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From:
Hrvåtski/RKK
To:
Michael Upton
Cc:
Date:
Sun, 10 Jan 1999 19:30:57 -0500
Subject:
Re: (idm) pole and dub
Msg-Id:
<v04003a00b2bef5221af5@[209.61.104.154]>
In-Reply-To:
<Pine.BSF.4.02A.9901111246370.4271-100000@tao.sans.vuw.ac.nz>
Mbox:
idm.9901.gz
quoted 5 lines On Fri, 8 Jan 1999, Philip Sherburne wrote:>On Fri, 8 Jan 1999, Philip Sherburne wrote: > >| To the best of my knowledge, Pole has claimed not to have directly been >| influenced by dub, but rather to have picked it up secondhand through >| his BC/CR mates..
Pole's music IS dub. Whether he's aware of the rhetoric or not. I saw him live (great by the way) In a concrete room in Williamsburg. He stood behind a giant mixing desk (48 channels). He had a sampler, a laptop & some basic FX. Each sound of each tune went through it's own channel. For performance activities, he fucked w/the EQ, panning, and aux sends, bringing in delays, feedback, reverbs (it was rumoured that he had actually brought a plate w/him, although they're kind of big & I couldn't spot one) and whatnot. Closest thing to Osbourne/Scientist/Scratch/etc... imaginable. And he did it live, efectively putting a performance face on an otherwise studio craft. Can't imagine he does it much differently at home. -Våt. ____________________ Reckankreuzungsklankewerkzeuge PO BOX 382864. Cambridge, MA 02238 http://www.tiac.net/users/sheket/index.html