quoted 6 lines Hello unto you.>Hello unto you.
>
> This is the preliminary schedule for Turnament, the turntablist
>festival that I'm producing and arranging at Royce Hall, UCLA, November
>8 and 9, 2002, in association with the UCLA Performing Arts Department.
> Should you have any questions about Turnament, its installations
or
quoted 51 lines attendant exhibition "Revolutions", please don't hesitate to ask.>attendant exhibition "Revolutions", please don't hesitate to ask.
> Further bulletins as events warrant.
>
>Thoroughly,
>
>David Cotner,
> \\\
>
>http://www.turnament.com/
>
>
>WILL THEY TURN YOU ON?
>WILL THEY TURN ON YOU?
>TURNAMENT
>A FESTIVAL OF TURNTABLISM
>Royce Hall, UCLA, November 8 - 9, 2002
>
>Exposing the Secrets of People Whose Business is Revolution!
>
>
>WHAT: Turnament: part skratch DJs, part modern art, part hip and / or
>hop - the common thread? Visionary musicians using turntables and
>records as instruments in ways you'd never dream possible. We won't
>sell you the whole seat - you'll only need...the edge!
>
>WHO: We are proud to announce the partial lineup of performers for
>Friday, November 8th
>
>? amk - Los Angeles
>? The Haters - San Francisco
>? Kid Koala - Montreal
>? Kool Herc - New York City
>? Dummy Run - Brighton / Paris
>? Boyd Rice - Denver
>? Extended Organ - Los Angeles
>? DJ Faust & Shortee - Atlanta
>
>? Your DJs are Baseck & Daedelus (Los Angeles) and L?K?O (Tokyo).
>
>and Saturday, November 9th. More to be announced in the coming weeks!
>
>? DJ Smallcock - Sydney
>? Grandmixer DXT - New York City
>? Ace & Duce - Los Angeles
>? KutMasta Kurt - Los Angeles
>? John Oswald - Toronto
>? A. Stray & DJ Nightmare - Cambridge, England
>? GrandWizzard Theodore - New York City
>? Project Dark - London
>
>? Your DJs are Skam (Manchester) and John Peel (London - first-ever
U.S.
quoted 19 lines festival appearance).>festival appearance).
>
>Turntable installations, and others, from November 8th through November
>9th, by
>
>? DJ I, Robot - Cambridge, Massachusetts
>? Evil Moisture - Paris
>? Philip Jeck - Liverpool
>? Pure - Vienna
>? VinylVideo - Vienna
>? David Woodard - Los Angeles - exposition of the Brion Gysin
>Dreamachine
>
>WHEN: Friday, November 8th, 2002, and Saturday, November 9th, 2002.
>Doors open at 7 PM. Live action at 8 PM.
>
>WHERE: Royce Hall, on the University of California at Los Angeles
>campus in Westwood. Visit
>http://www.cfpa.ucla.edu/event_calendar/events_detail.cfm?id_event=1695
5266
quoted 1 line or http://www.>or http://www.turnament.com/ for full information. Tickets are $50
per
quoted 18 lines evening, $20 for UCLA students.>evening, $20 for UCLA students.
>
>ABOUT THE ARTISTS
>
>? amk - Master of the flexidisc record collage and montage. Flexidiscs
>are cut up, re-assembled and played on old record players at different
>speeds. Beyond belief!
>
>? The Haters - G.X. Jupitter-Larsen et al, exploring entropy as a
>neutral force of nature. Their first release, "The Haters", involved
>the recommended scratching of a blank LP in order to play it; recent
>work includes the stapling of LPs with amplified staple-guns.
>
>? Kid Koala - Eric San, Montreal's finest, in an action showcasing the
>latest ninja tunes from his arsenal of scratch mastery that tamed the
>wild beat.
>
>? A. Stray & DJ Nightmare - The London Musicians' Collective
contingent,
quoted 2 lines Alistair Stray and Robert Johnson pioneered "Deconstructed Cinema" in>Alistair Stray and Robert Johnson pioneered "Deconstructed Cinema" in
>the 1990s. Their DJ'd cinema screenings made chillout rooms of the
time
quoted 13 lines even more icebox than usual.>even more icebox than usual.
>
>? Kool Herc - Clive Campbell, the founding father of modern hip-hop
>DJing, emigrated from Kingston, Jamaica in 1967 to bring the beats and
>breaks to Brooklyn and beyond.
>
>? Dummy Run - Nick Birmingham and Andrew Sharpley, self-professed
>"cartoon rhythm duo", wield drum'n'bass beats and saucy, sassy samples
>that more closely approximate the mind of mad (but not angry) genius
>than any other in their weight class.
>
>? Boyd Rice - Via the nom de guerre Non, this founding father of
>industrial music released the "Knife Ladder / Mode of Infection" in
1977
quoted 6 lines with multiple holes in its centre and various locked grooves to create>with multiple holes in its centre and various locked grooves to create
>the longest-playing record of all time.
>
>? Extended Organ - Paul McCarthy, Fredrik Nilsen, Joe Potts and Tom
>Recchion. From the Los Angeles Free Music Society to modern art and
>beyond. Expect drones, a chopped Optigan and an atmosphere hanging
like
quoted 13 lines a heavy coat of inspiration.>a heavy coat of inspiration.
>
>? DJ Faust & Shortee - Modern lovers Faust and Shortee pursued a
>whirlwind romance with the passion of a perfect pop single and all the
>love it implies. They'll be performing old school hip-hop and rare
>breaks with a special showcase of tricks all on 4 turntables.
>
>? Baseck & Daedelus - Los Angeles' ambassadors of breakcore and the
>syncopated slaughter of a million buzz-bombing robotic bees in 17/32.
