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Re: [idm] Internet Musicians Adopt 'Pet Sounds'

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◇ merged from 3 subjects: filtro.com.mx~ [filtro 007] - [filtro 008] new releases · internet musicians adopt 'pet sounds' · rhizome_raw: internet musicians adopt 'pet sounds'
2005-05-16 16:25[idm] Fwd: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds'
├─ 2005-05-16 18:23Manrico Montero [idm] FILTRO.COM.MX~ [filtro 007] - [filtro 008] New Releases
├─ 2005-05-16 18:30will terry [idm] Internet Musicians Adopt 'Pet Sounds'
│ └─ 2005-05-16 18:37StaticBeats Re: [idm] Internet Musicians Adopt 'Pet Sounds'
│ └─ 2005-05-16 18:41will terry Re: [idm] Internet Musicians Adopt 'Pet Sounds'
│ └─ 2005-05-16 18:46StaticBeats Re: [idm] Internet Musicians Adopt 'Pet Sounds'
└─ 2005-05-16 19:43egyptian zombie robot Re: [idm] Fwd: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds'
2005-05-16 21:30Kurt Bernhard Pruenner Re: [idm] Internet Musicians Adopt 'Pet Sounds'
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2005-05-16 16:25dolmensniper@free.fr(¸.•'´(¸.•'´ `'•.¸)`' •.¸) ¸.•´ ( `•.¸ `•.¸ ) ¸.•)´ (.•´ `*. *. shooting yourself in the b
From:
To:
idm@hyperreal.org
Date:
Mon, 16 May 2005 18:25:51 +0200
Subject:
[idm] Fwd: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds'
permalink · <1116260751.4288c98f46b37@imp1-q.free.fr>
(¸.•'´(¸.•'´ `'•.¸)`' •.¸) ¸.•´ ( `•.¸ `•.¸ ) ¸.•)´ (.•´ `*. *. shooting yourself in the balls is not the way to have a happy life http://dolmensniper.motime.com/ ----- Forwarded message from Greg Smith <greg.smith@utoronto.ca> ----- Date: Sun, 15 May 2005 12:21:51 -0700 From: Greg Smith <greg.smith@utoronto.ca> Reply-To: Greg Smith <greg.smith@utoronto.ca> Subject: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds' To: list@rhizome.org Internet Musicians Adopt 'Pet Sounds'. A group of internet-based electronic musicians are celebrating the anniversary of the release of the classic Beach Boys album 'Pet Sounds' by remixing it for the 21st Century. The album, titled 'Hippocamp Ruins Pet Sounds', comes from contributors to acclaimed net label Hippocamp.net. Each track from the original album has been reconstructed by a different artist, creating an album as diverse and inventive as the original. In a project similar to DJ Dangermouse's controversial 'The Grey Album' (which spliced rapper Jay-Z's vocals with the music of the Beatles), 'Hippocamp Ruins Pet Sounds' takes the original Beach Boys vocals for each track and creates new musical landscapes for them. Comprising styles ranging from electro-pop via glitchcore and ambient to all-out avant-garde, this release demonstrates that art cannot be stifled in an era of closely guarded copyrights and litigious record companies. "The idea came from Hippocamp contributor Blue T-Shirt", explains fellow contributor Martin Bryant (AKA The Star Fighter Pilot). "We wanted to do something interesting and new with an album that regularly tops 'Best album ever' polls. We wanted people to get a new perspective on a classic. "Pet Sounds was originally released on May 16th 1966 and next year is the 40th anniversary of its release. It made sense to us to release an unconventional album at an unconventional time - its 39th anniversary". The album is spreading across the internet via P2P (peer-to-peer) networks and more information can be found at the website http://petsounds.a.la Background: PET SOUNDS Critics and fans of popular music have long identified the 1966 album Pet Sounds as a milestone of musical achievement. The circumstances that birthed this masterpiece are well documented - the turmoil of the Wilsons, within and without (especially Brian, tormented genius and Pet Sounds mastermind); the band's disinterest in spearheading a sophisticated-feeling musical revolution; and perhaps most significantly, the indelible ripples cast over the future of pop music as we were to know it. The music-loving public's fascination with Pet Sounds has increased as its fingerprints continue to be discovered throughout the outer reaches of the pop universe. The shadow cast by this monolithic album looms over the discographies of all but the most accomplished musicians of history, with the obvious exception of the Fab Four. Indeed, the Beatles played a pivotal role in the genesis of Pet Sounds; Prior to the landmark 1965 Beatles LP Rubber Soul, an album was generally constructed as a collection of songs, usually padded with mediocre b-sides. Legend has it that Brian was caught off-guard by the completeness and cohesiveness of Rubber Soul and vowed to best this accomplishment. The next few years pitted Brian Wilson pitted against the Beatles (each of which had stopped touring at this point) in a brief exchange of attempts to one-up each another, culminating in the insurmountable achievement that was the Summer of Love's Sgt. Pepper's Lonely Hearts Club Band and sending Brian into a downward spiral of depression and self-abuse in his attempts to best the Beatles' undeniable masterwork. The story doesn't end there. the condensed version outlines Brian's triumphant return to the top of his game; his well-received re-creations of Pet Sounds on tour; and the completion of SMiLE, his "teenage symphony to God" intended to trump Sgt. Pepper's. The year is now 2005; the Wilson saga continues to unfold. Strangely enough, however, the latest chapter in this story was written not by the man himself, but a rag-tag group of electronic bedroom musicians hell-bent on blowing his undisputed classic apart. Out of respect, of course. Not to mention that there's something particularly thrilling about taking a sledgehammer to something untouchable. HIPPOCAMP.NET Net label Hippocamp.net has been releasing experimental, mainly electronic music since 2000. Based in Manchester, England but releasing music from all over the world, Hippocamp distributes all its releases as MP3 downloads free of charge. It has become a respected site for finding new and unusual music of the highest quality. 