This never works out.
On Wednesday, June 30, 2021, Sam Wilson <samwilson7@hotmail.co.uk> wrote:
quoted 6 lines Please can I unsubscribe from this list. Thanks
> Please can I unsubscribe from this list. Thanks
> ________________________________
> From: Radio Web MACBA <rwm2008@gmail.com>
> Sent: Wednesday, June 30, 2021 8:17:44 AM
> To: idm list <idm@hyperreal.org>
> Subject: New podcast: conversation with choreographer, performer, visual
artist and drag king Antonia Baehr
quoted 3 lines New podcast: conversation with choreographer, performer, visual artist
>
>
> New podcast: conversation with choreographer, performer, visual artist
and drag king Antonia Baehr
quoted 2 lines We talk to Antonia Baehr about switching roles, about her strategies for
>
> We talk to Antonia Baehr about switching roles, about her strategies for
collaboration, some of her alter egos, gender stereotypes, and much, much
more. Prepare for a bumpy ride that will take you from scores and Fluxus,
to imitation, fetishism, and socks, by way of drag kings, drag queens, S&M,
contracts, and even telepathic connections.
quoted 4 lines Link: >
> Link: https://rwm.macba.cat/en/sonia/sonia-333-antonia-baehr
>
> Antonia Baehr’s works explore the fiction of the everyday and of the
theatre, among other themes. That’s how her official bio at the time of
writing this starts. But it does not fully convey the level of
meticulousness that goes into her performances in order to emphasise every
little aspect of the area between everyday life and the theatre. Her works
are a bit like Venn diagrams that plot and explore that very grey area in
great detail.
quoted 2 lines It would be an understatement to say that her pieces acknowledge the
>
> It would be an understatement to say that her pieces acknowledge the
presence of the audience, or the conventions of the medium. Antonia’s works
nurture and encourage strange emotional feedback loops between performers
and the eye of the beholder –building, smashing and refashioning the fourth
wall as they unfold. But her work does not just play around with the fourth
wall, much of it actually takes place AT the fourth wall, or rather, it is
ABOUT the fourth wall itself. Antonia’s performances explore the unwritten
contract that establishes stage and audience as distinct, mutually
excluding zones. They speak about what it could mean to act, react to,
observe, and notice minute fissures in the interplay between the fictional
and the real, which warp the respective time-space continuums of actors and
audiences through all sorts of affective gymnastics.
quoted 2 lines ENJOY!!!
>
> ENJOY!!!