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From:
The Rare Guy
To:
Nate Harrison [Digital Magician Inc] , Christopher Fahey
Cc:
'idm@hyperreal.com'
Date:
Mon, 23 Jun 1997 20:15:07 EST4EDT
Subject:
RE: (idm) giving up
Msg-Id:
<yam7113.396.127553808@clark.net>
In-Reply-To:
<Pine.BSI.3.95.970623190739.21797A-100000@we1.web-elite.com>
Mbox:
idm.9706.gz
On Monday, 23-Jun-97, Nate Harrison [Digital Magician Inc] wrote [about RE: (idm) giving up]:
quoted 5 lines I think Rare Guy means it's not too hard to get into chopping up>I think Rare Guy means it's not too hard to get into chopping up >breakbeats and having it sound very hectic/frantic. I too got ahold of a >whole bunch of the common dnb loops and started playing around, and I too, >although I was having a blast, soon discovered I sounded like some TJ or >RDJ or LV wannabe.
I dunno if that was what I meant, but I agree that it's far too easy to chop up breaks, the tough part is like you said, what sets Tom Jenkinsin apart. The music is what's more important, anyone can chop up a few breaks (and IMO, almost anyone can make traditional drum&bass, but that's just my opinion.) i mean, lotsa stuff I do can be compared to AFX, but I'd like to think I have my own little experiments, like taking samples from telephone calls instead of synths :) .. but if it does end up sounding like you're an AFX/SP wannabe, then that's no fun at all __ __\ \ / /_\ \ \_____/ , m7=