On Sun, 4 Jan 2004 04:04:03 -0600, ":m. zero" wrote:
quoted 1 line i'm just curious how you would describe this kind of
>i'm just curious how you would describe this kind of
music. i've been sort of obsessing over it for quite
some time now because it just blows me away. i guess
i'm just not quite sure why. i'm not sure i understand
how it works.
re: polmo polpo:
sandro "polmo perri" perri does material with beats and
without. regardless of the result (ie a track with
beats or not), he uses instruments for his textural
elements such as lap pedal steel and cello and the like
and layers these over and over. this gives his pieces
a very distinctive sound. he also uses found sounds ie
sounds that are not synthetically produced. if you get
the opportunity, check out our collaboration (entitled
"oceana") on my "highest common denominator" album for
greg clow and sheryl kirby's piehead records label
(
http://pieheadrecords.com) All of the sounds in our
track are sourced from non-synthetic real-world sounds.
And there's very little manipulation other than a bit
of pitchshifting and effects, so what sounds like a
bassline in the song is pretty much an "as is" sound
from the real-world (and nope, not a bass or any other
instrument), ditto for the rhythmic elements, the hook,
etc. Hope this helps. Take care. andrew duke
out now: Environmental Politics
http://and-oar.org
Take Nothing For Granted
http://acidfake.tk
Sprung
http://bip-hop.com
http://warprecords.com/mart/music/release.php?
cat=BLEEP12&fc_type=CD
*Canadian electronica album of the year nominee*
More Destructive Than Organized
http://staalplaat.com
Highest Common Denominator
http://pieheadrecords.com
Physical and Mental Health
http://dialrecords.com
74'02 (split with Hypo)
http://tsunami-addiction.com
Waveforms: Halifax Electronic Music Compilation
http://cognitionaudioworks.com
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