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From:
Lars Magne Ingebrigtsen
To:
Date:
20 Jun 1997 20:51:32 +0200
Subject:
(idm) Re: Aphex Stuff
Msg-Id:
<m2bu513y6j.fsf@proletcult.slip.ifi.uio.no>
In-Reply-To:
<greg@warp-net.com's message of Fri, 20 Jun 1997 09:21:04 GMT>
Mbox:
idm.9706.gz
greg@warp-net.com (g.) writes:
quoted 3 lines wow you must have loads of money. i reckon it's cost about GBP£15,000> wow you must have loads of money. i reckon it's cost about GBP£15,000 > to license those tracks for a compilation. i wouldn't recommend > mastering it to tape though, most people like CDs nowadays.
:-) But this reminds me of a thing I've been wondering about for a while: Compilation licensing deals. I often see tracks from bands I like on dodgy(ish) compilations (typically _Digeridoo_ on "100 Mega Dance Traxxxx VII") which makes me go "huh". Why don't bands say no to these compilations? Or do everybody who's got the money to pay the licensing fees have the right to include the tracks on their compilations? -- (domestic pets only, the antidote for overdose, milk.) larsi@ifi.uio.no * Lars Magne Ingebrigtsen