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From:
Ian Pojman
To:
Date:
Tue, 12 Dec 2000 17:01:01 -0600
Subject:
Re: [idm] new BoC EP
Msg-Id:
<B65C0A4D.1A4%ipojman@jmlafferty.com>
In-Reply-To:
<200012122254.QAA31793@www4.mail.umn.edu>
Mbox:
idm.0012.gz
on 12/12/00 4:54 PM, youn0394 at youn0394@umn.edu wrote:
quoted 14 lines On 12 Dec 2000, Ian Pojman wrote:> On 12 Dec 2000, Ian Pojman wrote: >> >> No, I disagree. MTHR and hiscores instantly were hits. I was immediately >> disappointed when I heard the new EP. > > how so? most people hadn't even heard of Hi Scores until Music Has The > Right To Children came out! > > and I didn't hear much acclaim about Boards of Canada until early-to-mid > '99... and Music Has The Right To Children came out in '98... hmm... > > cheers, > /derek >
dude, like n:h said.. It sounds all too clean. n:h seems to like that but I dont. That clean, refined sound is the antithesis of why I liked earlier BoC. They got arguably: 1) less hip-hoppy, 2) less analogy-mellowy-smooth, and 3) less 'unrefined' and raw. I didnt hear hi scores until after I hda heard MHTR either, but the time elapsed since the production makes no difference. MHTR adn Hiscores -are- way different, but the difference between the new EP and the style i heard in those two and the MASK100 track is vastly greater. Props to the MASK100 track btw. if they had went that way or even cloned MHTR, (which MHTR was kindof a clone of iteself ANYWAY), I would haev been more pleased with what they put out. Granted, I still respect BoC alot I think theyre great, and I'll still kick back to the new EP. I juts had high expectations that were dropped - autechre and RDJ and MoM and metamatics and stuff like that fail to disappoint me so... bu its hard to compare such geniuses of different styles. Ian/delphi --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org