'Hippocamp Ruins Pet Sounds' is released in the month of the net label's fifth anniversary. Resources: http://www.petsounds.a.la http://www.hippocamp.net http://en.wikipedia.org/wiki/Pet_Sounds -------------------------------------------------------------- DISCLAIMER Here are some things that need to be said: Pet sounds is an album that everyone should own, study, cherish, and enjoy. Hippocamp Ruins Pet Sounds is an open-ended experiment conducted out of reverence, curiosity, and aware of the sobering fact that you can't improve upon perfection. Despite the fact that the release is named Hippocamp Ruins Pet Sounds, Hippocamp does not endorse the creation or distribution of this work. At no time was hippocamp.net involved with distributing this material to the public. Hippocamp's involvement has been explicitly limited to providing a forum where the artists could plan the project before its completion and where fans could discuss the values and cultural ramifications of such a piece of art. As the project tended towards completion we began to contemplate the merit of the art we were making and what it meant to the artists involved. It became apparent that the values of such a project were greater than we had anticipated. We believe the recognition of these ideas reinforces the project's merit as a piece of critical commentary to be freely disseminated and discussed. Here are some of the key concepts regarding Hippocamp Ruins Pet Sounds: - The songs that form Pet Sounds are timeless and as relevant today as they ever were. - Recontextualizing the sounds, lyrics, and feelings of the original work can transform the listening experience entirely. - Anything we meager bedroom artists shall ever hope to accomplish will never hold a torch to the masterpiece that is the original Pet Sounds. - We hope that any fans of the Beach Boys with no previous electronic music listening experience may discover an appreciation for the stuff and vice versa. - We relish the opportunity to increase public awareness about the original Pet Sounds and perhaps increase album sales as a result. - The recognizable elements of Pet Sounds are still beautiful when presented in a drastically altered form. - Perhaps this demonstrates in an exagerated way how pervasive the influence of classics such as Pet Sounds may be. Support Brian Wilson and The Beach Boys! Buy an album! See a live show! Great music never dies. + -> post: list@rhizome.org -> questions: info@rhizome.org -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz -> give: http://rhizome.org/support -> visit: on Fridays the Rhizome.org web site is open to non-members + Subscribers to Rhizome are subject to the terms set out in the Membership Agreement available online at http://rhizome.org/info/29.php ----- End forwarded message ----- --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2005-05-16 18:23Manrico Monterohttp://filtro.com.mx/ Six months of Filtro, we’ve got now 8 releases and we have a schedul
From:
Manrico Montero
To:
Date:
Mon, 16 May 2005 13:23:02 -0500 (CDT)
Subject:
[idm] FILTRO.COM.MX~ [filtro 007] - [filtro 008] New Releases
Reply to:
[idm] Fwd: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds'
permalink · <20050516182302.63275.qmail@web30711.mail.mud.yahoo.com>
http://filtro.com.mx/ Six months of Filtro, we’ve got now 8 releases and we have a schedule that will allow us to have a better continuity in our releases, this was made due to a national and international exploration in the independent electronic scene. The experience in Filtro has shown that the distribution of free music by the internet can be made, because each time the people is more interested in the great variety of netlabels that are running, and in consuming what they offer. Our last affiliates are Kampion (a.k.a. Guillermo Guevara, Duopandamix) this is a synthetic urban project of abstract hip-hop, and Alvaro Ruiz, a producer whose work and experience allowed him to put his different works in the best and more solid music that’s made in Mexico. Both productions appear just after we published “co.opt”, from the incredible “Antiguo Automata Mexicano”, one of the best kept secrets from Monterrey, that with his new release in Filtro and his album in “Background records” has broken the silence. In the other hand, Israel M., a fundamental piece in the tapatian label “Abolipop”, releases “Cubenesis”, four pieces of ambient that resume his creative process from 2003 to 2005. Stay tuned for our two next releases: the remixes of “The novel I never wrote” an original piece from Destreza (a.k.a. E.lebleu) and Pingüinos EP from Zensible Crew (Argentina) both are planned to be released in june. Filtro keeps working and the holy spirit of “The WUHH!!!” is still expanding as the heat of Spring and it converts into a shock wave… http://filtro.com.mx/ _________________________________________________________ Do You Yahoo!? La mejor conexión a internet y 25MB extra a tu correo por $100 al mes. http://net.yahoo.com.mx --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2005-05-16 18:30will terrydunno if anyone has heard the prince album that was remixed or re made in a similar vein f
From:
will terry
To:
Date:
Mon, 16 May 2005 18:30:25 +0000
Subject:
[idm] Internet Musicians Adopt 'Pet Sounds'
Reply to:
[idm] Fwd: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds'
permalink · <BAY101-F3462DBFCF121967554294C9B150@phx.gbl>
dunno if anyone has heard the prince album that was remixed or re made in a similar vein featuring artists like capitol K etc but Im really not sure that this sort of thing even needs to be done. What are we doing by attempting to re edit work of this calibre for a modern ear, music like this doesnt have to be re edited to be made to sound modern, it sounds it anyway, thats why it is still so revered. I dunno, a lot of the more hard edged IDM stuff can take tunes ironicly or however the artist wants to use them but its often done with severity that gives it a bit of honesty. I dunno im starting to waffle but you get the idea.
