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[idm] Electronic releases reviewed by L'entrepot site

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2001-11-10 11:16Tom [idm] Electronic releases reviewed by L'entrepot site
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2001-11-10 11:16TomOther Cool stuff @: http://users.skynet.be/entrepot/tmonth/main.html The Beige Oscillator
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Fri, 10 Nov 2000 11:16:09 +0100
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[idm] Electronic releases reviewed by L'entrepot site
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Other Cool stuff @: http://users.skynet.be/entrepot/tmonth/main.html The Beige Oscillator & DJ Attaché: Waiting for wood CD Charhizma 2001 The man behind the Beige Oscillator is Nicholas Bussmann, and DJ Attaché is Hanno Leichmann. Both from Berlin and ever active as cello player and drummer, but now as producers duo. And a duo where we gonna hear more from. They play with a diversity of genres and influences, Jazz, Trip Hop, Groovy pieces and even rock get exposed to wacko electro. But without that the electronic gets the upper hand. By this you get a warm, relaxing basis with the undertow from weird, crazy electro. A good example is "Oscillation vs. Albert" with a jazzy groove where in-between are mixed all kinds of crazy sounds (the tone from a modem for example). "Not Real" with beats and beautiful vocal melodies done by Noelle Moral, this song sounds a bit dark, trip hop alike (Tricky). But also songs where electronic plays the main role like in "love Burgers" gets something warm with the piano and the distorted voice samples. The album could be something like St' Germain meets Kid 606 (I love you album). The electronic is however never manifesto represented, and mostly dominates the warm grooves and jazzy touch. Very approachable release that may become a hit for me. CHESSIE: Overnight CD Plug Research 2001 Successor from the tasteful Meet CD from '99 on Drop Beat. What on Meet become clear in tracks as "nowa huta" get confirmed on Overnight. Chessie succeed as first for me in combining Kraut-rock (post-rock) and electronic in a manner that both keep their identity. Also the more industrial sounding distorted percussion is not gone, but is more used as foundation for the tunes and not so much come to the front. Melody and mood creating or the important ingredients from the progressed chessie sound. Also the combination from electronic and traditional instruments fits very good in it. Listen to "Daylight" that with an electronic intro changed to an on guitar melody bear track. Also in "Stou" is the "guitar" the main instrument and the electronic effects or setting the mood. In "Northern Maine Junction" they mixed the sweet piano with drones from rolling on electronic that ends in noise. But also minimal tracks fits on this album like "Lineside", and more enthusiastic is it in the almost danceable "Pantograph up" and relaxing in "K Tower" with a dub bass-line. Like you can read a very varied record with a general mood of darkness, Chessie is very good in putting a cool, dark mood in his songs, is it a minimal track or an up-tempo song with dance influences it doesn't matter. Together with The Beige Oscillator & DJ Attaché a tip for people whom like crossings between genres in music. COH: Love uncut CD 2001/09 Eskaton COH is Ivan Pavlov who is an in Sweden living Russian. On this EP works he together with Coil members; John Balance, Peter Christopherson, Steven Throwers and Frankie Gothard en Louise Weazel. This CD starts with to interpretations from songs from the eighties. The first is "My Angel" a revision from "Meet murder my angel" from Soft Cell. Pavlov spins with not to define noise and use many samples from surrounding sounds and up-building drones makes the chaos complete. On this whispers Peter Christopherson his lyrics. A dark, sinister minimal electro track. The second, "FFFetisch" is an interpretation from "fetish" from Vicious Pink. Here do Frankie Gothard the voice and makes COH the music nice up-tempo and straight a head. An almost New-beat a-like retro sounds dance song. "Prayer for Russell" with Steven Thrower this time who is responsible for the voice and lyrics. The vocals are strong influences by the effect equipment, and fits good with the minimal filling in by Pavlov. With soft pulsing sounds is an almost spoken word track composed. At the finish John Balance and Louise Weasel in "Healthy and Deficiency: Love' septic domain". Here we go musically back in the direction from body-music (eighties). Vehement pumping under-cooled bass-beat sounds and here over the lyrics about hospitals, and the crazy contrasts in the health sector and other nice things. A heavy piece this EP even have it only four songs. Not only interesting for Coil fans I think, it sounds cool retro and I think people who like blood-red poppies from Gerome Nox gonna appreciate this one. TWINE: Circulation LP Komplott 2001/09 Greg Malcom and Chad Mossholder are for four years busy with exploring the boundaries from pulsating electronic, and infiltrations with other forms of art. This is their second full album, they have also a 12" on Hefty Records. The electronic is affect by cut up voice samples, the song "voices" is even complete construct with cut up voice samples. But also traditional rhythms are being remodel, striped and replaced. Dark drones - ambient will insinuate a certain emotion. And to make it all complete all kinds of glitchy noises appears unexpected. So not an every-day record that is a mix between glitch, more conventional electronic and dark drones. It's a bit too chaotic, a record with strong moments, but as entire record can it not grip the attention. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org