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From:
Matthew Lehrer
To:
Darryl Stephen Roy
Cc:
Date:
Thu, 27 Apr 1995 18:55:30 -0400 (EDT)
Subject:
Re: spanners
Msg-Id:
<Pine.SOL.3.91.950427184740.11279A-100000@bingsun2>
In-Reply-To:
<199504270412.XAA22213@sucker.owlnet.rice.edu>
Mbox:
idm.9504.gz
On Wed, 26 Apr 1995, Darryl Stephen Roy wrote:
quoted 2 lines My vote for overrated has to go to Richie Hawtin. Perhaps I don't have the> My vote for overrated has to go to Richie Hawtin. Perhaps I don't have the > attention span for undeveloped riffs that Plastikman demands.
I'm still not sure why Hawtin is grouped under IDM. It seems like one album in the AI series has left people's expectations a bit high. IMHO, Hawtin is essentially an acid-house producer who tries to be a bit more experimental and abstract within the acid-house genre. And more power to him, I say. While he is capabe of smoother, more Detroit-ish tracks (Dimension Intrusion comes to mind), his forte will always be 303 dancefloor minimalism...with a twist. Someone on this list (I forget exactly who) mentioned the gap between the IDM-list aesthetic and the Detroit-list aesthetic. I think it was a really apt observation, especially when applied to a guy like Hawtin. The IDM aesthetic seems to revolve around a lot of polyrythmic drum programming and melodic synth arrangements, whereas Detroiter's are more accepting of a bit of stripped-down minimalism here and there. Any thoughts or comments? - Matthew "I grew up thinking that techno music is actually something that you can't imagine. That is techno at its best. If you hear something that you'd never expect to hear - that's techno. If you hear something that kind of sounds like you've heard it before, then it's not techno." - Jeff Mills