quoted 1 line From>From
: dolmensniper@free.fr
quoted 183 lines To: "idm@hyperreal.org" <idm@hyperreal.org>>To: "idm@hyperreal.org" <idm@hyperreal.org> >Subject: [idm] Fwd: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds' >Date: Mon, 16 May 2005 18:25:51 +0200 > > >(?.?'?(?.?'? `'?.?)`' ?.?) >?.?? >( `?.? >`?.? ) >?.?)? >(.?? >`*. >*. >shooting yourself in the balls is not the way to have a happy life > >http://dolmensniper.motime.com/ > > > > > >----- Forwarded message from Greg Smith <greg.smith@utoronto.ca> ----- > Date: Sun, 15 May 2005 12:21:51 -0700 > From: Greg Smith <greg.smith@utoronto.ca> >Reply-To: Greg Smith <greg.smith@utoronto.ca> > Subject: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds' > To: list@rhizome.org > >Internet Musicians Adopt 'Pet Sounds'. > >A group of internet-based electronic musicians are celebrating the >anniversary of the release of the classic Beach Boys album 'Pet >Sounds' by remixing it for the 21st Century. The album, titled >'Hippocamp Ruins Pet Sounds', comes from contributors to acclaimed net >label Hippocamp.net. Each track from the original album has been >reconstructed by a different artist, creating an album as diverse and >inventive as the original. > >In a project similar to DJ Dangermouse's controversial 'The Grey >Album' (which spliced rapper Jay-Z's vocals with the music of the >Beatles), 'Hippocamp Ruins Pet Sounds' takes the original Beach Boys >vocals for each track and creates new musical landscapes for them. >Comprising styles ranging from electro-pop via glitchcore and ambient >to all-out avant-garde, this release demonstrates that art cannot be >stifled in an era of closely guarded copyrights and litigious record >companies. > >"The idea came from Hippocamp contributor Blue T-Shirt", explains >fellow contributor Martin Bryant (AKA The Star Fighter Pilot). "We >wanted to do something interesting and new with an album that >regularly tops 'Best album ever' polls. We wanted people to get a new >perspective on a classic. > >"Pet Sounds was originally released on May 16th 1966 and next year is >the 40th anniversary of its release. It made sense to us to release an >unconventional album at an unconventional time - its 39th >anniversary". > >The album is spreading across the internet via P2P (peer-to-peer) >networks and more information can be found at the website >http://petsounds.a.la > > >Background: >PET SOUNDS > >Critics and fans of popular music have long identified the 1966 album >Pet Sounds as a milestone of musical achievement. The circumstances >that birthed this masterpiece are well documented - the turmoil of the >Wilsons, within and without (especially Brian, tormented genius and >Pet Sounds mastermind); the band's disinterest in spearheading a >sophisticated-feeling musical revolution; and perhaps most >significantly, the indelible ripples cast over the future of pop music >as we were to know it. > >The music-loving public's fascination with Pet Sounds has increased as >its fingerprints continue to be discovered throughout the outer >reaches of the pop universe. The shadow cast by this monolithic album >looms over the discographies of all but the most accomplished >musicians of history, with the obvious exception of the Fab Four. >Indeed, the Beatles played a pivotal role in the genesis of Pet >Sounds; Prior to the landmark 1965 Beatles LP Rubber Soul, an album >was generally constructed as a collection of songs, usually padded >with mediocre b-sides. Legend has it that Brian was caught off-guard >by the completeness and cohesiveness of Rubber Soul and vowed to best >this accomplishment. The next few years pitted Brian Wilson pitted >against the Beatles (each of which had stopped touring at this point) >in a brief exchange of attempts to one-up each another, culminating in >the insurmountable achievement that was the Summer of Love's Sgt. >Pepper's Lonely Hearts Club Band and sending Brian into a downward >spiral of depression and self-abuse in his attempts to best the >Beatles' undeniable masterwork. > >The story doesn't end there. the condensed version outlines Brian's >triumphant return to the top of his game; his well-received >re-creations of Pet Sounds on tour; and the completion of SMiLE, his >"teenage symphony to God" intended to trump Sgt. Pepper's. The year is >now 2005; the Wilson saga continues to unfold. Strangely enough, >however, the latest chapter in this story was written not by the man >himself, but a rag-tag group of electronic bedroom musicians hell-bent >on blowing his undisputed classic apart. Out of respect, of course. >Not to mention that there's something particularly thrilling about >taking a sledgehammer to something untouchable. > > >HIPPOCAMP.NET >Net label Hippocamp.net has been releasing experimental, mainly >electronic music since 2000. Based in Manchester, England but >releasing music from all over the world, Hippocamp distributes all its >releases as MP3 downloads free of charge. It has become a respected >site for finding new and unusual music of the highest quality. >'Hippocamp Ruins Pet Sounds' is released in the month of the net >label's fifth anniversary. > > > >Resources: >http://www.petsounds.a.la >http://www.hippocamp.net >http://en.wikipedia.org/wiki/Pet_Sounds > >-------------------------------------------------------------- > >DISCLAIMER > >Here are some things that need to be said: > >Pet sounds is an album that everyone should own, study, cherish, and >enjoy. Hippocamp Ruins Pet Sounds is an open-ended experiment >conducted out of reverence, curiosity, and aware of the sobering fact >that you can't improve upon perfection. > >Despite the fact that the release is named Hippocamp Ruins Pet Sounds, >Hippocamp does not endorse the creation or distribution of this work. >At no time was hippocamp.net involved with distributing this material >to the public. Hippocamp's involvement has been explicitly limited to >providing a forum where the artists could plan the project before its >completion and where fans could discuss the values and cultural >ramifications of such a piece of art. > >As the project tended towards completion we began to contemplate the >merit of the art we were making and what it meant to the artists >involved. It became apparent that the values of such a project were >greater than we had anticipated. We believe the recognition of these >ideas reinforces the project's merit as a piece of critical commentary >to be freely disseminated and discussed. Here are some of the key >concepts regarding Hippocamp Ruins Pet Sounds: > >- The songs that form Pet Sounds are timeless and as relevant today as >they ever were. >- Recontextualizing