>In the foyer, to aid digestion.
>
>? L?K?O - Tokyo's Ko Mitsugi arrives with his own brand of DJing,
>utilising a laptop to fuse PC plug-in effects with scratching.
Omedeto,
quoted 6 lines Mitsugi-san! Also in the foyer.>Mitsugi-san! Also in the foyer.
>
>? DJ Smallcock - Lucas Abela, traveling all the way from Sydney,
>Australia, performs a short, improvised physical blurt of sound with a
>sawing machine engine (top speed: 2580 rpm) onto which are bolted a
>series of 7", 10", and 12" records. It's played with various
implements
quoted 11 lines - this time, it's the Elm St. Freddy-type glove with styli attached to>- this time, it's the Elm St. Freddy-type glove with styli attached to
>each finger. Look out!
>
>? Grandmixer DXT - Formerly known as GrandMixer D.ST, DXT was an
>original Zulu Nation DJ in the South Bronx during the late 1970s and
>early 1980s. He performed solo scratches on Herbie Hancock's hit
>instrumental "Rockit" in 1984. That performance, seen by millions on
>The Grammy Awards, inspired a whole generation of DJs.
>
>? Ace & Duce - Dennis Duck, Ace Farren Ford, Tom Recchion, Richard
>Snyder and the elusive Duce. The founders of the Los Angeles Free
Music
quoted 1 line Society ride again, out of nowhere and straight back again, for only>Society ride again, out of nowhere and straight back again, for only
the
quoted 3 lines second time in a quarter-century.>second time in a quarter-century.
>
>? KutMasta Kurt - Producer of records by DJ Spooky, Dilated Peoples,
and
quoted 1 line Kool Keith, his is the fertile hand behind countless remixes and>Kool Keith, his is the fertile hand behind countless remixes and
singles
quoted 14 lines in your collection.>in your collection.
>
>? John Oswald - Tireless examiner of art and commerce and a damned good
>sax player, too. In 1990, Oswald's notorious recording "Plunderphonic"
>was destroyed by those in the Recording Industry representing Michael
>Jackson because of massive sample attacks on a man who has since become
>the visual equivalent of an Oswald piece.
>
>? GrandWizzard Theodore - Theodore Livingston, hassled by his mother as
>he DJs at home in the summer of 1975, balances the wheels of steel
>throughout this momentary storm and thereby creates the "scratch".
>Parents just don't understand!
>
>? Project Dark - Producers of large-scale live video / music shows
since
quoted 16 lines 1995. A catalogue of custom sculpted 7" singles is used as a primary>1995. A catalogue of custom sculpted 7" singles is used as a primary
>medium for generating a unique range of sounds and images. Live video
>triggering supplies further live sound and video sources allowing
>additional footage (slow motion exploding decks, a 10,000-volt
>spark-generating record player) to be mixed with live images. The
>latest show, "Gramophone De Luxe" incorporates three gramophone DJs
>alongside giant video projections generated by robotic surveillance
>cameras and drum-triggered video.
>
>? Skam - Rob Hall and Mike Williamson, direct from Manchester with
>painfully obscure blasts of rhythm and melody to the foyer and / or yr
>ass. Consult your physician.
>
>? John Peel - First-ever U.S. DJ appearance of BBC Radio 1's 40-year+
>strong living legend, modest enough even to argue about the
>characterisation "living". He can play whatever he likes. Please
don't
quoted 30 lines expect him to "scratch" - you will be turned away!>expect him to "scratch" - you will be turned away!
>
>Turntable installations, and others, from November 8th through November
>9th, by
>
>? DJ I, Robot - Chris Csikszentmihályi and assistants, bringing the DJ
>I, Robot cybernetic system that plays records at 800 rpm and otherwise
>freaks Technics(tm).
>
>? Evil Moisture - British expatriate, inventor of the amplified golf
>ball and the developer of the first Fisher-Price(tm) record player ever to
>spin a load of cream cheese.
>
>? Philip Jeck - Working with old records and record players salvaged
>from junk shops, turning them to his own purposes, he really does play
>them as musical instruments, creating an intensely personal language
>that evolves with each added part of a record.
>
>? Pure - Part of Austria's Mego Records braintrust, Peter Votava uses
>run-out grooves - the end of vinyl - to create vast soundscapes
>spiraling out the very heart of a record.
>
>? VinylVideo - Gebhard Sengmüller and Martin Diamant present
>VinylVideo(tm), a new development in the history of audio-visual media.
>VinylVideo(tm) makes possible the storage of video (moving image plus
>sound) on analog LP records. In its combination of analog and digital,
>VinylVideo(tm) is a relic of fake media archeology; at the same time,
>VinylVideo(tm) is a vision of new live video mixing possibilities.
>
>? David Woodard - Lecture and exposition of the Brion Gysin
Dreamachine,
quoted 3 lines the first device in history to be looked at with eyes closed. The>the first device in history to be looked at with eyes closed. The
>Dreamachine consists of a perforated cardboard cylinder attached to a
>turntable, in the middle of which hangs a 100-watt light bulb. When
the
quoted 5 lines machine is turned on, the cylinder spins at 78 RPM. One sits in front>machine is turned on, the cylinder spins at 78 RPM. One sits in front
>of the cylinder with eyes shut, and the light reflects through the
>perforations in the spinning cylinder onto one's eyelids. The
>experience begins with 15 to 20 minutes of what visually approximates a
>perpetually metamorphosing Persian rug. As the color spectrum
broadens,
quoted 3 lines the symmetrical patterns grow increasingly intricate...>the symmetrical patterns grow increasingly intricate...
>
># # #