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From:
Ian Pojman
To:
Date:
Wed, 16 Aug 2000 16:02:28 -0500
Subject:
RE: [idm] RE: Amen (was [idm] blade-runner/dune) -> cf
Msg-Id:
<GNENLFEHEAMCLLIMHOOHMEAACAAA.ian@webice.net>
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<D79909C367EAD3118D3E00508B9B0EF57654F7@NYC3MSG01>
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-----Original Message----- From: Chris Fahey [mailto:Chris.Fahey@raremedium.com] Sent: Wednesday, August 16, 2000 3:24 PM To: 'Josh Davison'; 'ian@webice.net' Subject: RE: [idm] RE: Amen (was [idm] blade-runner/dune) -> cf/alextea
quoted 1 line 4/4 CAN sound like 6/8 if you play it "swingy" enough> 4/4 CAN sound like 6/8 if you play it "swingy" enough
quoted 3 lines "Sound like" is the key phrase. And it goes vice-versa too. My girlfriend's>"Sound like" is the key phrase. And it goes vice-versa too. My girlfriend's >(who's on the list too - hi baby!) old band did a cool track in 6/8. At >first it *sounds like* 4/4 since it's such a laid back hip-hop kinda
groove,
quoted 2 lines but no matter what it sounds like it's still technically 6/8. Which is the>but no matter what it sounds like it's still technically 6/8. Which is the >song's title, by the way.
right. but technically to you its 6/8, I can technically take it to be 4/4 with triplets a the same time with the same justification and hear it the exact same way it was meant to be played. "Classical" composers who wrote pieces in sharp keys (eg C#) meant to have a 'lighter' sound to the piece (ie major mode), when they wrote them in flatkeys (ie Db), they meant them to have a 'heavier' sound, even though you could write the same piece in either key it would be the exact same. So i can see how you jsutify that a certain piece would be in 6/8, but I'm just trying to point out that technically, melodically, musically, there is NO difference in between the same piece written in the keys of C# and Db respectively.... http://chooser.mp3.com/cgi-bin/play/play.cgi/AAIAQtJvAgDABG5vcm1QBAAAAFL6hAA AUQEAAABDU5ePOeAlyqGY9dZJifkDJBTGq5g-/sixeight.mp3
quoted 2 lines Laika does quite a few tracks in 7/8, and unlike most 7/8 stuff I've heard>Laika does quite a few tracks in 7/8, and unlike most 7/8 stuff I've heard >by wankerous rock bands, it actually is swingy and danceable and "feels
like
quoted 1 line 4/4".>4/4".
see you could call each 7/8 measure a beat and consider four of them to comprise a larger measure of 4/4. Thats the most obvious interpretation of the "danceable" feel one can get from such an odd time sig. You can do this with anything... itd be interesting to see a set of 3 7/8s or 3 4/5s together instead of 4, which is what people usually do. so we agree! peace, ian --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org