179,854Messages
9,130Senders
30Years
342mboxes

← back to listing · view thread

From:
Eric Appelt
To:
Date:
Wed, 8 Jan 1997 21:24:44 -0600 (CST)
Subject:
(idm) reagarding commercialism in general and idm
Msg-Id:
<199701090324.VAA12067@eve.telalink.net>
Mbox:
idm.9701.gz
It seems that many people on the list are assualting orbital (as well as other artists) purely on the basis that they are either a) somewhat commercialized or b) musically appriciable by the general public. This attitude reeks of musical snoobery and in reality makes very little logical sense. Commercial or Popular is not synonymous with bad. If the general public can enjoy a composition, that only adds to the strength of the composition. Personally, I rate music by how enjoyable it is and how long I can listen to it without becoming bored. Many, many great musical works have sold alot of records, and were very commercial in their time. Consider works by artists such as Miles Davis or Duke Ellington. I am willing to bet that they have sold far more records than orbital or any other idm artist. Mozart was highly popular in his time (and commissioned by nobility which was the equivalent of being commercial). Still, upon listening to his work, one cannot deny the utter genius of the composition. The same goes for Beethoven, Bach, Lizst, Handel, and many other composers. When rating idm, I would call anything that sounded interesting, pleasurable, and intellectually stimulating a good composition. If after two years and many listenings I still enjoy the piece, I would call it an excellent compostion. I don't care whether the album was produced by MTV and sold 18 billion copies or if it was part of some obscure, european, 500 copy limited edition set. The same rules of judgement always apply. ` -Reagan (Helium is NOT a dairy product)