on Tue, 15 Mar 94 15:59:39 CST, danjlav@midway.uchicago.edu (abulafia) wrote:
quoted 9 lines I think that if you look at the question in a larger context, Indian music
>I think that if you look at the question in a larger context, Indian music
>doesn't really pop up more often than other world music. I think that it's
>especially well suited to IDM because of its complexity, both rhythmic and
>harmonic, and because of that sort of ethereal feeling to it.
>
>Tribal, on the other hand, is influenced mainly by African and Latin music.
> Latin house also draws largely on Latin American music. I think that if
>you look at the larger techno/house/IDM spectrum, just about every ethnic
>genre that uses rhythm has been incorporated somewhere.
i hesitate counting african (not-so-polyrhythmic-as-west-african-ewe-style)
and latin music to world music in the sense that it's not yet an accepted
part of our culture. what is also important to hold apart is the overall
ethnic appearance of sounds, instruments and such and the deeper structural
properties (reich's music doesn't sound african, as he doesn't use those
african instruments, but structurally, it depends a lot). the boundaries
are not clear-cut, of course, but i don't have the impression that the
differences between latin/afro-cuban, and (some) rock/pop and jazz music
today are much deeper than surface.
quoted 2 lines Is there anything that has used Japanese music? How about central
>Is there anything that has used Japanese music? How about central
>Asian/Siberian?
in a very superficial way, this damned shakuhachi sample... but seriously,
the anti-structural approach in japanese music is hard to incorporate. some
free jazz might come close to it, and some ambient stuff, john cage of
course, but all this is less musical influence than philosophical. the love
for unplanned noises the instruments make when played has occasionally
surfaced, eg when guitar players put the micro at the point where the
fingering is done, but this also is rather a gag and reinvention. so i
don't know. jean-michel jarre has made an interesting album "concerts in
china" that has some successful mixtures of chinese orchestral sounds with
his synthesizer stuff (at least i thought so when i heard it last time...).
what musical wonders does siberia have in store, i wonder?...
peace,
p.