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From:
Nuutti Merilinen
To:
IDM Mailing List
Date:
Wed, 3 Jan 1996 09:41:33 +0200 (EET)
Subject:
(idm) LFO. Advance.
Msg-Id:
<199601030741.JAA07708@wintermute.tsac.tampere.fi>
Mbox:
idm.9601.gz
LFO. Advance. (Mark Bell, Ges Varley) Warp Records LTD. WARPCD39P. CD To Be Released. 29 Jan 1996 "The Aphex Twin releases everything, any old rubbish. We don't do that. We've been working very hard," says Mark [Bell] without any trace of irony. " We've been experimenting, collaborating and most of all learning." DJ, No.129, 8-21 December 1994, pages 38-39 It has been nearly five years since LFO released their landmark debut album, 'Frequencies'. Since then, they have been almost silent. Mark Bell surfaced as Speed Jack on R&S twice; together they have labored over some remixes and compilation appearances. While the rumours of a new LFO album circulated, they released a new single, 'Tied Up' as a taster of new material. Opinions burned like incense as the new single did not sound familiar to most of those who had waited. Gone was the bleepy electro of 1991's 'Frequencies', replaced by relentless distortion and a heavy, almost industrial atmosphere. There was certainly a whiff of the old days on 'Tied Up Electro', but most of those waiting for a new 'Frequencies' outing felt betrayed. Those of us who liked what we had heard, were left gasping for air. There could be no expectations as no-one knew what to expect. And then, after another year - The silence is broken. 'Advance' has a familiar scent. It reeks of progress and new ideas. Instead of warming up old memories or getting caught in the popular music bandwagon, Mark Bell and Ges Varley are composing music for themselves. Thorough in its reworking of the LFO image, 'Advance' crystallizes in a pure graphic of a fractal nature - diverse and extremely beautiful. The whole album complements itself, building unique structures of sound. They have been learning, indeed. I went a few years back to Helsinki just to see LFO live; I had to go through several hours of agonizing ear torture, including The Prodigy, waiting for LFO to give me what I had come there for. I was trembling almost ecstatically with the plain rush of adrenaline when they finally begun their set just an hour-and-a-half before the place was to be closed. I danced with my eyes closed all through the set, smiling like an idiot. 'Advance' brought the memory back as vivid as I had been there yesterday. This album is really what new electronic music should be all about. Progress without pretentiousness. -- Nuutti 'Gordon' Meriläinen. nmerilai@tsac.tampere.fi. Technostructuralist. Tampere School of Art and Communications/Comms. dept./Multimedia production. Please set your CC to gordon@sata.fi. Mail to my school tends to get lost.