the sounds, lyrics, and feelings of the original >work can transform the listening experience entirely. >- Anything we meager bedroom artists shall ever hope to accomplish >will never hold a torch to the masterpiece that is the original Pet >Sounds. >- We hope that any fans of the Beach Boys with no previous electronic >music listening experience may discover an appreciation for the stuff >and vice versa. >- We relish the opportunity to increase public awareness about the >original Pet Sounds and perhaps increase album sales as a result. >- The recognizable elements of Pet Sounds are still beautiful when >presented in a drastically altered form. >- Perhaps this demonstrates in an exagerated way how pervasive the >influence of classics such as Pet Sounds may be. > >Support Brian Wilson and The Beach Boys! Buy an album! See a live >show! Great music never dies. >+ >-> post: list@rhizome.org >-> questions: info@rhizome.org >-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz >-> give: http://rhizome.org/support >-> visit: on Fridays the Rhizome.org web site is open to non-members >+ >Subscribers to Rhizome are subject to the terms set out in the >Membership Agreement available online at http://rhizome.org/info/29.php > >----- End forwarded message ----- > >--------------------------------------------------------------------- >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >For additional commands, e-mail: idm-help@hyperreal.org >
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2005-05-16 18:37StaticBeatsHave you had a chance to hear the Pet Sounds album? It's far from a re edit or even an att
From:
StaticBeats
To:
Intolerable Daily Madness
Date:
Mon, 16 May 2005 11:37:14 -0700 (PDT)
Subject:
Re: [idm] Internet Musicians Adopt 'Pet Sounds'
Reply to:
[idm] Internet Musicians Adopt 'Pet Sounds'
permalink · <20050516183714.8568.qmail@web54006.mail.yahoo.com>
Have you had a chance to hear the Pet Sounds album? It's far from a re edit or even an attempt. It's much more tongue-in-cheek than all that and imo there's only really 2 tracks off the whole thing that qualify as a proper remix or even listenable (im pretty well over the whole squelching noise experiments) Shimone/Justes http://www.staticbeats.com Electronic Music > Digital Culture http://www.jungle-life.com San Francisco Society Arts Music Culture Events --- will terry <autobahn_01@hotmail.com> wrote:
quoted 202 lines dunno if anyone has heard the prince album that was> > dunno if anyone has heard the prince album that was > remixed or re made in a > similar vein featuring artists like capitol K etc > but Im really not sure > that this sort of thing even needs to be done. What > are we doing by > attempting to re edit work of this calibre for a > modern ear, music like this > doesnt have to be re edited to be made to sound > modern, it sounds it anyway, > thats why it is still so revered. > I dunno, a lot of the more hard edged IDM stuff can > take tunes ironicly or > however the artist wants to use them but its often > done with severity that > gives it a bit of honesty. > I dunno im starting to waffle but you get the idea. > > > > > >From > > : dolmensniper@free.fr > >To: "idm@hyperreal.org" <idm@hyperreal.org> > >Subject: [idm] Fwd: RHIZOME_RAW: Internet Musicians > Adopt 'Pet Sounds' > >Date: Mon, 16 May 2005 18:25:51 +0200 > > > > > >(?.?'?(?.?'? `'?.?)`' ?.?) > >?.?? > >( `?.? > >`?.? ) > >?.?)? > >(.?? > >`*. > >*. > >shooting yourself in the balls is not the way to > have a happy life > > > >http://dolmensniper.motime.com/ > > > > > > > > > > > >----- Forwarded message from Greg Smith > <greg.smith@utoronto.ca> ----- > > Date: Sun, 15 May 2005 12:21:51 -0700 > > From: Greg Smith <greg.smith@utoronto.ca> > >Reply-To: Greg Smith <greg.smith@utoronto.ca> > > Subject: RHIZOME_RAW: Internet Musicians Adopt > 'Pet Sounds' > > To: list@rhizome.org > > > >Internet Musicians Adopt 'Pet Sounds'. > > > >A group of internet-based electronic musicians are > celebrating the > >anniversary of the release of the classic Beach > Boys album 'Pet > >Sounds' by remixing it for the 21st Century. The > album, titled > >'Hippocamp Ruins Pet Sounds', comes from > contributors to acclaimed net > >label Hippocamp.net. Each track from the original > album has been > >reconstructed by a different artist, creating an > album as diverse and > >inventive as the original. > > > >In a project similar to DJ Dangermouse's > controversial 'The Grey > >Album' (which spliced rapper Jay-Z's vocals with > the music of the > >Beatles), 'Hippocamp Ruins Pet Sounds' takes the > original Beach Boys > >vocals for each track and creates new musical > landscapes for them. > >Comprising styles ranging from electro-pop via > glitchcore and ambient > >to all-out avant-garde, this release demonstrates > that art cannot be > >stifled in an era of closely guarded copyrights and > litigious record > >companies. > > > >"The idea came from Hippocamp contributor Blue > T-Shirt", explains > >fellow contributor Martin Bryant (AKA The Star > Fighter Pilot). "We > >wanted to do something interesting and new with an > album that > >regularly tops 'Best album ever' polls. We wanted > people to get a new > >perspective on a classic. > > > >"Pet Sounds was originally released on May 16th > 1966 and next year is > >the 40th anniversary of its release. It made sense > to us to release an > >unconventional album at an unconventional time - > its 39th > >anniversary". > > > >The album is spreading across the internet via P2P > (peer-to-peer) > >networks and more information can be found at the > website > >http://petsounds.a.la > > > > > >Background: > >PET SOUNDS > > > >Critics and fans of popular music have long > identified the 1966 album > >Pet Sounds as a milestone of musical achievement. > The circumstances > >that birthed this masterpiece are well documented - > the turmoil of the > >Wilsons, within and without (especially Brian, > tormented genius and > >Pet Sounds mastermind); the band's disinterest in > spearheading a > >sophisticated-feeling musical revolution; and > perhaps most > >significantly, the indelible ripples cast over the > future of pop music > >as we were to know it. > > > >The music-loving public's fascination with Pet > Sounds has increased as > >its fingerprints continue to be discovered > throughout the outer > >reaches of the pop universe. The shadow cast by > this monolithic album > >looms over the discographies of all but the most > accomplished > >musicians of history, with the obvious exception of > the Fab Four. > >Indeed, the Beatles played a pivotal role in the > genesis of Pet > >Sounds; Prior to the landmark 