quoted 3 lines Oh, and I have first dibs on totally abusing Acid's time stretch/pitch shift as>Oh, and I have first dibs on totally abusing Acid's time stretch/pitch shift as
>an IDM(r) Sound Effect. Pretty soon you'll be hearing that all over in tracks,
>replacing the Hyperprism Sonic Decimator as the sound-mangler for Y2K.
as somebody who has used ACID for several projects, i'd just like to chime
in here and say that i would sooner die at the hands of psychotic,
tripping-on-mescaline midget lesbian avengers than hear the "acid aliasing"
sound in any track EVER. i have to work very hard to get acid NOT to do
that, and i simply cringe whenever i hear it in other people's work (check
out random offerings on mp3.com under "electronica" and you can't go 5
tracks without hearing it). it is i kinda neat sound, but one that wears
thin, IMO, after just a few moments. i've been working with ACID so much
now that i'm REALLY sensitive to it (obviously) and can hear the aliasing in
time-stretched material that i couldn't hear when i started with the proggy.
besides, everybody knows that audiomulch is the sound-mangler for Y2K :)
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1642 try 621
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