quoted 12 lines I guess I'm a fucking fool, then... 'cause as much as I really like Aphex's
> I guess I'm a fucking fool, then... 'cause as much as I really like Aphex's
> work... there are boatloads of others who have received far less attention -
> and did work a lot earlier...
>
> Investigate the likes of Arthur Brown, Delia Derbyshire, Neu, early Portion
> Control, Wire... and follow that up with a thorough investigation of the
> careers of folks like Adi Newton (Clock DVA, TAGC), Richard H. Kirk (from
> Cabaret Voltaire, solo work, collaborations with Hope - to his pioneering
> techno work in Xon, Sweet Exorcist), Marc Acardipane (two of the cuts on
> Aphex Twin's Classics are RDJ remixes of his seminal track We Have
> Arrived)... even the guys in 808 State (read a piece just yesterday where
> RDJ mentions the impact of hearing Newbuild on John Peel's show).
Hang on. Genres are (thankfully) not strictly defined never changeing absolutes, they're patches arbitrarily fenced of from a whole continuum of music, so arguing about who was the first artist in X or what was the first Y record is pretty academic. OTOH, I'd definitely have thought that being in a general sense influenced, informed or reacting to techno or hip hop was pretty much a requirement for IDM, so although a lot of the people you mention may have either inspired IDM artists or sounded like them, not many of them could really be called early IDM.
I thought, though, IDM started as a catch all term for a lot of quite disparate artists (one of them being Aphex) and that variety was what made it interesting as a 'genre'. People developing an 'IDM sound' and having a well defined genre of IDM, and trying follow an IDM template was, IMO, a bad thing for producing interesting music and having it discussed on this list. (I've said this before and God knows I'll probably say it again.)
David
--
"And then what do they do?"
"Er, quadratic equations mostly, sir. Fiendishly difficult ones by all accounts."
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