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From:
Drusca
To:
Date:
Wed, 10 May 2000 02:50:20 -0400
Subject:
Re: [idm] damn jazz shit - DELETE if you don't like nitpickyness
Msg-Id:
<391906A5.5BD865FB@world.std.com>
Mbox:
idm.0005.gz
Right on ! Andrei James R McPherson wrote:
quoted 44 lines DJ Cam knows his Coltrane and ColdCut seem to know just about> >DJ Cam knows his Coltrane and ColdCut seem to know just about > >everything but I would love to see more useof Coltrane and Dolphy's > >intense riffs and extended solo clips, let alone Art Ensemble and > >SunRa; Mingus could be so fantastic if you want forceful streams of > >sound and what about McLaughlin or Larry Young! > > Ugh. The dissolving of jazz into samples. If the form is to be reduced > to "snippets" of loops I think the world would be better off just playing > them on a pre-set synth. All of this doggerel about jazzy dnb disgusts > me. When did the beauty of dexterity, creativity, and improvisation > become whittled to a 6 second excerpt repeated ad nauseum? Sure, there > are similarities between electronic musics' use of grounding > themes/percussion and jazz reliance on a clearly stated melody, but it > ends there. While some electronic listening music is presented live > w/improvisation a central concept, it remains primarily a home-listening > experience (for better or worse). Concerts are your living room with > more friends and bigger speakers. Jazz, by its very definition of > improvisation and forward tilt, is not. Part of the joy is in hearing > how specific players re-interpret central themes/melodies and use them as > a launching pad to artistic expression, night after night after night > changing. To reduce is to negate (or perhaps I should say to record is > to negate). > > I do not doubt the poster's love or understanding of jazz (perhaps I > simply misunderstand), but the careful reconstruction of solo passages in > an electronic recording does not add to the sum of musical art and > lessens the very work that many jazz artists accomplish. It may make a > very pretty pop song, and will probably be very tuneful, exciting, and > soulful. But it is not jazz. And for me, then, I no longer care who the > individual/group sampled is. Does this mean Macero's repasting of Miles' > trumpet and groups are not jazz either? Perhaps. Does this mean the > presence of the studio debases jazz in its very application? Hmm. But > this is an IDM list ; ) > > 5 seconds of vision + 8 minutes of rhythm = dance music "Fuck dance, > let's art" ... right? > > Coltrane remixed? The beauty of it would be in the challenge, not the > results. I hope 4 Hero acquit themselves of it as well on wax as in the > studio (intentional irony) ... > > Sorry for wasting all of your valuable time, > > J (still stoked about New Orleans' great Jazz and Heritage Festival)
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