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From:
Josh Davison
To:
Adam Piontek
Cc:
idm@hyperreal.org
Date:
Thu, 15 Jun 2000 16:29:13 -0500 (CDT)
Subject:
Re: [idm] samplism and the vibert thing
Msg-Id:
<Pine.NEB.3.96.1000615161731.48308E-100000@shell-2.enteract.com>
In-Reply-To:
<21104518714172@mirage.tcinternet.net>
Mbox:
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On Thu, 15 Jun 2000, Adam Piontek wrote:
quoted 2 lines as for sting and puff daddy, i find the puff daddy "version"> as for sting and puff daddy, i find the puff daddy "version" > extremely annoying. why? it's a matter of respect. it colors my
...
quoted 6 lines it's not a matter of saying his process is wrong, or samples are> it's not a matter of saying his process is wrong, or samples are > wrong, it's a personal matter in this respect: sting and led zepplin > were uniquely talented human beings, worthy of great respect, and > created music that i enjoy on many levels. puffy jacks the songs > (not just the beats, dammit) and pretends they're new songs. they're > not -- they're weak covers at best.
i don't much care for Puff Daddy or his technique but i don't think he tries to pass off the tracks as his own work, i.e. he credits the original artists on the records (i mean if he didn't he'd get sued to hell and back!!) and he'd have to be stupid to think people arent' going to recognize hooks from Police or Led Zeppelin. It's more about a certain ethic in Hip Hop culture -- that of the name check. You appropriate somebody else's line or beat or a little hook from their song more as a tribute, or at least a knowing reference, rather than from a lack of creativity. Granted, Puffy takes it to completely unneccessary extremes. But take for example NWA's song Eight Ball -- they use a line from an old soul record about the "Diamond in the back, sunroof top" or something ( i have no idea who the artist is or if those are the actual lyrics ) ... anyway I think the way they worked the little reference to the song into the music is very creative, especially if you recognize the fact that when they would play the song live, there was actually a DJ dropping the actual phrase in from the original record as part of the song. Recognize also that the art of sampling and beat-jacking comes from the early days of hip hop when DJ's would create an entire track from using other artist's records, in real time on two turntables. This was not for lack of creativity, but for lack of funds and technology as many of the originators of hip hop did not have the cash resources to purchase "real instruments" and were inspired to make do with the tools at hand. -- String Theory : Digital Music for Humans http://www.enteract.com/~yoshi/index.cgi --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org