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From:
Nate Harrison [Digital Magician Inc]
To:
Tim Gill
Cc:
idm
Date:
Wed, 20 Aug 1997 21:27:56 +0000 ()
Subject:
Re: (idm) Propellerhead...or the Cool-io Synth
Msg-Id:
<Pine.BSF.3.95.970820204607.15445A-100000@www.webelite.com>
In-Reply-To:
<2.2.32.19970820235731.00679e5c@mail.fishnet.net>
Mbox:
idm.9708.gz
Well Tim if you do not buy my argument that's cool, but let me say this: when you wrote I have a more particular view, I think. Art has to be something that only the person that creates it could have created...all art should be a first... to Random Junk I believe, you hit upon one of the fundamental differences between modern art theory and postmodern art theory. Please allow me to generalize a bit here, because otherwise I could write a book of an email:) In modern art (and I mean visual art, but the trends/ideas I talk about carry into other fields of study), the point was to as you say 'be a first', and thus you have all the 'isms' of art (cubism, surrealism, minimalism, etc). The problem with this was that it cultured a certain elitism in the world of fine art, in particlar painting, where in many artists/subgenres competed with each other saying 'Look my painting is more intelligent than yours, mine is doing something better than yours.' The theory behind the work kept getting more esoteric and obtuse, and in the meantime, the 'first ideas' were being rapidly exhausted. Meanwhile the proponents of postmodernism were trying to redefine the rules of fine art a bit. To extend Random Junk's quote a little, the postmodernists' viewpoint was 'Hey you guys can out-intellectualize each other all you want. All your doing is putting pigment within a frame.' And thus, art truly is what you make it. The postmodernists realized to an extent that there was an end of 'the firsts'. This is why mixed media, collage and references to past styles (ie a -retro- look) is so prevelant in art as well as contempoary imaging all around you. The art of sampling, whether muscially or visually or whatever, is totally postmondern. I believe IDM type music in general is a postmodern art form. You might be wondering how this relates to our debate:) Well of course the Rebirth is limited. In some ways, you're right, you won't be creating anything on it that is a 'first', but what musician out there from AFX to Squarpusher to Orbital etc, is really a 'first'? That is what I meant by understanding the limitations of the medium. Know what it can do, know what it can't do, know what it can do very well. Know what it could do *if* you thought about it a bit. Rebirth can make music. Rebirth cannot make 'new' sounds. Rebirth is very capable of making crappy acid house. Rebirth is also capable of making very beautiful electronic music too, if you sat down and played with it for a few weeks. You're claim that 'a monkey could do it' leads me to beleive you probably sat down with it for a night, discovered it's novelty value, discovered you could basically make Richie Hawtin's entire discography in a night, and dismissed the software as devoid of value. What would happen if you played with it for a few weeks? IMHO you did not discover all the sounds that could come out of it. Sure, they are all 303 sounds, but done in the right way, they could be great. To say that it is 'emtionless' simply means one thing: you my friend haven't spent enough time in front of it! ANd hey, if that 303 sound is not your cup of tea, that's cool too but just know there are plenty of things you could do with Rebirth (as with the TB-303 or TR-808) that defy your notions of unoriginal or emotionless. Sorry for the long email, it's the art school graduate coming out in me:) I have the feeling Random Junk had dabbled a bit in Postmodern clutlure theory too. Peace Nate Nate Harrison Digital Magician Inc. www.digimagician.com nate@digimagician.com 313.994.7316