1965 Beatles LP > Rubber Soul, an album > >was generally constructed as a collection of songs, > usually padded > >with mediocre b-sides. Legend has it that Brian was > caught off-guard > >by the completeness and cohesiveness of Rubber Soul > and vowed to best > >this accomplishment. The next few years pitted > Brian Wilson pitted > >against the Beatles (each of which had stopped > touring at this point) > >in a brief exchange of attempts to one-up each > another, culminating in > >the insurmountable achievement that was the Summer > of Love's Sgt. > >Pepper's Lonely Hearts Club Band and sending Brian > into a downward > >spiral of depression and self-abuse in his attempts > to best the > >Beatles' undeniable masterwork. > > > >The story doesn't end there. the condensed version > outlines Brian's > >triumphant return to the top of his game; his > well-received > >re-creations of Pet Sounds on tour; and the > completion of SMiLE, his > >"teenage symphony to God" intended to trump Sgt. > Pepper's. The year is > >now 2005; the Wilson saga continues to unfold. > Strangely enough, > >however, the latest chapter in this story was > written not by the man > >himself, but a rag-tag group of electronic bedroom > musicians hell-bent > >on blowing his undisputed classic apart. Out of > respect, of course. > >Not to mention that there's something particularly > thrilling about > >taking a sledgehammer to something untouchable. > > > > > >HIPPOCAMP.NET > >Net label Hippocamp.net has been releasing > experimental, mainly > >electronic music since 2000. Based in Manchester, > England but > >releasing music from all over the world, Hippocamp > distributes all its > >releases as MP3 downloads free of charge. It has > become a respected > >site for finding new and unusual music of the > highest quality. > >'Hippocamp Ruins Pet Sounds' is released in the > month of the net >
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2005-05-16 18:41will terryto be fair no i havent, I kind of thought that after reading the email back that I had sen
From:
will terry
To:
Date:
Mon, 16 May 2005 18:41:00 +0000
Subject:
Re: [idm] Internet Musicians Adopt 'Pet Sounds'
Reply to:
Re: [idm] Internet Musicians Adopt 'Pet Sounds'
permalink · <BAY101-F2126A8469A3A4F78E5D0D09B150@phx.gbl>
to be fair no i havent, I kind of thought that after reading the email back that I had sent. Im off to find it now. Have you heard the the 'If I was Prince@ album on rex records i was referring too. Absolutely abysmal. Nice artwork, Shite album
quoted 230 lines From: StaticBeats <stupidnametaken@yahoo.com>>From: StaticBeats <stupidnametaken@yahoo.com> >To: Intolerable Daily Madness <idm@hyperreal.org> >Subject: Re: [idm] Internet Musicians Adopt 'Pet Sounds' >Date: Mon, 16 May 2005 11:37:14 -0700 (PDT) > >Have you had a chance to hear the Pet Sounds album? >It's far from a re edit or even an attempt. It's much >more tongue-in-cheek than all that and imo there's >only really 2 tracks off the whole thing that qualify >as a proper remix or even listenable (im pretty well >over the whole squelching noise experiments) > > >Shimone/Justes >http://www.staticbeats.com >Electronic Music > Digital Culture >http://www.jungle-life.com >San Francisco Society Arts Music Culture Events > >--- will terry <autobahn_01@hotmail.com> wrote: > > > > > dunno if anyone has heard the prince album that was > > remixed or re made in a > > similar vein featuring artists like capitol K etc > > but Im really not sure > > that this sort of thing even needs to be done. What > > are we doing by > > attempting to re edit work of this calibre for a > > modern ear, music like this > > doesnt have to be re edited to be made to sound > > modern, it sounds it anyway, > > thats why it is still so revered. > > I dunno, a lot of the more hard edged IDM stuff can > > take tunes ironicly or > > however the artist wants to use them but its often > > done with severity that > > gives it a bit of honesty. > > I dunno im starting to waffle but you get the idea. > > > > > > > > > > >From > > > > : dolmensniper@free.fr > > >To: "idm@hyperreal.org" <idm@hyperreal.org> > > >Subject: [idm] Fwd: RHIZOME_RAW: Internet Musicians > > Adopt 'Pet Sounds' > > >Date: Mon, 16 May 2005 18:25:51 +0200 > > > > > > > > >(?.?'?(?.?'? `'?.?)`' ?.?) > > >?.?? > > >( `?.? > > >`?.? ) > > >?.?)? > > >(.?? > > >`*. > > >*. > > >shooting yourself in the balls is not the way to > > have a happy life > > > > > >http://dolmensniper.motime.com/ > > > > > > > > > > > > > > > > > >----- Forwarded message from Greg Smith > > <greg.smith@utoronto.ca> ----- > > > Date: Sun, 15 May 2005 12:21:51 -0700 > > > From: Greg Smith <greg.smith@utoronto.ca> > > >Reply-To: Greg Smith <greg.smith@utoronto.ca> > > > Subject: RHIZOME_RAW: Internet Musicians Adopt > > 'Pet Sounds' > > > To: list@rhizome.org > > > > > >Internet Musicians Adopt 'Pet Sounds'. > > > > > >A group of internet-based electronic musicians are > > celebrating the > > >anniversary of the release of the classic Beach > > Boys album 'Pet > > >Sounds' by remixing it for the 21st Century. The > > album, titled > > >'Hippocamp Ruins Pet Sounds', comes from > > contributors to acclaimed net > > >label Hippocamp.net. Each track from the original > > album has been > > >reconstructed by a different artist, creating an > > album as diverse and > > >inventive as the original. > > > > > >In a project similar to DJ Dangermouse's > > controversial 'The Grey > > >Album' (which spliced rapper Jay-Z's vocals with > > the music of the > > >Beatles), 'Hippocamp Ruins Pet Sounds' takes the > > original Beach Boys > > >vocals for each track and creates new musical > > landscapes for them. > > >Comprising styles ranging from electro-pop via > > glitchcore and ambient > > >to all-out avant-garde, this release demonstrates > > that art cannot be > > >stifled in an era of closely guarded copyrights and > > litigious record > > >companies. > > > > > >"The idea came from Hippocamp contributor Blue > > T-Shirt", explains > > >fellow contributor Martin Bryant (AKA The Star > > Fighter Pilot). "We > > >wanted to do something interesting and new with an > > album that > > >regularly tops 'Best album ever' polls. We wanted > > people to get a new > > >perspective on a classic. > > > > > >"Pet Sounds was originally released on May 16th > > 1966 and next year is > > >the 40th anniversary of its release. It made sense > > to us to release an > > >unconventional album at an unconventional time - > > its 39th > > >anniversary". > > > > > >The album is spreading across the internet via P2P > > (peer-to-peer) > > >networks and more information can be found at the > > website > > >http://petsounds.a.la > > > > > > > > >Background: > > >PET SOUNDS > > > > > >Critics and fans of popular music have long > > identified the 1966 album > > >Pet Sounds as a milestone of musical achievement. > > The circumstances > > >that birthed this masterpiece are well documented - > > the turmoil of the > > >Wilsons, within and without (especially Brian, > > tormented genius and > > >Pet Sounds mastermind); the band's disinterest in > > spearheading a > > >sophisticated-feeling musical revolution; and > > perhaps most > > >significantly, the indelible ripples cast over the > > future of pop music > > >as we were to know it. > > > > > >The music-loving public's fascination with Pet > > Sounds has increased as > > >its fingerprints continue to be discovered > > throughout the outer > > >reaches of the pop universe. The shadow cast by > > this monolithic album > > >looms over the discographies of all but the most > > accomplished > > >musicians of history, with the obvious exception of > > the Fab Four. > > >Indeed, the Beatles played a pivotal role in the > > genesis of Pet > > >Sounds; Prior to the landmark 1965 Beatles LP > > Rubber Soul, an album > > >was generally constructed as a collection of songs, > > usually padded > > >with mediocre b-sides. Legend has it that Brian was > > caught off-guard > > >by the completeness and cohesiveness of Rubber Soul > > and vowed to best > > >this accomplishment. The next few years pitted > > Brian Wilson pitted > > >against the Beatles (each of which had stopped > > touring at this point) > > >in a brief exchange of attempts to one-up each > > another, culminating in > > >the insurmountable achievement that was the Summer > > of Love's Sgt. > > >Pepper's Lonely Hearts Club Band and sending Brian > > into a downward > > >spiral of depression and self-abuse in his attempts > > to best the > > >Beatles' undeniable masterwork. > > > > > >The story doesn't end there. the condensed version > > outlines Brian's > > >triumphant return to the top of his game; his > > well-received > > >re-creations of Pet Sounds on tour; and the > > completion of SMiLE, his > > >"teenage symphony to God" intended to trump Sgt. > > Pepper's. The year is > > >now 2005; the Wilson saga continues to unfold. > > Strangely enough, > > >however, the latest chapter in this story was > > written not by the man > > >himself, but a rag-tag group of electronic bedroom > > musicians hell-bent > > >on blowing his undisputed classic apart. Out of > > respect, of course. > > >Not to mention that there's something particularly > > thrilling about > > >taking a sledgehammer to something untouchable. > > > > > > > > >HIPPOCAMP.NET > > >Net label Hippocamp.net has been releasing > > experimental, mainly > > >electronic music since 2000. Based in Manchester, > > England but > > >releasing music from all over the world, Hippocamp > > distributes all its > > >releases as MP3 downloads free of charge. It has > > become a respected > > >site for finding new and unusual music of the > > highest quality. > > >'Hippocamp Ruins Pet Sounds' is released in the > > month of the net > > >=== message truncated === > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >For additional commands, e-mail: idm-help@hyperreal.org >
--------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2005-05-16 18:46StaticBeatsHeh, actually no I havent heard the Rex album. Are really great IDM remix album was releas
From:
StaticBeats
To:
Intolerable Daily Madness
Date:
Mon, 16 May 2005 11:46:53 -0700 (PDT)
Subject:
Re: [idm] Internet Musicians Adopt 'Pet Sounds'
Reply to:
Re: [idm] Internet Musicians Adopt 'Pet Sounds'
permalink · <20050516184653.33255.qmail@web54004.mail.yahoo.com>
Heh, actually no I havent heard the Rex album. Are really great IDM remix album was released on Input/Output records (reviewed here: http://www.staticbeats.com/reviews.php?id=45) but it appears their link is dead. Tracklisting: ============== 1. Duc: She's Lost Control by Joy Division 2. Sensor Array - Homeopathy by Rainer Maria 3. Franz K. - Girls Just Want to Have Fun by Cyndi Lauper 4. Glitch and Openbless*a*me - The Custom Concern by Modest Mouse Shimone/Justes http://www.staticbeats.com Electronic Music > Digital Culture http://www.jungle-life.com San Francisco Society Arts Music Culture Events --- will terry <autobahn_01@hotmail.com> wrote:
quoted 202 lines to be fair no i havent, I kind of thought that after> to be fair no i havent, I kind of thought that after > reading the email back > that I had sent. Im off to find it now. > Have you heard the the 'If I was Prince@ album on > rex records i was > referring too. Absolutely abysmal. Nice artwork, > Shite album > > >From: StaticBeats <stupidnametaken@yahoo.com> > >To: Intolerable Daily Madness <idm@hyperreal.org> > >Subject: Re: [idm] Internet Musicians Adopt 'Pet > Sounds' > >Date: Mon, 16 May 2005 11:37:14 -0700 (PDT) > > > >Have you had a chance to hear the Pet Sounds album? > >It's far from a re edit or even an attempt. It's > much > >more tongue-in-cheek than all that and imo there's > >only really 2 tracks off the whole thing that > qualify > >as a proper remix or even listenable (im pretty > well > >over the whole squelching noise experiments) > > > > > >Shimone/Justes > >http://www.staticbeats.com > >Electronic Music > Digital Culture > >http://www.jungle-life.com > >San Francisco Society Arts Music Culture Events > > > >--- will terry <autobahn_01@hotmail.com> wrote: > > > > > > > > dunno if anyone has heard the prince album that > was > > > remixed or re made in a > > > similar vein featuring artists like capitol K > etc > > > but Im really not sure > > > that this sort of thing even needs to be done. > What > > > are we doing by > > > attempting to re edit work of this calibre for a > > > modern ear, music like this > > > doesnt have to be re edited to be made to sound > > > modern, it sounds it anyway, > > > thats why it is still so revered. > > > I dunno, a lot of the more hard edged IDM stuff > can > > > take tunes ironicly or > > > however the artist wants to use them but its > often > > > done with severity that > > > gives it a bit of honesty. > > > I dunno im starting to waffle but you get the > idea. > > > > > > > > > > > > > > > >From > > > > > > : dolmensniper@free.fr > > > >To: "idm@hyperreal.org" <idm@hyperreal.org> > > > >Subject: [idm] Fwd: RHIZOME_RAW: Internet > Musicians > > > Adopt 'Pet Sounds' > > > >Date: Mon, 16 May 2005 18:25:51 +0200 > > > > > > > > > > > >(?.?'?(?.?'? `'?.?)`' ?.?) > > > >?.?? > > > >( `?.? > > > >`?.? ) > > > >?.?)