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[idm] a day of attention

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2002-03-22 05:14[idm] a day of attention
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2002-03-22 05:14MilkAlive@aol.combremsstrahlung recordings presents: "a day of attention" 11 performances by california bas
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Fri, 22 Mar 2002 00:14:44 EST
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[idm] a day of attention
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bremsstrahlung recordings presents: "a day of attention" 11 performances by california based musicians who work in the vein of "lowercase-sound" with a special multi-artist surround-sound collaborative effort at the end. the space will also be displaying photos, paintings, and video from some of the performers as well as other local visual artists who take a rich, understated approach to their art. temisan okpaku will be providing video-art during the nighttime performances as well as debut a new work during the dinner break. __________________ date: sunday march 31st, 2002 time: 4pm - midnight location: rocco [whoose cafe] 6320 santa monica blvd. hollywood, california 323.462.8500 ticket: $7 due to the length of the event food and drinks will be provided at cost. please arrive early, eat with us, and settle in for the evening. we encourage people to bring pillows, blankets and/or whatever else makes them comfortable. ___________________ background: "if you run across someone who pays attention to sounds," said john cage in his recording of indeterminacy III with david tudor on piano "you will find that it's the quiet ones they find interesting." this showcase is offered as supporting evidence of that claim. here are a collection of 11 california based artists who each, through their own unique paths have arranged sounds in such a way that the audience would do well to pay attention. although the sounds are often soft they are not intended for the background. "lowercase" is a term used by steve roden in 1998 to describe his personal artistic aesthetic. "'lowercase music' bears "...a certain sense of quiet and humility; it doesn't demand attention, it must be discovered. the work might imply one thing on the surface but contain other things beneath. it's the opposite of capital letters-loud things which draw attention to themselves [morton] feldman is the perfect lowercase music; it seems serene, but there is much going on beneath the quiet exterior." steve roden james coleman set up the unmoderated discussion and announcement e-mail list "lowercase-sound" to discuss "the disparate group of musics, sound art & listening experiences that emphasize or include some or all of the characteristics of low volume, silence,soundscape/environmental/ field recordings, indeterminacy, psycho/acoustic treatments of space, environment & context & possible relationships of this work to art in other media i.e. painting, drawing & film & poetry." http://groups.yahoo.com/group/lowercase-sound/ this event collects a diverse collection of artists from across california who utilize a wide range of source material and working methods [field-recordings, homemade software, sonification of data, extended techniques with traditional instruments, etc] to pull the listener closer to the moment at hand. many of artists have tracks on the soon forthcoming "lowercase-sound 2002" compilation. for more information please contact info@lowercasesound.com www.lowercasesound.com ___________________ schedule 4pm doors open and people are free to wander and look at the art on the walls (photos, paintings, etc) 5:00pm bob sturm tucker dulin + nick hennies josh russell jeffry roden ~7:00pm ~30 minute break-food/drinks film by temisan okpaku ~7:30pm civyiu kkliu f100 quiet american electric company ~15 minute break ~10:00 steve roden shuttle358 akira rabelais improvisational collaboration ~midnight-end _____________ bios bob l. sturm (san diego) bob l. sturm is a computer-music composer and scientist working in san diego. His recent work utilizes the sonification of scientific data, such as particle systems and localized ocean movements. He is interested in the inter-relationships of art and science and will soon be pursuing an interdisciplinary PhD in computer music research. www.composerscientist.com _____________ tucker dulin + nick hennes (san diego) from louisville, ky, nicholas hennies has worked with stuart saunders smith, herbert brün, and william moersch, and is currently studying with steven schick at UC, San Diego. hennies has performed around the u.s. and in england as a percussionist and improviser, premiering new many works by composers including stuart saunders smith, radu malfatti, gerhard staebler and st. louis composer, mark saric. in addition to performing and composing, hennies is the proprietor of edition manifold, a small publishing company that serves as a source for new experimental music. in the future edition manifold will also begin to release recordings and books. (www.editionmanifold.com) tucker dulin has performed across the US with many musicians including bhob rainey, benjamin zander, greg kelley, eddie prevost, john butcher, george lewis, and ray anderson. currently he is working on a doctorate at UCSD in trombone performance. _____________ josh russell (san diego) josh russell gently manipulates pure tones and field recordings of soft, often unnoticed events to create a performance of delicate, evolving sound-sculptures which rewards concentrated listening. he founded the experimental sound label bremsstrahlung recordings