All I can say is, that this is the only "house" record that is rich and
deep enough in production to be rewarding to listen to on a nice set of
headphones that I am familiar with it. I didn't even catch half the stuff
going on without them. With most house records, WYHIWYG.
quoted 20 lines - things flipping and reversing (esp. noticable on the vocals)>- things flipping and reversing (esp. noticable on the vocals)
>
>- a general vibe of unpredictable events (eg. the above effect; percussion
>sounds changing shape constantly throughout a track; and sudden crashing
>sound
>effects and percussion echoing off)
>
>- distortion (without being Daft Punk overdriven acid vibes). some of the
>squelchy distorting bits reminded me most of Mouse on Mars, actually
>
>- new musical developments throughout tracks. sure, they're repetitive, and
>I'm happy with that, but also tracks have new musical elements come and go
>and
>riffs and so on develop, rather than always looping.
>
>Didn't someone a couple of days ago (week or so perhaps?) diss 'Vocalcity'
>because it _wasn't_ house?! It's interesting how people can have such
>different impressions of what the album is like.
>
>Michael
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