179,854Messages
9,130Senders
30Years
342mboxes

← archive index

[idm] Re: idm Digest 9 Apr 2002 22:08:55 -0000 Issue 1692

2 messages · 2 participants · spans 1 day · search this subject
2002-04-10 00:16stephen [idm] Re: idm Digest 9 Apr 2002 22:08:55 -0000 Issue 1692
└─ 2002-04-10 02:22EggyToast Re: [idm] Re: idm Digest 9 Apr 2002 22:08:55 -0000 Issue 1692
expand allcollapse allclick any summary to toggle that message
2002-04-10 00:16stephenI know each of my records by name and record sleeve art work, before a mix I always do a r
From:
stephen
To:
Date:
Tue, 09 Apr 2002 19:16:21 -0500
Subject:
[idm] Re: idm Digest 9 Apr 2002 22:08:55 -0000 Issue 1692
permalink · <B8D8EE85.75A%stevepwats@prodigy.net>
I know each of my records by name and record sleeve art work, before a mix I always do a rough mix to see which records blend well together, when to cue up a record make your transitions ect... I also put a piece of tape beside the 1200 pitch adjustment and mark the spot of each record with a pen so I can quickly cue the records for a mix without wasting too much time w/ the pitch adj. When recording a mix CD I go over a mix set and mark where each record perfectly syncs on the pitch adj. and record each individual track into Protools. I arrange all the stereo tracks in Protools run them back out the individual outs on my sound card into to the stereo channels on my DJ mixer so I have a flawless, pre-planned pre-arranged mix, where I can practice making flawless transitions with the cross fader. II run the mater out on my dj mixer back into the sound card inputs. It sounds like a perfect mix, I'm too the point now where I'm experimenting with incorporating trainwrecks into my mix, purposely making records sound slightly off sync so people will think I'm struggling with a mix on two 1200's. stephen.
quoted 35 lines Date: Tue, 9 Apr 2002 14:21:12 -0800> Date: Tue, 9 Apr 2002 14:21:12 -0800 > To: dj pie <rachel@zot.electricrain.com> > From: Randall.Roberts@riverfronttimes.com (Randall Roberts) > Cc: georgewilliamson@btinternet.com, idm@hyperreal.org > Subject: Re[2]: [idm] new skam website > Message-ID: <00E841B5.C22266@riverfronttimes.com> > > Ditto here. I cram the box with stuff I like that might maybe seem to make > sense, or at least have the potential to make sense. Then I proceed to fuck it > all up live. Seldom, if ever, do I have any inkling of the specifics of what > I'm > gonna play, nor do I have the foggiest idea of what the tracks are called. > Most important, knowing what tracks are titled has absolutely nothing to do > with whether a DJ's any good. Most of my favorite tracks I couldn't even tell > you their titles. I just know it's the second cut on the b-side of that one > 12". > > RR aka Li'l Edit. > > DJ Pie wrote: > > <<i hardly ever know what i'm going to play for a given set/broadcast/ > whatever until i get to the track right before it. i've found that > i do a lot better if i just know my music well in general and go with > the flow. i tend to remember things like "track 7 has that bleepy > sound that my pal jon hates but i really like, and matches with that > other track, track 4 on the cd with the brown cover that is about > *here* in my cd suitcase..." and so on. > > it helps to have a case that is easy to distinguish from others in > my suitcase, but other than that, i care little about art or whatever. > > -rachel (aka dj pie) > piesarenice.net >
--------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2002-04-10 02:22EggyToastAt 07:16 PM 4/9/2002 -0500, you wrote: >I know each of my records by name and record sleev
From:
EggyToast
To:
Date:
Tue, 09 Apr 2002 20:22:57 -0600
Subject:
Re: [idm] Re: idm Digest 9 Apr 2002 22:08:55 -0000 Issue 1692
Reply to:
[idm] Re: idm Digest 9 Apr 2002 22:08:55 -0000 Issue 1692
permalink · <5.1.0.14.2.20020409202133.00b22620@mail.eggytoast.com>
At 07:16 PM 4/9/2002 -0500, you wrote:
quoted 9 lines I know each of my records by name and record sleeve art work, before a mix I>I know each of my records by name and record sleeve art work, before a mix I >always do a rough mix to see which records blend well together, when to cue >up a record make your transitions ect... >I also put a piece of tape beside the 1200 pitch adjustment and mark the >spot of each record with a pen so I can quickly cue the records for a mix >without wasting too much time w/ the pitch adj. >When recording a mix CD I go over a mix set and mark where each record >perfectly syncs on the pitch adj. and record each individual track into >Protools.
I believe the main "dj" argument was based more on radio shows or "off the cuff" style playing, not preparing weeks in advance for a dj performance. In the former, you have to back announce, and occasionally hunt for a proper track number. In the latter, what you play is often your secret. derek ------- eggytoast.com ------- with lather thingy --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org