? > > > >(.?? > > > >`*. > > > >*. > > > >shooting yourself in the balls is not the way > to > > > have a happy life > > > > > > > >http://dolmensniper.motime.com/ > > > > > > > > > > > > > > > > > > > > > > > >----- Forwarded message from Greg Smith > > > <greg.smith@utoronto.ca> ----- > > > > Date: Sun, 15 May 2005 12:21:51 -0700 > > > > From: Greg Smith <greg.smith@utoronto.ca> > > > >Reply-To: Greg Smith <greg.smith@utoronto.ca> > > > > Subject: RHIZOME_RAW: Internet Musicians > Adopt > > > 'Pet Sounds' > > > > To: list@rhizome.org > > > > > > > >Internet Musicians Adopt 'Pet Sounds'. > > > > > > > >A group of internet-based electronic musicians > are > > > celebrating the > > > >anniversary of the release of the classic Beach > > > Boys album 'Pet > > > >Sounds' by remixing it for the 21st Century. > The > > > album, titled > > > >'Hippocamp Ruins Pet Sounds', comes from > > > contributors to acclaimed net > > > >label Hippocamp.net. Each track from the > original > > > album has been > > > >reconstructed by a different artist, creating > an > > > album as diverse and > > > >inventive as the original. > > > > > > > >In a project similar to DJ Dangermouse's > > > controversial 'The Grey > > > >Album' (which spliced rapper Jay-Z's vocals > with > > > the music of the > > > >Beatles), 'Hippocamp Ruins Pet Sounds' takes > the > > > original Beach Boys > > > >vocals for each track and creates new musical > > > landscapes for them. > > > >Comprising styles ranging from electro-pop via > > > glitchcore and ambient > > > >to all-out avant-garde, this release > demonstrates > > > that art cannot be > > > >stifled in an era of closely guarded copyrights > and > > > litigious record > > > >companies. > > > > > > > >"The idea came from Hippocamp contributor Blue > > > T-Shirt", explains > > > >fellow contributor Martin Bryant (AKA The Star > > > Fighter Pilot). "We > > > >wanted to do something interesting and new with > an > > > album that > > > >regularly tops 'Best album ever' polls. We > wanted > > > people to get a new > > > >perspective on a classic. > > > > > > > >"Pet Sounds was originally released on May 16th > > > 1966 and next year is > > > >the 40th anniversary of its release. It made > sense > > > to us to release an > > > >unconventional album at an unconventional time > - > > > its 39th > > > >anniversary". > > > > > > > >The album is spreading across the internet via > P2P > > > (peer-to-peer) > > > >networks and more information can be found at > the > > > website > > > >http://petsounds.a.la > > > > > > > > > > > >Background: > > > >PET SOUNDS > > > > > > > >Critics and fans of popular music have long > > > identified the 1966 album > > > >Pet Sounds as a milestone of musical > achievement. > > > The circumstances > > > >that birthed this masterpiece are well > documented - > > > the turmoil of the > > > >Wilsons, within and without (especially Brian, > > > tormented genius and > > > >Pet Sounds mastermind); the band's disinterest > in > > > spearheading a > > > >sophisticated-feeling musical revolution; and > > > perhaps most > > > >significantly, the indelible ripples cast over > the > > > future of pop music > > > >as we were to know it. > > > > > > > >The music-loving public's fascination with Pet > > > Sounds has increased as > > > >its fingerprints continue to be discovered > > > throughout the outer > > > >reaches of the pop universe. The shadow cast by > > > this monolithic album > > > >looms over the discographies of all but the > most >
=== message truncated === --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2005-05-16 19:43egyptian zombie robotthe sloop john beat track recieved better remix treatment by culture crusher on the noodle
From:
egyptian zombie robot
To:
Date:
Mon, 16 May 2005 15:43:59 -0400
Subject:
Re: [idm] Fwd: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds'
Reply to:
[idm] Fwd: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds'
permalink · <61607bba050516124353787005@mail.gmail.com>
the sloop john beat track recieved better remix treatment by culture crusher on the noodles discoteque album (forgot which volume it's on) - xenlab On 5/16/05, dolmensniper@free.fr <dolmensniper@free.fr> wrote:
quoted 177 lines (¸.•'´(¸.•'´ `'•.¸)`' •.¸)> > > (¸.•'´(¸.•'´ `'•.¸)`' •.¸) > ¸.•´ > ( `•.¸ > `•.¸ ) > ¸.•)´ > (.•´ > `*. > *. > shooting yourself in the balls is not the way to have a happy life > > http://dolmensniper.motime.com/ > > ----- Forwarded message from Greg Smith <greg.smith@utoronto.ca> ----- > Date: Sun, 15 May 2005 12:21:51 -0700 > From: Greg Smith <greg.smith@utoronto.ca> > Reply-To: Greg Smith <greg.smith@utoronto.ca> > Subject: RHIZOME_RAW: Internet Musicians Adopt 'Pet Sounds' > To: list@rhizome.org > > Internet Musicians Adopt 'Pet Sounds'. > > A group of internet-based electronic musicians are celebrating the > anniversary of the release of the classic Beach Boys album 'Pet > Sounds' by remixing it for the 21st Century. The album, titled > 'Hippocamp Ruins Pet Sounds', comes from contributors to acclaimed net > label Hippocamp.net <http://Hippocamp.net>. Each track from the original > album has been > reconstructed by a different artist, creating an album as diverse and > inventive as the original. > > In a project similar to DJ Dangermouse's controversial 'The Grey > Album' (which spliced rapper Jay-Z's vocals with the music of the > Beatles), 'Hippocamp Ruins Pet Sounds' takes the original Beach Boys > vocals for each track and creates new musical landscapes for them. > Comprising styles ranging from electro-pop via glitchcore and ambient > to all-out avant-garde, this release demonstrates that art cannot be > stifled in an era of closely guarded copyrights and litigious record > companies. > > "The idea came from Hippocamp contributor Blue T-Shirt", explains > fellow contributor Martin Bryant (AKA The Star Fighter Pilot). "We > wanted to do something interesting and new with an album that > regularly tops 'Best album ever' polls. We wanted people to get a new > perspective on a classic. > > "Pet Sounds was originally released on May 16th 1966 and next year is > the 40th anniversary of its release. It made sense to us to release an > unconventional album at an unconventional time - its 39th > anniversary". > > The album is spreading across the internet via P2P (peer-to-peer) > networks and more information can be found at the website > http://petsounds.a.la > > Background: > PET SOUNDS > > Critics and fans of popular music have long identified the 1966 album > Pet Sounds as a milestone of musical achievement. The circumstances > that birthed this masterpiece are well documented - the turmoil of the > Wilsons, within and without (especially Brian, tormented genius