quoted 1 line alright. you're an idiot.
>alright. you're an idiot.quoted 3 lines if i have to sit through yet another wholly imbecilic discussion as to
>if i have to sit through yet another wholly imbecilic discussion as to
>the purported merits of 95 drum n' bass i think i'll be sick all over
>everybody on this list.
oh kiss my ass. i never started this discussion to learn anything new about
the intricate complexities of the drum 'n' bass genre. i'm really not
interested in all that. i just so happened to have an opinion on drum 'n'
bass and how it has affected other genres of electronic music, and it just
so happens to be a generally negative opinion. true, i may not be a d+b
expert like yourself, the don of d+b, but i know enough to have a basic
dislike for it. so fuck off.
quoted 6 lines this is not 1998, and optical is not running drum n' bass. you totally
>this is not 1998, and optical is not running drum n' bass. you totally
>ignore the movements toward tech-house fusion (intalex & st files) and
>old-school revisionism (total science, digital & spirit). not to
>mention the two releases on teebee's label [subtitles] both of which
>have been simply blazing as well as technically, sonically, and
>structurally innovative.
maybe i didn't talk about any of the artists and movements you've mentioned
above, but i am aware of them. and i don't care for them. in fact, i'd say
they add to my initial argument. don't make me out to be some kind of d+b
dunce when i'm in fact not.
will simmons
Cipolin Structure Radio
http://www.geocities.com/cipolinstructure/
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