179,854Messages
9,130Senders
30Years
342mboxes

← back to listing · view thread

From:
Christopher Michael Bradbury
To:
Cc:
Date:
Mon, 29 Dec 1997 17:12:46 -0800 (PST)
Subject:
Re: (idm) Microstoria query
Msg-Id:
<Pine.SUN.3.91.971229170910.20015A-100000@e4e.oac.uci.edu>
In-Reply-To:
<199712291803.SAA00908@hinge.mistral.co.uk>
Mbox:
idm.9712.gz
On Mon, 29 Dec 1997 mwheeler@hinge.mistral.co.uk wrote:
quoted 1 line hello> hello
hi. ....
quoted 6 lines Now, then:> Now, then: > I'm intererested in what Microstoria stuff sounds like. How does the > sound of Microstoria differ from that of Mouse on Mars (bearing in > mind that MoM do have a sound you can identify throughout all of > their releases, although it has developed through time)? And what > material by them is most recomended?
take the most ambient abstract moments of mouse on mars, remove everything but the *extreme* essentials, and you have microstoria. microstoria to me is the warmest, purest bit of music i think i have ever heard. nice minimal tones just sorta floating about. what i would hope to hear in a futuristic opium den. -chris.