and > Pet Sounds mastermind); the band's disinterest in spearheading a > sophisticated-feeling musical revolution; and perhaps most > significantly, the indelible ripples cast over the future of pop music > as we were to know it. > > The music-loving public's fascination with Pet Sounds has increased as > its fingerprints continue to be discovered throughout the outer > reaches of the pop universe. The shadow cast by this monolithic album > looms over the discographies of all but the most accomplished > musicians of history, with the obvious exception of the Fab Four. > Indeed, the Beatles played a pivotal role in the genesis of Pet > Sounds; Prior to the landmark 1965 Beatles LP Rubber Soul, an album > was generally constructed as a collection of songs, usually padded > with mediocre b-sides. Legend has it that Brian was caught off-guard > by the completeness and cohesiveness of Rubber Soul and vowed to best > this accomplishment. The next few years pitted Brian Wilson pitted > against the Beatles (each of which had stopped touring at this point) > in a brief exchange of attempts to one-up each another, culminating in > the insurmountable achievement that was the Summer of Love's Sgt. > Pepper's Lonely Hearts Club Band and sending Brian into a downward > spiral of depression and self-abuse in his attempts to best the > Beatles' undeniable masterwork. > > The story doesn't end there. the condensed version outlines Brian's > triumphant return to the top of his game; his well-received > re-creations of Pet Sounds on tour; and the completion of SMiLE, his > "teenage symphony to God" intended to trump Sgt. Pepper's. The year is > now 2005; the Wilson saga continues to unfold. Strangely enough, > however, the latest chapter in this story was written not by the man > himself, but a rag-tag group of electronic bedroom musicians hell-bent > on blowing his undisputed classic apart. Out of respect, of course. > Not to mention that there's something particularly thrilling about > taking a sledgehammer to something untouchable. > > HIPPOCAMP.NET <http://HIPPOCAMP.NET> > Net label Hippocamp.net <http://Hippocamp.net> has been releasing > experimental, mainly > electronic music since 2000. Based in Manchester, England but > releasing music from all over the world, Hippocamp distributes all its > releases as MP3 downloads free of charge. It has become a respected > site for finding new and unusual music of the highest quality. > 'Hippocamp Ruins Pet Sounds' is released in the month of the net > label's fifth anniversary. > > Resources: > http://www.petsounds.a.la > http://www.hippocamp.net > http://en.wikipedia.org/wiki/Pet_Sounds > > -------------------------------------------------------------- > > DISCLAIMER > > Here are some things that need to be said: > > Pet sounds is an album that everyone should own, study, cherish, and > enjoy. Hippocamp Ruins Pet Sounds is an open-ended experiment > conducted out of reverence, curiosity, and aware of the sobering fact > that you can't improve upon perfection. > > Despite the fact that the release is named Hippocamp Ruins Pet Sounds, > Hippocamp does not endorse the creation or distribution of this work. > At no time was hippocamp.net <http://hippocamp.net> involved with > distributing this material > to the public. Hippocamp's involvement has been explicitly limited to > providing a forum where the artists could plan the project before its > completion and where fans could discuss the values and cultural > ramifications of such a piece of art. > > As the project tended towards completion we began to contemplate the > merit of the art we were making and what it meant to the artists > involved. It became apparent that the values of such a project were > greater than we had anticipated. We believe the recognition of these > ideas reinforces the project's merit as a piece of critical commentary > to be freely disseminated and discussed. Here are some of the key > concepts regarding Hippocamp Ruins Pet Sounds: > > - The songs that form Pet Sounds are timeless and as relevant today as > they ever were. > - Recontextualizing the sounds, lyrics, and feelings of the original > work can transform the listening experience entirely. > - Anything we meager bedroom artists shall ever hope to accomplish > will never hold a torch to the masterpiece that is the original Pet > Sounds. > - We hope that any fans of the Beach Boys with no previous electronic > music listening experience may discover an appreciation for the stuff > and vice versa. > - We relish the opportunity to increase public awareness about the > original Pet Sounds and perhaps increase album sales as a result. > - The recognizable elements of Pet Sounds are still beautiful when > presented in a drastically altered form. > - Perhaps this demonstrates in an exagerated way how pervasive the > influence of classics such as Pet Sounds may be. > > Support Brian Wilson and The Beach Boys! Buy an album! See a live > show! Great music never dies. > + > -> post: list@rhizome.org > -> questions: info@rhizome.org > -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz > -> give: http://rhizome.org/support > -> visit: on Fridays the Rhizome.org <http://Rhizome.org> web site is open > to non-members > + > Subscribers to Rhizome are subject to the terms set out in the > Membership Agreement available online at http://rhizome.org/info/29.php > > ----- End forwarded message ----- > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org > >
-- - xenlab - http://www.ezrpm.com/ - http://www.xnlb.com/
2005-05-16 21:30Kurt Bernhard Pruenner(Daaaym, that was meant for the whole list...) StaticBeats wrote: > Are really great IDM r
From:
Kurt Bernhard Pruenner
To:
Sounds Made By A Dying DSP
Date:
Mon, 16 May 2005 23:30:13 +0200
Subject:
Re: [idm] Internet Musicians Adopt 'Pet Sounds'
permalink · <428910E5.167CE999@njuuus.desdemona.ssw.uni-linz.ac.at>
(Daaaym, that was meant for the whole list...) StaticBeats wrote:
quoted 4 lines Are really great IDM remix album was released on> Are really great IDM remix album was released on > Input/Output records (reviewed here: > http://www.staticbeats.com/reviews.php?id=45) but it > appears their link is dead.
Yep, it's dead, Jim - but the MP3 files are on IUMA and are still there, even if they're absymally slow at downloading... :) http://web.archive.org/web/20031003072612/inputoutputsoundsystems.com/output03.htm -- Kurt Bernhard Pruenner --- Haendelstrasse 17 --- 4020 Linz --- Austria .......It might be written "Mindfuck", but it's spelt "L-A-I-N"....... np: Superpitcher - Happiness (Here Comes Love) --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org