i was going to actually mention the exact same track.there are actually three
rhythmic layers happening at once at one point.
Ae also do a similar technique on the first track of chiastic slide.
i think its a very cool way to shift tempos without doing the obvious double
time/half time thing.
i actually brought in that gescom remix of PBO into a graduate composition
class that im in and my teacher (and the students) really dug the track.
we actually notated some of the rhythms on the board at the points where the
tempos shift thru the common rhythm of the triplets.
it was funny, we were studying autechre/gescom in a graduate comp. seminar.
pretty cool. i turned on this one very straght classical composer to ep7 and
big loada.
he bought them and the next day he came up to me and was asking if i could
suggest anything else for him to buy.
just thought id share that story.
idm reaches academia. now thats real idm for you. :)
later,
greg davis
autumn records
http://autumnrecords.cjb.net
np: toru takemitsu-works for guitar
quoted 17 lines My favorite example of this is the Gescom remix of PBO, especially where it
> My favorite example of this is the Gescom remix of PBO, especially where it
> shifts midway from 168BPM to 126BPM, first by emphasizing quarter note
> tripets, then by shifting the feel of the triplets into fours, then finally
> by adding accents on the 4-downbeats. Those of you who remember the Hekla
> mix CD know this is the track he used to shift from tempo A (jungle/hip
> hop) to tempo b (techno). Tricky shit, no doubt... -Våt
>
> NP - Cex "Am I Soundboy" (brilliant, brilliant stuff...)
>
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