which focuses on publishing "egoless sound." www.lowercasesound.com _____________ jeffry roden (los angeles) jeffry roden creates sounds that have been described as "elegant and precise melodic permutations that highlight the sharp contemplative focus at the root of improvisation." doug harvey, writer for the la weekly also "one of the hardest things in making soft music is to keep it interesting and compelling. very beautiful and plaintive material that makes me think immediately of durutti clumn, nick drake or arthur russell. highly recommended." "bart plentenga, programmer, other side of amsterdam radio: _____________ civyiu kkliu (san diego) from the series lll-lllllllllll, the first los angeles presentation of sound work llllll. described as intricate, indifferent, forceful-- it is presented with images of pieces of ships and water. Its source(s) and technique of composition are not specified. works by the artist are available or forthcoming on STAALPLAAT/bake records (netherlands), banned productions (los angeles), and simballrec records (los angeles). As well, ck is a writer, with a book in production; and a photographer, with works described as "quiet, un-alluding, with the aesthetic drama of abstract formalism." For inquiries contact: civyiu_kkliu@ipa.net ______________ f100 (los angeles) f100 is a collaboration between julie fowells and bernard elsmere that evolved from fowells' live violin improvisation and elsmere's experimental work in sculpture and installation. writing and performing as a duet between processed strings and computer manipulated sound, the duo have recorded tracks for several compilaiton CDs and performance projects, most recently the soundtrack for dancer/choreographer julie tolentino's "the bottom project", performed live in manchester, new york and san francisco. the piece included "10 states to permanent sleep," a multi-channel sound installation exploring ideas of memory and hallucination in the space betwwen waking and sleep. http://www.juliefowells.com/f100/ _____________ quiet american (san francisco) quiet american produces trips for the audio tourist. for this project aaron ximm composes using field recordings exclusively. source sound, collected while traveling, is fragmented and juxtaposed to emphasize the telling,lovely or unexpected moments we mostly forget to hear. http://www.quietamerican.org _____________ electric company (los angeles) brad laner has been creating engaging explorative music for over a decade. first as the songwriter for the influential experimental rock band MEDICINE and now in solo laptop form as electric company. he has released several electric company albums on KID606's tigerbeat6 records as well as a 3" CD on FALLT records. _____________ steve roden (los angeles) steve roden is a visual and sound artist from los angeles. his work includes painting, drawing, sculpture, film/video, and sound. in the sound works; objects, architectural spaces, and field recordings, are abstracted through electronics to create audio new spaces, or 'possible landscapes'. these sound works present themselves with an aesthetic roden describes as "lower case" - sound concerned with subtlety and the quiet activity of listening. roden has performed live improvised soundscapes in arts spaces, galleries, museums, theatres, and other alternative spaces worldwide. the wire magazine recently referred to roden's cd 'the radio' as "a particularly modest form of genius", and included it in it's best of 2000 experimental cd's. _____________ shuttle358 (los angeles) dan abrams (shuttle358) is a student of packaging at los angeles's art center college of design, a fact that is reflected in the elegant simplicity and organization of his music. known as the critically acclaimed artist shuttle 358 on the ny based label 12k, dan abrams has created quite a stir in the US minimal electronic scene due to his extraordinary releases on the 12k label. shuttle 358 uncovers dance music's archetype; be it techno, trance, drum 'n' bass or downtempo - and shows them in their most sublime state. _____________ akira rabelais (los angeles) dwelling in los angeles since 1990 akira rabelais has been coding sound and graphic software, recording his own music, while doing time in west coast educational institutions under the wing of electroacoustic fathers like tom eerbe and larry polansky. though the author of a family of software programs, his most prominent sound tool argeiphontes lyre (AL), a firm favorite of electronic producers such as scanner and terre thaemlitz, is used to effect disorienting shifts, mesmerizing merges and knotted splicing between different samples. he has two releases on the acclaimed german label rittornell and has performed throughout the us and europe. www.akirarabelais.com _____________ temisan okpaku (los angeles) my work is concerned with boundaries. i regard unity [>] as the essence of existence and difference [<] as the essence of perception. i create works as vehicles intended to both stimulate and arrest experience- communication. it is my intention to explore boundaries as systems in which movement exists as unity time works flow from intention, designed to focus upon and collapse boundaries in order to communicate directly. educated at harvard, georgetown, university of sydney -australia, new school for social research- ny, center for mediterranean studies -turkey, university of southern california, and san francisco art institute he has shown work in worldwide including wash dc, miami, la, new york, paris, and new delhi. _____________ thanks for your attention. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org