great. please put one aside for me. i'll have a check in the mail tomorrow.
quoted 147 lines shipping @ the end of march:
>shipping @ the end of march:
>
>pre-order now (only 90 copies left directly from 12k) $15
>
>an untitled, 12k compilation
>
>featuring previously unrelease tracks by:
>
>richard chartier
>taylor deupree + tetsu inoue
>kim cascone
>miki yui
>shuttle358
>frank bretscheider
>*0
>goem
>surge
>taylor deupree
>dan abrams + albert tan
>
>
>12k1008
>various artists
> street: april 1st 2000
>limited: 500
>
>continuing where ".aiff" (12k1004) left off, the latest release from
>12k highlights those artists and sounds that will carry 12k into a
>new year of microscopic sound experimentation. from richard
> chartier's lowercase sounds to the glitchy groove minimalism of
>surge's casio vl tone, this untitled collection represents the
> refining of 12k's style and aesthetic with a roster of artists that
>spans the planet.
>
> below is a more detailed look into the synthetic microcosm of 12k1008:
>
>richard chartier: untitled
>inaudible tones and ear-itching stereo tactics represent flawless
>chartier. a pristine digital signal path provides the perfect
>backdrop for this lowercase sound painting. listen carefully.
>
>goem: comp zeven
>goem uses a broken, yet still sound-producing dr. rhythm
>drumcomputer, which is treated by unique processings. this track was
>recorded in stockholm's ems studios and edited in roel meelkop's
>studio in late 1999. a decidedly jarring twist of churning rhythms
>and deep textures.
>
>kim cascone: bufferdrift
>"bufferdrift" is a continuation of work with pulsar synthesis and
>convolution techniques that cascone used in the "pulsar studies"
>release for falsch (www.fals.ch). by generating pulse trains and
>convolving them with various material created for earlier projects,
>he was able to conjure new textures and micro-events that almost
>sculpted themselves into final form.
>
>miki yui: >b io
> born in tokyo, educated in california and now living in cologne, miki
> yui is an installation artist working with sound and multimedia
> sound/space projects. ">b io" is an electronic wash of sine tones and
> reverberated scratches, a brief glimpse into her fascinating small
>sounds and spatial creations.
>
>dan abrams + albert tan
>shuttle358's dan abrams teams up with motion graphics designer albert
>tan in the formation of this untitled piece which blends abrams's
>software stylings with tan's rhythmic sound movements. like
>shuttle358, their collaboration breathes some humanity back into the
>microscopic genre with a more grounded rhythmic foundation and
>digital, yet warm, dsp processing. look for a release from this duo
>on 12k in the near future.
>
>surge: strictly a c
>surge is a two piece group from the remote areas of the netherlands
>with a fascination for nostalgia: they use the casio vl tone 1 (the
>early 80s revolution for the bedroom musician and currently
>rediscovered by electronic-musicians) in a bizarre slice of minimal
>techno with stuttering, skipping qualities.
>
>komet: w$B]S(Jm
>the digital, bubbling sounds of frank bretschneider (raster music,
>mille plateaux, 12k) are ever present in this effervescent bath of
>microscopic rhythms and the interplay of clean and static/noise
>tones. look for a komet full length on 12k this summer.
>
>taylor deupree: a100study00.01.31
>this track is part of an ongoing series of experiments with a doeper
>a100 modular synthesizer. square wave lfo's provide clock pulses for
>various sine wave oscillators and geiger clicks and the gentle drift
>of time.
>
>*0: 2.000
>japan's nosei sakata is back after 2 excellent releases on 12k and
>meme. utilizing signature hypnotic repetition and pure tones, sakata
>creates subtle interactions that play with acoustic space and the
>listener's perception.
>
>tetsu inoue + taylor deupree: active/freeze
>a collaboration a long time in planning, tetsu inoue (tzadik, fax,
>daisyworld, rather interesting, etc..) and taylor deupree finally
>team up in an intercoastal exchange of audio data. finely crafted
>cuts and splices create a frenetic digital soundwall that works
>itself to a surprisingly melodic outro of intentional errors.
>
>shuttle358: sequence
>rounding out the compilation is a new track from the upcoming
> shuttle358 full length "frame". dan abrams, who created a stir with
>his debut release "optimal.lp" (12k1005), is back with a style he can
> call all his own. sparse ambient melodies and digital generations
>perfectly juxtaposed into an original and evocative form.
>
>package design:
>opening gate sleeve (same style as deupree/chartier "spec."). white
>with embossed 12k logo on front.
>
>
>planned releases for 2000:
>shuttle358 "frame" cd
>komet (frank bretschneider) (full length cd)
>tetsu inoue + taylor deupree (full length cd)
>
>on this week:
>clicks and cuts (mille plateaux)
>neina "formed verse" (mille plateaux)
>
>+ + + + + + + + + + + + + +
>taylor deupree/12k
>taylor@12k.com
>http://www.12k.com
>
>OUT NOW:
>taylor deupree untitled 12" EP (audio.nl / netherlands thru Kompakt/cologne)
>taylor deupree + richard chartier "spec." (12k1007)
>
>OUT SOON:
>
>taylor deupree "dopticn" on lowercase compilation (bremsstrahlung) (march 00)
>taylor deupree ".n" CD (ritornell/mille plateaux) (april/may 00)
>taylor deupree CD (rastermusic, spring 2000)
>taylor deupree remixing Goem on "extensie" (goem remix CD)
>taylor deupree: kim cascone "bubblewarp" remix, on "blue cubism" (digital
>narcis/japan)
>
>
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D is for Desond thrown out of a sleigh
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bruce levenstein
bruceLev@mindspring.com
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