And I'm not saying it doesn't matter, because artistically and conceptually everything matters. And what matters most is whether the music moves you. And if it don't don't listen to it. And if it does, do listen. Things that kick my ass these days -- "Ptaah Decompressed" -- Chris Brann goes latin like Xavier Cugat. He deserves his very own Charo! Rich Devine "Lipswitch" -- 3 words: O MY GAWD. T Power "Long Time Dead" beating the new skool breaks boys at their own game, and staying true to his weirdness. Luomo "VocalCity" -- killer, killer, killer house music. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org